Crushing Camden

6.24.10 - Camden (Graham Lucas)

Phish has owned Camden – year in and year out – for their entire career, regardless of what the venue has been called. Having never played anything but smoking shows within the confines of the former “Tweeter Center,” Phish’s streak in Southern Jersey continued last night with a power-packed performance from beginning to end. Putting together an impeccable first set that, arguably, trumps any of tour, and a second filled with non-stop action, Phish crafted one of their strongest overall evenings of the summer last night, just across the river from Philadelphia.

6.24.10 (G.Lucas)

When the band opened the show with a densely wound “David Bowie,” everyone could feel the energy in the air, immediately sensing a special night. As Phish continues to play more contained jams within many of their songs, their creativity-within-structure is beginning to take off. The originality on display in many first (and second) set jams last never truly broke form illustrates this developing, retro-trend; and none better than the long awaited bust-out of “Timber Ho!” Dropping into the murky abyss, Trey combined short, rhythmic notes with his bending whale tones, as Mike and Fish held down a rolling pocket of thunder. One of the most creative pieces of the entire evening never left the form of the song, a clear sign of improvisational innovation combined with musical density. Together, the band built a sinister excursion, wowing the audience late in the first set. But there was plenty of meat that came first.

Following “Bowie” with a spirited version of “Faulty Plan,” the band eased into a mid-set “Ocelot” that brought yet another strong version of the quickly-expanding song. Again illustrating their imaginative ideas within a given context, Phish crafted another highlight of the first set with their playful blues-rock. This pattern held true throughout the opening frame as Phish blew up structured versions of “Boogie On,” “Birds of a Feather,” and “Reba.” Within the set Trey released the whale early and often, tactfully using the tone to enhance jams while lending a definitively new element to Phish’s sonic brew. Phish rounded out their standout first set with two covers – a shredding version of the rare and technically difficult, “Uncle Pen,” and the debut of Led Zeppelin’s “The Rover.” The latter translated perfectly as a rocking set closer, but the question that now looms over all these new covers – “Are they one and done?” If they aren’t, their newest choice off Physical Graffiti will make a phenomenal addition to their repertoire.

6.24.10 (G.Lucas)

Phish threw down a raging opening half, then came right back out and did it again. Led by Mike and Trey’s interplay all night long, the band darted and dove through a flowing set of high-octane Phish with but one small speed bump. A frame split into three distinct sections carried a certain flow that has been absent from the past two evenings, while the band’s on-stage communication remained incredibly efficient. “Down With Disease” bust open the dam for a flood of energy that continued until the band stepped off stage at the end of the show. Annihilating the composed jam in “Disease,” the band slowed into a segment that momentarily sounded like the second “Ghost” of summer lurked just around the bend. But the band had barely entered this sequence when they of transitioned into “Crosseyed and Painless.” Setting up this segue more carefully than others in the past few shows, Phish actually blended two songs together, and while it may not have been as seamless as 7.31.09, Phish nonetheless, proficiently flipped songs.

Carrying ferocious momentum into the jam, the band exploded in creativity, blasting ideas throughout a structured “Crosseyed” jam that would have made David Byrne proud. Riding a galloping groove, Trey precisely assassinated his leads as the piece remained anchored to the song. But as soon as the band did break form, they entered a swampy texture that began to expand quickly. Amidst a thick rhythm, on the brink of a “Camden Jam,” Trey ran like a puppy from the dark psychedelia into the welcoming arms of “Nothing,” the light, dreamy track off Undermind. Though the transition brought the welcome return of “Nothing,” Trey’s deliberate change of song was, once again, quite forced. Regardless, “Nothing’s” summertime melodies provided resolution to the non-stop dynamite that preceded, and did so tastefully. The gentle jam sounded more coherent than ever, complete with vocal harmonies layered over the ending. And thus ended Act I of Set II.

6.24.10 (G.Lucas)

The standalone placement of “Twenty Years Later” initially felt odd, as the song has almost exclusively been used as a landing for deep improvisation. However, last night “Twenty Years Later” made the transition from landing pad into launching pad, as Phish built an abstract jam out of the song’s dark ending that has begged for attention since its debut a year ago. With heavily effected sheets of sound, the band created an intense sound sculpture that uncovered a new root for evil improv. Morphing the jam into a beat-less ambient ending, Fishman slyly rolled right into “Harry Hood.” The band used their age-old classic to resolve an exploration through one of their newest pieces, staging a zealous rendition of the life-affirming anthem. Led by Mike and Trey’s two-pronged attack, Phish wove a breathtaking version that showcased intertwined leads from the two guitarists, a musical double-helix. A stellar version that holds up to any this summer, this “Hood,” punctuated Act II of the set.

6.24.10 - Camden (G.Lucas)

Standing on the mountain top, overlooking the valley beneath “Hood’s peak,” the band decided to follow their opus with another feel good classic – “Fluffhead.” Bringing the upbeat vibe to the end of the set, the blazing composition set the crowd afire for “Act III: The Greatest Hits.” Following one tremendous peak with another, Phish flooded the building with musical serotonin, blissing the audience out with a one-two punch. A rollicking romp through “Julius” appeared to be the set closer, but when the band didn’t leave stage, one could feel a “YEM” coming, and before long, Trey counted off their seminal work. Infusing the song with filthy inspiration, the band littered the Camden metro area with an array of dirty grooves to end the evening. Camden’s “YEM” provided a final section of slammin’ jamming, creating a perfect cap for Act III, and the ideal dance-party closer for a set filled with joyful Phish.

As the band turned the corner to the second half of tour, they opened up with a blistering show that simply never let up from the start. Playing with great creativity and musical tension Phish kicked off this weekend with a full-on performance that set the bar quite high for tomorrow night. Leave it to South Jersey to bring out the best in the band. It always has, so why stop now?

I: David Bowie, Stealing Time From the Faulty Plan, Water in the Sky, Ocelot, Uncle Pen, Boogie On Reggae Woman, Gumbo, Timber (Jerry),  I Didn’t Know, Birds of a Feather, Bouncing Around the Room, Reba, The Rover*

II: Down with Disease > Crosseyed and Painless > Nothing, Twenty Years Later > Harry Hood, Fluffhead, Julius, You Enjoy Myself

E: Bug

* Phish debut

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1,836 Responses to “Crushing Camden”

  1. jay Says:

    awesome for you @chef! I remember how jazzed I was when they announced hampton last year and got tickets. Was 6 yrs for me too.

  2. ChefBradford Says:

    Aquaman, I instantly thought of MC Pee Pants, i just couldn’t come up with any quotes/lyrics offhand

  3. sanchothehutt Says:

    There he is!

    Yeah, so I butchered the title of the cast with my typing, but Mr. C knows what I’m talking about!

    Ever listen to the Adam Carolla Show? If not, today’s is the one to get you started. Cracking up in my cubie all day.

  4. jay Says:

    “I love the Savage Lovecast.”

    What is that?

  5. ChefBradford Says:

    Jay, yeah man, I don’t remember the last time I was this excited about something. And some of the people here have helped make these shows happen for me, for which I’m incredibly grateful

  6. sanchothehutt Says:

    asking myself why I get so pumped that Mr. C is lurking and posting every once in a while…must be becaust of LOST discussion withdrawl

  7. Mr. Completely Says:

    my favorite ongoing observation with wacky fetishists is when they look down on each other, like the goat fucker writing into disparage the poop guy or the lady who wants to be wrapped in Saran Wrap and hung from the ceiling.

    everyone’s into something, but no one’s into everything, right?

  8. sneven Says:

    So now I’m on listening to last night. snoogins…

  9. Mr. Completely Says:

    it’s the podcast of america’s awesomest sex advice columnist, Dan Savage

    some episodes are just odd, depressing or even a little boring but many are wild as hell and some are really insightful and interesting

  10. Aquaman Says:

    @ Chef

    Thanks God I am not alone.


    P.S. I am rocking some Squidbillies right now.

  11. sanchothehutt Says:

    ooh Jay!!!! you’ve got hundreds of hours of entertaining Dan Savage to listen to. He’s the sex advice guy who once titled his column “Hey, Faggot”

    Yes, he is gay. IF you ever read The Onion, he has a column in the back of every issue. Hilarious questions, even more hilarious answers! Sharp as a tack, been a guest on Maher, O’Reilly, etc. Good stuff

  12. ChefBradford Says:

    Squidbillies is one of my fave Adult Swim shows. So fucking out there, but unbelievably hilarious. Love me some Early and Rusty

    Do not touch the trim!

  13. Mr. Completely Says:

    Aqua Teens represent!

    more of a Harvey Birdman guy really, but ATHF is great

  14. sanchothehutt Says:

    Mr C, I almost spit my coffee out this week when the chick said

    “I want my boyfriend to fuck my armpit and then blow a load in my nose”

    Crazy people.

  15. Aquaman Says:

    Mr. C.

    Did you say Saran Warp and a goat?

    Now that’s a party.

  16. sanchothehutt Says:


  17. Mr. Completely Says:

    Dan Savage is just fundamentally “sex positive”

    he thinks people deserve to have fun and feel good about it as long as no one is getting hurt or manipulated

    he cuts right through all the head games and bullshit really well

    once he got over being squeamish talking about “lady parts” many years ago he became very brilliant and influential

    every teenager should read his back catalog and listen to the podcast, fuck “sex ed”

    dan savage tells it like it is

  18. BrandonKayda Says:

    Yeah….I can’t sleep

    Aqua Teen Hunger Force is fucking great. You guys ever seen Superjail/Tim and Eric? Love the odd/eccentric/dark humor in there

    The ‘hooker at MPP’ comments are cracking me up guys….well done.

    I haven’t slept well for three days…so what’s one more? 😉

  19. VoidBoy Says:

    Adventure Brothers… (First Season)… awesome…

  20. Robear Says:

    the anti-hater show

  21. sanchothehutt Says:

    For my sanity, I must bid you all good night. Good night. Good night.

  22. jay Says:

    well, that does sound interesting. I think I have read his column before in the onion.

  23. Aquaman Says:

    Mr C

    Totally agree. Harvey Birdman is the best. Colbert’s best work.

    HA, HA.

  24. Mr. Completely Says:

    yeah man, that’s classic

    among many other positive effects listening and reading Dan Savage will probably make you feel much more normal about whatever it is you like

    my personal favorite quote:

    “anal sex is like eating bbq chicken, it’s more fun once you accept you might get messy”


  25. VoidBoy Says:

    @BK… wear a “red carnation” so we can set this up right… (personally, I thought you had gone alseep…)

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