Crushing Camden

6.24.10 - Camden (Graham Lucas)

Phish has owned Camden – year in and year out – for their entire career, regardless of what the venue has been called. Having never played anything but smoking shows within the confines of the former “Tweeter Center,” Phish’s streak in Southern Jersey continued last night with a power-packed performance from beginning to end. Putting together an impeccable first set that, arguably, trumps any of tour, and a second filled with non-stop action, Phish crafted one of their strongest overall evenings of the summer last night, just across the river from Philadelphia.

6.24.10 (G.Lucas)

When the band opened the show with a densely wound “David Bowie,” everyone could feel the energy in the air, immediately sensing a special night. As Phish continues to play more contained jams within many of their songs, their creativity-within-structure is beginning to take off. The originality on display in many first (and second) set jams last never truly broke form illustrates this developing, retro-trend; and none better than the long awaited bust-out of “Timber Ho!” Dropping into the murky abyss, Trey combined short, rhythmic notes with his bending whale tones, as Mike and Fish held down a rolling pocket of thunder. One of the most creative pieces of the entire evening never left the form of the song, a clear sign of improvisational innovation combined with musical density. Together, the band built a sinister excursion, wowing the audience late in the first set. But there was plenty of meat that came first.

Following “Bowie” with a spirited version of “Faulty Plan,” the band eased into a mid-set “Ocelot” that brought yet another strong version of the quickly-expanding song. Again illustrating their imaginative ideas within a given context, Phish crafted another highlight of the first set with their playful blues-rock. This pattern held true throughout the opening frame as Phish blew up structured versions of “Boogie On,” “Birds of a Feather,” and “Reba.” Within the set Trey released the whale early and often, tactfully using the tone to enhance jams while lending a definitively new element to Phish’s sonic brew. Phish rounded out their standout first set with two covers – a shredding version of the rare and technically difficult, “Uncle Pen,” and the debut of Led Zeppelin’s “The Rover.” The latter translated perfectly as a rocking set closer, but the question that now looms over all these new covers – “Are they one and done?” If they aren’t, their newest choice off Physical Graffiti will make a phenomenal addition to their repertoire.

6.24.10 (G.Lucas)

Phish threw down a raging opening half, then came right back out and did it again. Led by Mike and Trey’s interplay all night long, the band darted and dove through a flowing set of high-octane Phish with but one small speed bump. A frame split into three distinct sections carried a certain flow that has been absent from the past two evenings, while the band’s on-stage communication remained incredibly efficient. “Down With Disease” bust open the dam for a flood of energy that continued until the band stepped off stage at the end of the show. Annihilating the composed jam in “Disease,” the band slowed into a segment that momentarily sounded like the second “Ghost” of summer lurked just around the bend. But the band had barely entered this sequence when they of transitioned into “Crosseyed and Painless.” Setting up this segue more carefully than others in the past few shows, Phish actually blended two songs together, and while it may not have been as seamless as 7.31.09, Phish nonetheless, proficiently flipped songs.

Carrying ferocious momentum into the jam, the band exploded in creativity, blasting ideas throughout a structured “Crosseyed” jam that would have made David Byrne proud. Riding a galloping groove, Trey precisely assassinated his leads as the piece remained anchored to the song. But as soon as the band did break form, they entered a swampy texture that began to expand quickly. Amidst a thick rhythm, on the brink of a “Camden Jam,” Trey ran like a puppy from the dark psychedelia into the welcoming arms of “Nothing,” the light, dreamy track off Undermind. Though the transition brought the welcome return of “Nothing,” Trey’s deliberate change of song was, once again, quite forced. Regardless, “Nothing’s” summertime melodies provided resolution to the non-stop dynamite that preceded, and did so tastefully. The gentle jam sounded more coherent than ever, complete with vocal harmonies layered over the ending. And thus ended Act I of Set II.

6.24.10 (G.Lucas)

The standalone placement of “Twenty Years Later” initially felt odd, as the song has almost exclusively been used as a landing for deep improvisation. However, last night “Twenty Years Later” made the transition from landing pad into launching pad, as Phish built an abstract jam out of the song’s dark ending that has begged for attention since its debut a year ago. With heavily effected sheets of sound, the band created an intense sound sculpture that uncovered a new root for evil improv. Morphing the jam into a beat-less ambient ending, Fishman slyly rolled right into “Harry Hood.” The band used their age-old classic to resolve an exploration through one of their newest pieces, staging a zealous rendition of the life-affirming anthem. Led by Mike and Trey’s two-pronged attack, Phish wove a breathtaking version that showcased intertwined leads from the two guitarists, a musical double-helix. A stellar version that holds up to any this summer, this “Hood,” punctuated Act II of the set.

6.24.10 - Camden (G.Lucas)

Standing on the mountain top, overlooking the valley beneath “Hood’s peak,” the band decided to follow their opus with another feel good classic – “Fluffhead.” Bringing the upbeat vibe to the end of the set, the blazing composition set the crowd afire for “Act III: The Greatest Hits.” Following one tremendous peak with another, Phish flooded the building with musical serotonin, blissing the audience out with a one-two punch. A rollicking romp through “Julius” appeared to be the set closer, but when the band didn’t leave stage, one could feel a “YEM” coming, and before long, Trey counted off their seminal work. Infusing the song with filthy inspiration, the band littered the Camden metro area with an array of dirty grooves to end the evening. Camden’s “YEM” provided a final section of slammin’ jamming, creating a perfect cap for Act III, and the ideal dance-party closer for a set filled with joyful Phish.

As the band turned the corner to the second half of tour, they opened up with a blistering show that simply never let up from the start. Playing with great creativity and musical tension Phish kicked off this weekend with a full-on performance that set the bar quite high for tomorrow night. Leave it to South Jersey to bring out the best in the band. It always has, so why stop now?

I: David Bowie, Stealing Time From the Faulty Plan, Water in the Sky, Ocelot, Uncle Pen, Boogie On Reggae Woman, Gumbo, Timber (Jerry),  I Didn’t Know, Birds of a Feather, Bouncing Around the Room, Reba, The Rover*

II: Down with Disease > Crosseyed and Painless > Nothing, Twenty Years Later > Harry Hood, Fluffhead, Julius, You Enjoy Myself

E: Bug

* Phish debut

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1,836 Responses to “Crushing Camden”

  1. sanchothehutt Says:

    Joss is the man.

    I started with Angel and went back to watch the first couple seasons of Buffy.

    Dude, we need to stop or Miner is going to banish us from this board.

    By the By, my 2nd edition D&D shit is available for trade LMFAO

  2. sneven Says:

    sorry all… I got wrapped up in last nights Crosseyed… re: Mythbusters, Adam is a closet Custie. Gottal love it!

  3. sanchothehutt Says:

    Firefly was the greatest show that never got a real chance. It had potential to go into X-FIles (favorite show) territory with River’s character. Stupid Fox.

  4. VoidBoy Says:

    No Firefly lovers out there?

  5. sneven Says:

    Fox also cancelled “Married…With Children.”

    Go figure…

  6. jay Says:

    loved firefly and buffy and angel. All great shows. Long live Josh.

  7. VoidBoy Says:


    River… met her (and the cast in person – behind the scenes)… unimaginable. Loved them all.

  8. sanchothehutt Says:

    Void, I may have gotten bottom paged, check out my love for Firefly. Love it!!!

  9. jay Says:

    River is hot. Loved her in The Sarah Conner Chronicles. Little known fact, terminators can’t swim.

  10. sanchothehutt Says:

    okay fellow nerds of all trades, I’m for real out. Gotta watch Friday Night Lights.

    No, I’m not joking. Flame on, I’ll read tomorrow!

  11. AlexK Says:

    Looking forward to the review, miner’s going to need to use most of his dictionary to describe that second set. Best 2001 in a long time.

  12. Mr. Completely Says:

    of course Firefly, Serenity too

    my single favorite thing he’s done is dr. horrible…

    but those very best buffy episodes are among the best TV there’s ever been. incredibly influential on long-arc genre shows…a total game changer if you like that kind of thing

  13. VoidBoy Says:

    “River is hot. Loved her in The Sarah Conner Chronicles. Little known fact, terminators can’t swim.”

    Underrated here as well. Loved her as a cyborg… as Willowed would say, I’d give a left nut for some of that…

  14. Robear Says:

    alex, he’ll need to invent new words

  15. poop goblin Says:

    Schwilled out fully weened

    Seen that band probably 10 times
    Still confused

    I miss anything

  16. VoidBoy Says:

    @Mr. C…

    No argue… Love Firefly for everything it was and everything it could have been… worth watching again if there are any doubters (13 episodes and a movie).

  17. VoidBoy Says:


    digging the Ween? Hope it all went well.

  18. poop goblin Says:

    Loved it

  19. poop goblin Says:

    Does phish still suck?

  20. BrandonKayda Says:

    Ween is a great live band IMO @poop. Seen em’ a couple times, put on a good show.

    Phish was INCREDIBLE tonight – 16min chalk, 13min 2001 w/MJ teases, Light->Possum, etc etc etc

    MPP is going to be a complete rager tomorrow

  21. ChefBradford Says:

    I tried to play Chocolate and Cheese at work a couple of weeks ago

    I almost got lynched

  22. Robear Says:

    poo g, they torched the place, in typical Camden fashion.

    went all miami ‘gbott’ on the Chalkdust set II opener, with the addition of laser bass beams.

    in the zone. ‘billy jean’ jam during long 2001

  23. VoidBoy Says:

    @the poop…

    does the phish still “stink” upi know it.

    @bk.. keep it up.. 1 more day to go and we’ll all be talking…

  24. poop goblin Says:

    Blow it up BK

    Get down like James brown

  25. VoidBoy Says:

    “laser bass beams.”

    seriously.. jeti type fusion…

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