Crushing Camden

6.24.10 - Camden (Graham Lucas)

Phish has owned Camden – year in and year out – for their entire career, regardless of what the venue has been called. Having never played anything but smoking shows within the confines of the former “Tweeter Center,” Phish’s streak in Southern Jersey continued last night with a power-packed performance from beginning to end. Putting together an impeccable first set that, arguably, trumps any of tour, and a second filled with non-stop action, Phish crafted one of their strongest overall evenings of the summer last night, just across the river from Philadelphia.

6.24.10 (G.Lucas)

When the band opened the show with a densely wound “David Bowie,” everyone could feel the energy in the air, immediately sensing a special night. As Phish continues to play more contained jams within many of their songs, their creativity-within-structure is beginning to take off. The originality on display in many first (and second) set jams last never truly broke form illustrates this developing, retro-trend; and none better than the long awaited bust-out of “Timber Ho!” Dropping into the murky abyss, Trey combined short, rhythmic notes with his bending whale tones, as Mike and Fish held down a rolling pocket of thunder. One of the most creative pieces of the entire evening never left the form of the song, a clear sign of improvisational innovation combined with musical density. Together, the band built a sinister excursion, wowing the audience late in the first set. But there was plenty of meat that came first.

Following “Bowie” with a spirited version of “Faulty Plan,” the band eased into a mid-set “Ocelot” that brought yet another strong version of the quickly-expanding song. Again illustrating their imaginative ideas within a given context, Phish crafted another highlight of the first set with their playful blues-rock. This pattern held true throughout the opening frame as Phish blew up structured versions of “Boogie On,” “Birds of a Feather,” and “Reba.” Within the set Trey released the whale early and often, tactfully using the tone to enhance jams while lending a definitively new element to Phish’s sonic brew. Phish rounded out their standout first set with two covers – a shredding version of the rare and technically difficult, “Uncle Pen,” and the debut of Led Zeppelin’s “The Rover.” The latter translated perfectly as a rocking set closer, but the question that now looms over all these new covers – “Are they one and done?” If they aren’t, their newest choice off Physical Graffiti will make a phenomenal addition to their repertoire.

6.24.10 (G.Lucas)

Phish threw down a raging opening half, then came right back out and did it again. Led by Mike and Trey’s interplay all night long, the band darted and dove through a flowing set of high-octane Phish with but one small speed bump. A frame split into three distinct sections carried a certain flow that has been absent from the past two evenings, while the band’s on-stage communication remained incredibly efficient. “Down With Disease” bust open the dam for a flood of energy that continued until the band stepped off stage at the end of the show. Annihilating the composed jam in “Disease,” the band slowed into a segment that momentarily sounded like the second “Ghost” of summer lurked just around the bend. But the band had barely entered this sequence when they of transitioned into “Crosseyed and Painless.” Setting up this segue more carefully than others in the past few shows, Phish actually blended two songs together, and while it may not have been as seamless as 7.31.09, Phish nonetheless, proficiently flipped songs.

Carrying ferocious momentum into the jam, the band exploded in creativity, blasting ideas throughout a structured “Crosseyed” jam that would have made David Byrne proud. Riding a galloping groove, Trey precisely assassinated his leads as the piece remained anchored to the song. But as soon as the band did break form, they entered a swampy texture that began to expand quickly. Amidst a thick rhythm, on the brink of a “Camden Jam,” Trey ran like a puppy from the dark psychedelia into the welcoming arms of “Nothing,” the light, dreamy track off Undermind. Though the transition brought the welcome return of “Nothing,” Trey’s deliberate change of song was, once again, quite forced. Regardless, “Nothing’s” summertime melodies provided resolution to the non-stop dynamite that preceded, and did so tastefully. The gentle jam sounded more coherent than ever, complete with vocal harmonies layered over the ending. And thus ended Act I of Set II.

6.24.10 (G.Lucas)

The standalone placement of “Twenty Years Later” initially felt odd, as the song has almost exclusively been used as a landing for deep improvisation. However, last night “Twenty Years Later” made the transition from landing pad into launching pad, as Phish built an abstract jam out of the song’s dark ending that has begged for attention since its debut a year ago. With heavily effected sheets of sound, the band created an intense sound sculpture that uncovered a new root for evil improv. Morphing the jam into a beat-less ambient ending, Fishman slyly rolled right into “Harry Hood.” The band used their age-old classic to resolve an exploration through one of their newest pieces, staging a zealous rendition of the life-affirming anthem. Led by Mike and Trey’s two-pronged attack, Phish wove a breathtaking version that showcased intertwined leads from the two guitarists, a musical double-helix. A stellar version that holds up to any this summer, this “Hood,” punctuated Act II of the set.

6.24.10 - Camden (G.Lucas)

Standing on the mountain top, overlooking the valley beneath “Hood’s peak,” the band decided to follow their opus with another feel good classic – “Fluffhead.” Bringing the upbeat vibe to the end of the set, the blazing composition set the crowd afire for “Act III: The Greatest Hits.” Following one tremendous peak with another, Phish flooded the building with musical serotonin, blissing the audience out with a one-two punch. A rollicking romp through “Julius” appeared to be the set closer, but when the band didn’t leave stage, one could feel a “YEM” coming, and before long, Trey counted off their seminal work. Infusing the song with filthy inspiration, the band littered the Camden metro area with an array of dirty grooves to end the evening. Camden’s “YEM” provided a final section of slammin’ jamming, creating a perfect cap for Act III, and the ideal dance-party closer for a set filled with joyful Phish.

As the band turned the corner to the second half of tour, they opened up with a blistering show that simply never let up from the start. Playing with great creativity and musical tension Phish kicked off this weekend with a full-on performance that set the bar quite high for tomorrow night. Leave it to South Jersey to bring out the best in the band. It always has, so why stop now?

I: David Bowie, Stealing Time From the Faulty Plan, Water in the Sky, Ocelot, Uncle Pen, Boogie On Reggae Woman, Gumbo, Timber (Jerry),  I Didn’t Know, Birds of a Feather, Bouncing Around the Room, Reba, The Rover*

II: Down with Disease > Crosseyed and Painless > Nothing, Twenty Years Later > Harry Hood, Fluffhead, Julius, You Enjoy Myself

E: Bug

* Phish debut

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1,836 Responses to “Crushing Camden”

  1. Robear Says:

    the funny thing would be to read the flaming on other boards, by folks that didn’t listen to the stream, or weren’t at the show, but just saw the set list.

    poo g, sick ‘split’, huge cdt, crazy good caspian, which you know i don’t love, crunchy heavy things, tension filled alaska, then stream cut out.

    pawningzone with coffee tomorrow

  2. Mr. Murph Says:

    Brandon, I hope your first show is full of intense energy and love. My first show I didn’t know what to expect. Never heard of the band. Tweezer was played and it sent me back in time to when i was 7. Hooked ever since.

  3. Robear Says:

    in and out for possum. sounded unneccesarily readicculus

  4. poop goblin Says:

    Tonight was one of the better ween shows I’ve caught

    Saw the brothers with the dat backing tracks at the metro when I was a kid in the early 90s

  5. Bad Nirvana Cover Band Says:

    A bit on the jammy side, mr. goblin.

    Army of One made me smile, and Heavy Things made for a good sing-a-long in the second set. People were really feeling the summer of ’89 too.

  6. VoidBoy Says:

    hey robear

  7. alumni blues Says:

    BK, havie a good show tonight. 1st one. Oh yeah…!!

  8. VoidBoy Says:

    “Army of One made me smile, ”

    yeah, good shit… caught it right.

  9. poop goblin Says:

    Just wait till Greek

  10. alumni blues Says:

    Shit’s gonna blow up out in Colorado & Cali..

  11. poop goblin Says:

    You’d be crazy to miss those shows

    West coast will blow up

    So Stoked for 2nd leg

  12. alumni blues Says:

    And by blow up I mean big open jams in the wide open places….

  13. Robear Says:

    void, wuz happenin?

  14. ChefBradford Says:

    Robear, looking forward to meeting you in Charlotte, and the ride with you, Leo, and others up to Raleigh

    poopieG, Any luck with ATL yet?

  15. VoidBoy Says:

    @Robear,

    Chill’n… checking out some heavy Chalkdust… heading up Northern Californiee way in August… otherwise, drinking apple Martini’s and chilli’n. Hope all is going well with you.

  16. Skyballs Saxscraper Says:

    Was Camden II the business?

    Is that a silly question?

  17. VoidBoy Says:

    @Robear,

    Garden is a lot of work this time of yeay.. working our way through the summer.

  18. Robear Says:

    no doubt.

    wants an apple martini.

    yeah, chef. closing in. couple days for the boyz to recover, and it’s the southern cross.

  19. Mr. Murph Says:

    Anyone interested in meeting up before and raleigh, char and atl shows? We can use various glass objects at my house

  20. VoidBoy Says:

    @Murph,

    If you were close enough, I’d be down… enjoy though… shows should be a blast, couch or otherwise.

  21. poop goblin Says:

    No chef that kid found a buyer

    I’d really like to find some though

  22. poop goblin Says:

    David bowie let’s dance is an awesome cover

  23. garretc Says:

    Tonight was heat. Straight heat. The lawn blew up during 2001. Raged it.

  24. ChefBradford Says:

    poopieG, well damn; if I’d known you were looking I’d have shot you that e-mail when I got it. I’m not betting on a re-release now, but I hope you can make it happen somehow. Good luck! I hope you’ll be able to get some Leg 2 love

    work comes early on Saturdays, I’ll catch you fine folks later, it’s already past my curfew

  25. VoidBoy Says:

    2001:blow’n up = you could feel it.

    for sure.

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