Crushing Camden

6.24.10 - Camden (Graham Lucas)

Phish has owned Camden – year in and year out – for their entire career, regardless of what the venue has been called. Having never played anything but smoking shows within the confines of the former “Tweeter Center,” Phish’s streak in Southern Jersey continued last night with a power-packed performance from beginning to end. Putting together an impeccable first set that, arguably, trumps any of tour, and a second filled with non-stop action, Phish crafted one of their strongest overall evenings of the summer last night, just across the river from Philadelphia.

6.24.10 (G.Lucas)

When the band opened the show with a densely wound “David Bowie,” everyone could feel the energy in the air, immediately sensing a special night. As Phish continues to play more contained jams within many of their songs, their creativity-within-structure is beginning to take off. The originality on display in many first (and second) set jams last never truly broke form illustrates this developing, retro-trend; and none better than the long awaited bust-out of “Timber Ho!” Dropping into the murky abyss, Trey combined short, rhythmic notes with his bending whale tones, as Mike and Fish held down a rolling pocket of thunder. One of the most creative pieces of the entire evening never left the form of the song, a clear sign of improvisational innovation combined with musical density. Together, the band built a sinister excursion, wowing the audience late in the first set. But there was plenty of meat that came first.

Following “Bowie” with a spirited version of “Faulty Plan,” the band eased into a mid-set “Ocelot” that brought yet another strong version of the quickly-expanding song. Again illustrating their imaginative ideas within a given context, Phish crafted another highlight of the first set with their playful blues-rock. This pattern held true throughout the opening frame as Phish blew up structured versions of “Boogie On,” “Birds of a Feather,” and “Reba.” Within the set Trey released the whale early and often, tactfully using the tone to enhance jams while lending a definitively new element to Phish’s sonic brew. Phish rounded out their standout first set with two covers – a shredding version of the rare and technically difficult, “Uncle Pen,” and the debut of Led Zeppelin’s “The Rover.” The latter translated perfectly as a rocking set closer, but the question that now looms over all these new covers – “Are they one and done?” If they aren’t, their newest choice off Physical Graffiti will make a phenomenal addition to their repertoire.

6.24.10 (G.Lucas)

Phish threw down a raging opening half, then came right back out and did it again. Led by Mike and Trey’s interplay all night long, the band darted and dove through a flowing set of high-octane Phish with but one small speed bump. A frame split into three distinct sections carried a certain flow that has been absent from the past two evenings, while the band’s on-stage communication remained incredibly efficient. “Down With Disease” bust open the dam for a flood of energy that continued until the band stepped off stage at the end of the show. Annihilating the composed jam in “Disease,” the band slowed into a segment that momentarily sounded like the second “Ghost” of summer lurked just around the bend. But the band had barely entered this sequence when they of transitioned into “Crosseyed and Painless.” Setting up this segue more carefully than others in the past few shows, Phish actually blended two songs together, and while it may not have been as seamless as 7.31.09, Phish nonetheless, proficiently flipped songs.

Carrying ferocious momentum into the jam, the band exploded in creativity, blasting ideas throughout a structured “Crosseyed” jam that would have made David Byrne proud. Riding a galloping groove, Trey precisely assassinated his leads as the piece remained anchored to the song. But as soon as the band did break form, they entered a swampy texture that began to expand quickly. Amidst a thick rhythm, on the brink of a “Camden Jam,” Trey ran like a puppy from the dark psychedelia into the welcoming arms of “Nothing,” the light, dreamy track off Undermind. Though the transition brought the welcome return of “Nothing,” Trey’s deliberate change of song was, once again, quite forced. Regardless, “Nothing’s” summertime melodies provided resolution to the non-stop dynamite that preceded, and did so tastefully. The gentle jam sounded more coherent than ever, complete with vocal harmonies layered over the ending. And thus ended Act I of Set II.

6.24.10 (G.Lucas)

The standalone placement of “Twenty Years Later” initially felt odd, as the song has almost exclusively been used as a landing for deep improvisation. However, last night “Twenty Years Later” made the transition from landing pad into launching pad, as Phish built an abstract jam out of the song’s dark ending that has begged for attention since its debut a year ago. With heavily effected sheets of sound, the band created an intense sound sculpture that uncovered a new root for evil improv. Morphing the jam into a beat-less ambient ending, Fishman slyly rolled right into “Harry Hood.” The band used their age-old classic to resolve an exploration through one of their newest pieces, staging a zealous rendition of the life-affirming anthem. Led by Mike and Trey’s two-pronged attack, Phish wove a breathtaking version that showcased intertwined leads from the two guitarists, a musical double-helix. A stellar version that holds up to any this summer, this “Hood,” punctuated Act II of the set.

6.24.10 - Camden (G.Lucas)

Standing on the mountain top, overlooking the valley beneath “Hood’s peak,” the band decided to follow their opus with another feel good classic – “Fluffhead.” Bringing the upbeat vibe to the end of the set, the blazing composition set the crowd afire for “Act III: The Greatest Hits.” Following one tremendous peak with another, Phish flooded the building with musical serotonin, blissing the audience out with a one-two punch. A rollicking romp through “Julius” appeared to be the set closer, but when the band didn’t leave stage, one could feel a “YEM” coming, and before long, Trey counted off their seminal work. Infusing the song with filthy inspiration, the band littered the Camden metro area with an array of dirty grooves to end the evening. Camden’s “YEM” provided a final section of slammin’ jamming, creating a perfect cap for Act III, and the ideal dance-party closer for a set filled with joyful Phish.

As the band turned the corner to the second half of tour, they opened up with a blistering show that simply never let up from the start. Playing with great creativity and musical tension Phish kicked off this weekend with a full-on performance that set the bar quite high for tomorrow night. Leave it to South Jersey to bring out the best in the band. It always has, so why stop now?

I: David Bowie, Stealing Time From the Faulty Plan, Water in the Sky, Ocelot, Uncle Pen, Boogie On Reggae Woman, Gumbo, Timber (Jerry),  I Didn’t Know, Birds of a Feather, Bouncing Around the Room, Reba, The Rover*

II: Down with Disease > Crosseyed and Painless > Nothing, Twenty Years Later > Harry Hood, Fluffhead, Julius, You Enjoy Myself

E: Bug

* Phish debut

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1,836 Responses to “Crushing Camden”

  1. sanchothehutt Says:

    BK, i know a lot of people will disagree with what I’m about to say, but Ambien works wonders. Just don’t expect to ever want to sleep without it again.

    Just ruined my own advice.

  2. Mr. Completely Says:

    Robear, they’re a bunch of hater haters

    I love how the setlist has “hater magnet” songs all through it


  3. ChefBradford Says:

    Yep, love the Venture Bros, too. Was a big fan of Harvey Birdman, too bad they bumped him off.

    I don’t watch much TV anymore, but when I do it’s usually animation from either Fox or Adult Swim

  4. sanchothehutt Says:

    Plus you get insight into the “Santorum” jokes.

    I’m still here?

  5. sneven Says:

    I usually end up watching some stupid-ass show about vampires… my wife is chick-show gullible.

    other than that, I’m really a huge Mythbusters fan.

  6. jay Says:

    “he thinks people deserve to have fun and feel good about it as long as no one is getting hurt or manipulated”

    Why I always have a spotter.

  7. VoidBoy Says:

    “among many other positive effects listening and reading Dan Savage will probably make you feel much more normal about whatever it is you like

    my personal favorite quote:

    “anal sex is like eating bbq chicken, it’s more fun once you accept you might get messy”


    Oh I hate this board… too funny… watching all the smiles with corn stuck in their teeth can really set you back a day or so…

  8. Mr. Completely Says:

    a spotter! classic

  9. voopa Says:

    Where the hell am I?

  10. Aquaman Says:


    Did you catch the all Dr. Steve Brule show two weeks ago?

    “Check it out!”

    They kept talking about Jan’s shwarma gas in her spaghetti house.

    And for some reason I can’t stop saying spaghetti house.


  11. Mr. Completely Says:

    @sneven got to see Adam from mythbusters give an amazing presentation at “w00tstock” live event a couple months ago, an incredible evening of geekery with Wil Wheaton et al…it was great

  12. sanchothehutt Says:

    Sneven, I agree…however I got sucked into True Blood b/c of its campy humor and Anna Paquin going topless. What can I say? I’m a flawed human being.

    Other than that, this vampire thing needs to end. I’m a hypocrate.

  13. sanchothehutt Says:

    does anyone else find the dude from Mythbusters slightly resembles Trey, or am i as crazy as I think?

  14. Mr. Completely Says:

    the anna paquin factor is far from trivial.

    that show is ludicrous but fun.

  15. Mr. Completely Says:

    more the crazy part I think.

    sorry but you did ask.

  16. ChefBradford Says:

    it’ll never end, they’re immortal, duh

  17. sanchothehutt Says:

    well played.

  18. Mr. Completely Says:

    no vampire thing ever will remotely approach the peak seasons of Buffy.

    that’s right. I’m a whedon guy.

    you want to make something of it?

    didn’t think so.

  19. hoedown Says:

    Holy shit! I fucking love Phish! Camden blown up…Confirmed!

  20. sanchothehutt Says:

    Mr. C, Angel fan as well???

  21. VoidBoy Says:

    “Anna Paquin going topless. What can I say?”

    too true

  22. BrandonKayda Says:

    I never saw Check It Out! I always hear about it but I forget to watch…

  23. VoidBoy Says:


    Firefly is his claim to (sh)fame… in my opinion… blows Buffy away. Serenity 4ever!

  24. ChefBradford Says:

    sometimes Tim and Eric crack me up, but most of the time they make me deeply uneasy

    Metalocalypse is another favorite

  25. jay Says:

    vampires all have massive cankles because the blood settles there due to them being dead thus no circulation and gravity. Little known fact. Gravity sucks.

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