The Path of Joy

Indio (G.Lucas)

As summer tour slowly approaches, it is natural to speculate what lies ahead for Phish. With new Anastasio / Marshall material expected, as well as other new Trey songs (e.g “Show of Life, “Liquid Time”), one wonders how their last batch of songs will pan out. While Joy gave us “Light” and “Backwards Down the Number Line,” it remains to be seen if any other songs from the band’s 2009 comeback album will have a lasting impact on shows.

After Joy’s two jam vehicles, no other song from the album provided serious repercussions in 2009, unless you compile all the minutes of show time that “Time Turns Elastic” ate up. While often incorporated into first sets, “Ocelot” still has yet to transform into something greater. Phish has stretched the song out within its playful structure more than a few times, but never used it to explore new territory. Miami’s version provided the first glimpse of something slightly more creative, hinting that “Ocelot” may yet come out to play. But without a second set version to date, the intention to push the piece outwards just doesn’t seem to be there.

Trey and Tom (Relix)

“Kill Devil Falls” speckled ’09 setlists with healthy doses of innocuous, straight-forward rock and roll. Although Phish twice took the song into original terrain, and Bonnaroo’s version provided one of June ’09’s highlights, the jams hardly had to do with the actual song. The composition essentially ends before the band revs up a rock groove, rebuilding the piece into a quasi-“Birds of a Feather” jam. While some may enjoy the blues-rock textures, the song adds little to the overall contour of a Phish show. When the desire strikes Trey to play “Kill Devil Falls,” “Birds” would be the more engaging choice to reach a similar musical plane.

The statute of limitations has almost expired on “Stealing Time From the Faulty Plan.” When the band debuted this song at Jones Beach last summer, it seemed they were unveiling the next dirty jam vehicle into the mix. And each time Phish played the song throughout the year, everyone kept expecting the next version to be the one that took a jump into the dark side. But Phish never as much as hinted at jamming this “Stealing Time.” Every single rendition likened the album version, and at this point, the song slides in below “Character Zero” in intrigue and improv. Trey seems content keeping this one as a boisterous first setter, but I’ll be the first to celebrate an extended jaunt through the blank space were my mind should be.

Jones Beach '09 (W.Rogell)

Aside from Joy’s title track, a poignant ballad which works quite well as the landing point for jams, “Time Turns Elastic,” is the album’s only other piece that Phish infused into 2009 setlists with any regularity. Unfortunately, Trey’s meticulous orchestral composition bombed horribly as a rock song, chewing up valuable set time with anti-climactic, over-indulgent prog-rock. The composition works beautifully in the symphonic setting, but by the end of the year, whether smoking a spliff or taking a piss, many fan adopted accompanying activities to enhance the near-twenty minute lull the song represented during a show.

“Sugar Shack” and “Twenty Years Later” appeared five and four times, respectively, but neither song did much when they showed up. “Twenty Years Later” provided a surreal landing point for SPAC’s “Number Line” Philly’s “Disease,” but the song itself remained a straight composition. This piece, however, illustrates the fact that a well-placed song doesn’t have to be a jam vehicle to enhance a show. Perhaps the band will play place a greater focus on “Twenty Years Later” in 2010, but it doesn’t seem like the most likely scenario. While a clever and catchy song, “Sugar Shack” never found its niche in 2009, unable to jive with its surroundings songs. Probably best used in the first set, Phish placed it in Camden’s second set and Indio’s third set, doing nothing for either frame’s continuity.

12.29.09 (W.Rogell)

“Light” provides the glaring exception to this jam-less trend, emerging as one of the year’s most diverse and dynamic vehicles for improvisation. Providing both a philosophical and musical ethos for Phish’s modern era, the band merely scratched the surface of this song’s potential during fall tour; more intergalactic journeys coming soon. Interestingly, “Light” didn’t really fit into the Americana, blues-rock vibe of Joy, and it transformed into the most psychedelic piece off the album by far. “Number Line” took two notable jaunts last summer, but its significance completely disappeared once fall rolled around. The de facto theme song of 2009, “Number Line’s” 2010 destiny is unbound.

While Joy excited the community as Phish’s first album back from retirement, most of the songs provided little improvisational influence on 2009 Phish. Some of these event-less singles may prove to be more in 2010, but when the dust settled last year, Joy’s songs didn’t contain very sharp teeth. While providing solid musicianship and quality songwriting, the pieces often left improvisational gaps in Phish’s live show with similar, vanilla incarnations. Although we have yet to see the best these Joy’s songs have to offer, more rhythmically-angular and musically-open songs would be a welcome addition come summer tour.

It was Joy to reunite in 2009, but something tells me that the mystery of 2010, looming only a month away, will be far more riveting.


Jam of the Day:

Free” 6.30.99 II

From the opening night of Summer ’99, a “Free” the way they oughta’ be.




5.17.94 The Arlington Theatre, Santa Barbara, CA < Megaupload

5.17.94 The Arlington Theatre, Santa Barbara, CA < Torrent

The Arlington Theate

An under-circulated show from Spring ’94.

I: Suzy Greenberg, Maze, Mound, If I Could, Scent of a Mule, Ginseng Sullivan*, Dog Faced Boy*, Split Open and Melt, The Squirming Coil

II: Runaway Jim, Glide, Tweezer** > Lifeboy, Uncle Pen, Big Ball Jam > Sample in a Jar, Hold Your Head Up > Love You > Hold Your Head Up, Slave to the Traffic Light

E: Highway to Hell

*Acoustic and without microphones

** w/ Earache My Eye jam (Cheech & Chong)

Source: AKG 461

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606 Responses to “The Path of Joy”

  1. ChefBradford Says:

    I wish the cellophane into which I deposit my infrequent donations wasn’t empty. I don’t rash much, but I wanted to this afternoon

  2. Angryjoggerz Says:

    how is the mikes>light>Weekapaug from the first night of Miami?

  3. Angryjoggerz Says:

    Is rashed the new baned speak?

  4. SillyWilly Says:


    looks like it.


    Im there with you.

    If rash is the new bane, i’ve got the itch.

  5. KWL Says:

    in memory of sneven’s late friend, rick rash

    getting baned in honor of rick quickly became getting rashed…

  6. Mr.Palmer Says:

    LLFA @ Silly.

  7. Lycanthropist Says:

    interesting LOST tonight.

    whats up BB?

  8. Mr.Palmer Says:

    very interesting indeed , Lycan

  9. ChefBradford Says:


  10. Lycanthropist Says:

    bout to get bane rashed myself!

  11. SillyWilly Says:

    looking for the hydrocortisone cream, Lycan, but the pharmacy’s closed.

  12. voopa Says:


    …I dug the intro Thunderhead on 7/29/03, and the short jam after. Sounds like some of the crowd was expecting Twist, but no! Now Brother…


  13. ChefBradford Says:

    Brother was a song I was super-happy to see at IT, IT comprising my second Phish experience

    Mike’s crazy bass jam from NICU>Brother had me laughing and jumping around with my new friends

  14. Lycanthropist Says:

    currently uploading Chance Fisher: 05/08/2010

  15. Mitch Says:

    KWL re: crosseyed, ducks? no way. 03 smokes the ones from this year.

  16. Mitch Says:

    voopa, awesome images!!

    angry, dvds are half burned cause im doing it in with a batch for a few people. gonna throw a couple things together for you.

  17. KWL Says:

    03 is not held in high regard around these parts, mitch…

  18. Mitch Says:

    i dont wanna talk about having a rash on a message board. outsiders may think this is a weird place to discuss. 😯

  19. Mitch Says:

    03 crosseyed is always appreciated tho. thats a standout 03 gem. many could agree. in fact i’m sure anyone who listens to it. haha

  20. BuffaloPhisherman Says:

    So I’m watching the Blackhawks play the Canucks in Vancouver and before a second period faceoff a familiar song (Suzie) is played. It reminded me that during the Olympics in the same building I heard KDF. So good lookin there GM Place. If you could pick a Phish snippet to be broadcast during a game, what would it be?

  21. voopa Says:

    switched mid-Bowie to Raleigh ’97…can’t get enough of that DWD>Mike’s segue! And the Weekapug ain’t too shabby either….looking forward to both!

  22. Lycanthropist Says:

  23. flarrdogg Says:

    Voopa- How about the last 3 minutes of that Mikes before the drop into Simple?!? That is some of my very favorite Phish in history (phishstory?) So dark and nasty. That show was the bizness- the DVD doesn’t do it justice.

  24. flarrdogg Says:

    Bomb Factory tweez… type II? Kangfirmation.

  25. voopa Says:

    Word flarr…

    Just finished ‘Paug, now on Harry..what an incredible show!

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