Crushing Camden

6.24.10 - Camden (Graham Lucas)

Phish has owned Camden – year in and year out – for their entire career, regardless of what the venue has been called. Having never played anything but smoking shows within the confines of the former “Tweeter Center,” Phish’s streak in Southern Jersey continued last night with a power-packed performance from beginning to end. Putting together an impeccable first set that, arguably, trumps any of tour, and a second filled with non-stop action, Phish crafted one of their strongest overall evenings of the summer last night, just across the river from Philadelphia.

6.24.10 (G.Lucas)

When the band opened the show with a densely wound “David Bowie,” everyone could feel the energy in the air, immediately sensing a special night. As Phish continues to play more contained jams within many of their songs, their creativity-within-structure is beginning to take off. The originality on display in many first (and second) set jams last never truly broke form illustrates this developing, retro-trend; and none better than the long awaited bust-out of “Timber Ho!” Dropping into the murky abyss, Trey combined short, rhythmic notes with his bending whale tones, as Mike and Fish held down a rolling pocket of thunder. One of the most creative pieces of the entire evening never left the form of the song, a clear sign of improvisational innovation combined with musical density. Together, the band built a sinister excursion, wowing the audience late in the first set. But there was plenty of meat that came first.

Following “Bowie” with a spirited version of “Faulty Plan,” the band eased into a mid-set “Ocelot” that brought yet another strong version of the quickly-expanding song. Again illustrating their imaginative ideas within a given context, Phish crafted another highlight of the first set with their playful blues-rock. This pattern held true throughout the opening frame as Phish blew up structured versions of “Boogie On,” “Birds of a Feather,” and “Reba.” Within the set Trey released the whale early and often, tactfully using the tone to enhance jams while lending a definitively new element to Phish’s sonic brew. Phish rounded out their standout first set with two covers – a shredding version of the rare and technically difficult, “Uncle Pen,” and the debut of Led Zeppelin’s “The Rover.” The latter translated perfectly as a rocking set closer, but the question that now looms over all these new covers – “Are they one and done?” If they aren’t, their newest choice off Physical Graffiti will make a phenomenal addition to their repertoire.

6.24.10 (G.Lucas)

Phish threw down a raging opening half, then came right back out and did it again. Led by Mike and Trey’s interplay all night long, the band darted and dove through a flowing set of high-octane Phish with but one small speed bump. A frame split into three distinct sections carried a certain flow that has been absent from the past two evenings, while the band’s on-stage communication remained incredibly efficient. “Down With Disease” bust open the dam for a flood of energy that continued until the band stepped off stage at the end of the show. Annihilating the composed jam in “Disease,” the band slowed into a segment that momentarily sounded like the second “Ghost” of summer lurked just around the bend. But the band had barely entered this sequence when they of transitioned into “Crosseyed and Painless.” Setting up this segue more carefully than others in the past few shows, Phish actually blended two songs together, and while it may not have been as seamless as 7.31.09, Phish nonetheless, proficiently flipped songs.

Carrying ferocious momentum into the jam, the band exploded in creativity, blasting ideas throughout a structured “Crosseyed” jam that would have made David Byrne proud. Riding a galloping groove, Trey precisely assassinated his leads as the piece remained anchored to the song. But as soon as the band did break form, they entered a swampy texture that began to expand quickly. Amidst a thick rhythm, on the brink of a “Camden Jam,” Trey ran like a puppy from the dark psychedelia into the welcoming arms of “Nothing,” the light, dreamy track off Undermind. Though the transition brought the welcome return of “Nothing,” Trey’s deliberate change of song was, once again, quite forced. Regardless, “Nothing’s” summertime melodies provided resolution to the non-stop dynamite that preceded, and did so tastefully. The gentle jam sounded more coherent than ever, complete with vocal harmonies layered over the ending. And thus ended Act I of Set II.

6.24.10 (G.Lucas)

The standalone placement of “Twenty Years Later” initially felt odd, as the song has almost exclusively been used as a landing for deep improvisation. However, last night “Twenty Years Later” made the transition from landing pad into launching pad, as Phish built an abstract jam out of the song’s dark ending that has begged for attention since its debut a year ago. With heavily effected sheets of sound, the band created an intense sound sculpture that uncovered a new root for evil improv. Morphing the jam into a beat-less ambient ending, Fishman slyly rolled right into “Harry Hood.” The band used their age-old classic to resolve an exploration through one of their newest pieces, staging a zealous rendition of the life-affirming anthem. Led by Mike and Trey’s two-pronged attack, Phish wove a breathtaking version that showcased intertwined leads from the two guitarists, a musical double-helix. A stellar version that holds up to any this summer, this “Hood,” punctuated Act II of the set.

6.24.10 - Camden (G.Lucas)

Standing on the mountain top, overlooking the valley beneath “Hood’s peak,” the band decided to follow their opus with another feel good classic – “Fluffhead.” Bringing the upbeat vibe to the end of the set, the blazing composition set the crowd afire for “Act III: The Greatest Hits.” Following one tremendous peak with another, Phish flooded the building with musical serotonin, blissing the audience out with a one-two punch. A rollicking romp through “Julius” appeared to be the set closer, but when the band didn’t leave stage, one could feel a “YEM” coming, and before long, Trey counted off their seminal work. Infusing the song with filthy inspiration, the band littered the Camden metro area with an array of dirty grooves to end the evening. Camden’s “YEM” provided a final section of slammin’ jamming, creating a perfect cap for Act III, and the ideal dance-party closer for a set filled with joyful Phish.

As the band turned the corner to the second half of tour, they opened up with a blistering show that simply never let up from the start. Playing with great creativity and musical tension Phish kicked off this weekend with a full-on performance that set the bar quite high for tomorrow night. Leave it to South Jersey to bring out the best in the band. It always has, so why stop now?

I: David Bowie, Stealing Time From the Faulty Plan, Water in the Sky, Ocelot, Uncle Pen, Boogie On Reggae Woman, Gumbo, Timber (Jerry),  I Didn’t Know, Birds of a Feather, Bouncing Around the Room, Reba, The Rover*

II: Down with Disease > Crosseyed and Painless > Nothing, Twenty Years Later > Harry Hood, Fluffhead, Julius, You Enjoy Myself

E: Bug

* Phish debut

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1,836 Responses to “Crushing Camden”

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  1. TheSloth Says:

    Nice review; can’ wait to give it a spin

  2. justin Says:

    i go to 5 in a row and they drop the cross eyed i wanted the next show ,hope all i had fun

  3. Pabalive Says:

    The pattern to the covers appears to be songs from the albums that were “killed off” in the lead up to Halloween ’09. If anyone has a better idea, let me know. But, go and take a look at the one-off covers and see for your self. Of course I have seen 5 shows, take off last night and intend to go tonight and they play The Rover, easily one of my favorite LZ songs off one of the greatest albums ever Physical Graffiti. But, still no Ghost and I am hopeful that tonight it drops as I will be in attendance.

  4. zzyzx Says:

    paba – the Tom Waits song was on a different album than the killed disc.

  5. poop goblin Says:

    Sounds great

    Can’t wait to spin

    Help this kid with Atlanta extras please

    Poopgoblin16 @ g m a i l

    Have a good one
    Laterz

  6. BTB Says:

    Everyone had such a great time there is no one available to post a review.

    Enjoy the waffles in the hotel lobby….pop ibuprofen….confirm this!!

  7. ae Says:

    Here’s hoping they have more of that for tonight! I’ll be checking around the ww table hoping to meet some of you whose thoughtful posts have helped make this board my favorite reading. 🙂

  8. tela'smuff Says:

    nice review. the more i reflect on the placement of Nothing, the ore I like it. The Twenty Years Later “jam” was very nice. I would like more of that from that song please.

    Ghost>Face Melting Sparkle tonight.

  9. KWL Says:

    high energy phish

    stoked

  10. BTB Says:

    Ghost > FMS would overload the paramedics – they can’t handle that many head explosions at once.

  11. bhizzle Says:

    Ghost >FMS = SOAM

  12. bhizzle Says:

    BTW, good morning peeps. This show sounds stellar Miner. I’m getting all amp’d up for CMAC. Now off to find a good source to listen to during work. I want to hear the 20 Yrs later…for some reason that has been a song I love to hear….

  13. BabyPigPerm Says:

    hey guys,
    ‘morning. Just rolled out of bed from the show last night. For me the first set was the night for me. As odd as this may sound it seemed to go on forever in a fantastic way and I felt SUPER content and the break. Left me feeling—“what do they do next????”

    A definite change from last year, where it seemed to take the whole first set just to get warmed up for the second. There was a real buzz as they sounded like they were going into Ghost and then C & P really just pooped out in a well crafted segue.

    I could keep typing for awhile, but I gotta get some work done if I am gonna make tonights show. After hitting Camden last year and it being one of my favorites out of 13 or so shows, I didn’t think they could top it. They did and then some. Also got to hear some songs that have been eluding me for a LONG time.

    So satisfying. And I was relatively sober, which isn’t the norm for me a a phish show.

    here’s to topping last night—tonight!

  14. BTB Says:

    Bhizzle – http://yawningdrone.com/

    locked and loaded

  15. BabyPigPerm Says:

    ^whoops—-POPPED, not Pooped.

    although on a side note, if they are going to charge 20-25 bucks to park, how bout emptying the f’ing portal pattys. We got there relatively early and they were ALL full and no TP. C’MON, Man!

    I was walking around with only one sock the whole night!

  16. tela'smuff Says:

    @baby – “pooped” worked as well.

  17. jdub Says:

    Great review Miner. Got to get a source to hear for myself.

    10 shows in and I can’t be more thrilled at how it’s going right now.

    Would you guys consider most of these shows equal to the Miami big three. Miami had the big jam but so do some these. Seems like the type I jams are the heat this summer.

  18. Mr.Palmer Says:

    Can’t wait for tonight. Ghost, Tweezer, Twist, 7 below, all begging to be unleashed in the beautiful Camden surroundings. leaving in 2 1/2 hours!

    Giddy-Up!

  19. KWL Says:

    not sure why it took me so long to get on the yawningdrone bus

  20. KWL Says:

    have fun mr p 8)

  21. BTB Says:

    Palmer – excited to go to a PH show = lame 🙂

    enjoy your self maine

  22. jdub Says:

    Thinking about it some more

    I’ve enjoyed listening to the entire shows this summer more than Miami. Every song seems refreshed with rolling jams developing quickly.

  23. BeantownBoy Says:

    Does anyone have a source for last night’s show?
    My work computer hates the Drone that Yawns.

  24. jdub Says:

    It’s a great day already @Palmer. Enjoy

  25. KWL Says:

    there’s a few sources up on bt.etree.org already today if you can do the torrent thing

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