Enchanting and Entrancing

'Nuff Said

On December 30, 1995, Phish changed my life with the power of one jam – “Harry Hood.” And fifteen years later, they did it again with the same song. Combining every musical element that I love about this band into one next-level piece of music, the game changers just changed the game again. Within the context of a strong two-set show — with notably mellow selections throughout the second half — the band used one of their oldest songs in their catalog to remind us why there is no other musical act on earth with the power of Phish.

Though I have yet to re-listen to “Harry Hood” — because sometimes peak experiences must stay untouched for a while — I have no qualms about touting the piece as Phish’s defining on-stage moment since they have returned. While the band has offered up many inter-dimensional adventures this go-round, none transpired quite like this. Fusing delicate rhythm playing into the onset of the jam, Trey directed this version in a completely other direction, leading the band into, in my opinion, the most utterly astounding piece of music since their return. Morphing sublime grooves into an ethereal journey, Phish crafted a journey for the ages with mind-bending virtuosity and soul-tugging passion. Within the course of one jam, an entire night vanished by the waysides, leaving us with a musical monument for all time. Just wait until you hear this one…

10.19.10 (Ryan Gilbertie)

But the show that disappeared in the majesty of a moment, contained a bevy of creative jamming that illustrated the well-oiled machine of Phish on the brink of 2011. Regardless of setlist — and last nights’ second half was rather mellow — the band is giving each note they play utmost care and bringing to life every song they roll out. Last night’s first set contained several pieces of top-shelf improv, highlighted by “Wolfman’s” and “Stash” — two songs that have been reborn since fall tour. Capping a late-year run of original “Wolfman’s” jams, last nights represented the cherry on top. Bringing the song through dirty grooves and dynamic mini-peaks, Phish threw down a exalting dance session to follow up the out-of-left field bust out of “She Caught the Katy,” in a musical couplet that got the show rolling in earnest, (though even the “Kill Devil Falls” opener was drenched with fiery exchanges.)

Unofficial Poster (AJ Masthay)

And then,in the waning days of 2010, Phish debuted, their most impressive new song of the year — an Anastasio/Marshall collaboration called “Pigtail.” A Phishy dance number of the likes we haven’t seen this go-round, Trey begins a signature series of rolling licks out of the composition, leading into a catchy jam that will inevitably blow up. As all instruments dropped out, Phish ended the song with the reprise of “I’m conscious again” — a lyric that couldn’t hold more literal meaning to Trey — and all who believe in him — after his well-documented struggles and new life.

But perhaps the most indelible first set highlight came in “Stash.” The version that capped a late-fall run of stellar outings may have been the most impressive one of all. Beginning with sinister delicacy, the band continued pushing this “Stash” into an outer realm, eventually reaching sacred ground. As all four members swirled original ideas with the tightness of Krazy Glue, the jam transformed into a legitimate psychedelic juggernaut with the type of lead guitar sorcery that makes us drool. If each rendition of every song in a Holiday Run represents a punctuation at the end of their year-long sentences, “Stash’s” was certainly an exclamation point.

Phish jump-started the second set with a fierce “Carini” that remained on the dark side instead of breaking through into the major-key jam that transformed the song into a vehicle of transcendence this fall. While anchored to song structure, however, Phish cast down a bubbling cauldron of evil spells that boiled into a seething stew of dementia. Good to the last morsel, this torrid adventure seemed to be setting up further fireworks, but after the opening bomb dropped, the set took a distinct turn for the mellow. When “Number Line” started, it sure seemed like it would be one of those elusive monsters that are so few and far between. But despite impressive interplay, this second-setter danced well within the confines of the song, leaving us with a scorching, “standard” version — a theme that would soon continue.

10.10.10 (C.Klein)

When Phish started up “Back On the Train” in the second set of a holiday show, one couldn’t help but flashback to Miami’s best-ever outing of ’09. But much like “Number Line,” this version contained nothing but impressive interplay, yet never transcended song structure, falling short of a face-melter while still providing a enjoyable ride and seamless segue into “Limb By Limb.” Laced with tightly woven creativity and coming to a soaring peak, the song, nonetheless, brought a mellower vibe to a set that just kept getting quieter with beautiful playing through and through. Clearly saving all the big guns for Madison Square Garden, Phish played a second set sequence of “Limb,” “Wedge,” and “Frankie Sez.” But upon the end of “Frankie Sez,” the band oozed into an ambient build-up that had “2001” written all over it. But in a classic case anti-climax, the band instead whispered into the Neal Young ballad, “Albuquerque.” But when “Albuquerque” ended, “Hood” began, and our night circles back around to the aforementioned odyssey that forever upped the cosmic ante.

Phish brought the crowd back to earth with a painstakingly emotive “Bug,” a move that provided ideal reentry to Worcester, Massachusetts, and a magnificent guitar showcase to end the show. Finalizing the song-based affair with “Shine A Light” — an encore selection that matched the set’s vibe perfectly — Phish capped the night with unparalleled artistry. Enjoy the day off, because tomorrow, Phish, Madison Square Garden, and the New Year’s Run converge for the first time since 1998, as the band will scribe another chapter to their historic legacy. Start spreading the news…

I. Kill Devil Falls, My Mind’s Got a Mind of Its Own, Alaska*, She Caught the Katy, Wolfman’s Brother, Pigtail**, Stash, Bouncing Around the Room, Rift, Stealing Time From the Faulty Plan, Birdwatcher**

II. Carini, Backward’s Down the Number Line, Back On the Train > Limb By Limb, The Wedge, Frankie Sez > Alberquerque, Harry Hood, Bug

E: Shine A Light

* w/ Sarah Palin toy, ** debut, ^ debut, a cappella

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1,799 Responses to “Enchanting and Entrancing”

  1. purplehumpbackwhale Says:

    woohoo what do i get for bein closest!

  2. BrandonKayda Says:

    A pat on the virtual back, @purple

  3. jtran Says:


    Hot damn

  4. EL Duderino Says:

    Tonight is up there with 12/29/97… Not a cowphunk show, but damn man that shit was DOPE as any I can think of

  5. BrandonKayda Says:

    A virtual pat on the back is closer to what I meant to say, but syntax is unimportant 😉

  6. Lumpyhead Says:

    Tweezer was 18:48!?!?

  7. butter Says:

    First set- Bathtub gin > fat man in the bathtub. $$$$

    Tweezer>Light …forget about it

    They stacked up their two heavy hitters

  8. BrandonKayda Says:


    That’s a monster

    I thought that the initial Tweezer jam segment (right before Mike lays down the main groove) was about 9-10mins, and the groove-Manteca segment went on for about 7-8

    I was closer than i thought

  9. butter Says:

    Cities opener

    Antelope > Tweeprise encore $$$$

  10. butter Says:

    Antelope completely out of left field, peaked the show again

  11. BrandonKayda Says:

    I feel kind of cheated though – we could’ve gotten Jennifer Dances, but no, instead Mike/Trey brew up a massive 14min Tweezer groove/funk jam.

  12. EL Duderino Says:

    @ Butterz
    While Cities was a delight to start off a 3 night run… there was nothing real special there besides the placement IMO

  13. yematt Says:

    yeah awesome show! tweezer just kept going! so sweet, and an antelope encore was pure icing! had a very fun night. not a bad show for my first MSG experience.. can’t wait for tmw night! well, if i can find a ticket.

  14. BrandonKayda Says:

    Yeah the Antelope was well done, Trey searched for a bit, went over some valleys, and ultimately hit the peak of the jam

  15. EL Duderino Says:

    and what a great place IMO to put Antelope BrandonKayda

  16. BrandonKayda Says:

    Yeah I was actually thinking during the encore break “a Antelope after that Suzy might’ve been a better way to close out the set”

    Then Trey starts the opening chords to Antelope – 😀

    Great version too.

    Don’t sleep on the Gin/Timber – great interplay in both

  17. EL Duderino Says:

    I’m so pleased with tonight’s song selection and execution. I told guyute711 and Leo that we have to thank Phish on LP.com for this stream. It worked better than I thought it was going to

  18. BrandonKayda Says:

    My video didn’t work for most of set II – Fluffhead was when it got better

    It worked for all of set I after Cities/Chalkdust.

    Regardless the Tweezer was well worth the price of admission.

    Also, I like how every single night of this run there is atleast one big jam highlight that sticks out.

    12/27: Seven Below->What’s The Use
    12/28: Harry Hood
    12/30: Tweezer

    They are one-upping themselves everynight 😀

  19. albert walker Says:

    great show

    figured we’d get that bathtub > bathtub

    tons of fun

    Tweezer was the version we’ve been waiting for since Miami. def one of my favorite jams of 3.0

    haven’t slept since the 4 hours I got on the 27th. mowed some room service. gonna come back strong tomorrow

    they sound great


  20. Lycanthropist Says:

    Commence tweezer… Now!

  21. EL Duderino Says:

    @ Brandon
    We first had Leo’s lap-top but it was a fe years old… it would be smooth than start to stutter. guyute711 got over and he brought his lap-top, brand new sony Viao top of the line… not stutter what so ever

  22. stupendous Says:

    man thats nuts
    i thought it was 3.0 long 12 tops
    i lost a pack of smokes!

  23. EL Duderino Says:

    @ Aw
    I was surprised and very happy with the Fat Man In The Bathtub…
    They killed that shit!

  24. EL Duderino Says:

    I guess we’ll see if a Spanish Moon makes an appearance

  25. EL Duderino Says:

    puffin’the AK47…

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