The Festival Finale

7.3.11 - Watkins Glen Dave Lavery)

After all the tremendous music at Super Ball over the first two days, Phish saved their best (conventional) performance for last, closing the festival with their most impressive two sets of the weekend. With spectacular song selection, improvisation galore, and a sharp, four-minded communication, the band tore apart each of Sunday’s sets. Today, let’s discuss set two.

7.3.11 (G.Lucas)

The defining quality of the festival’s finale was the musical connection between the band members throughout. Despite what song or style they played, they were tapped in to each other’s ideas and created innovative music from each and every piece. The setlist may have looked a bit strange on paper, but Phish executed nailed their final frame of Super Ball superbly, and with a hearty dosage of risk-taking jamming.

With their communication skills shining after a creative opening leg and over ten hours of playing at the festival, Phish combined several launch pads into a set that never relented. The result was some of the most cohesive jamming of the weekend and a twisting musical adventure that ended with a fireworks display to match the musical theatrics. Some of the band’s most exploratory jaunts of the festival came in “Disease,” “Light,” and “Waves,” while the set was not short on grooves, featuring an explosive “Party Time” and the slick combination of “Ghost” and “Jibboo.” Within this stanza, Phish showcased their revitalized jamming for their audience with every piece they touched.

“Disease,” “Light” and “Waves” all explored variant styles of music while providing the central jams of the set. Breaking down the high-speed rock of “Disease” with groovier textures, Trey began chopping rhythm licks and the band responded with short offerings that created a percussive whole. Mike—much like the dynamic in “Golden Age”—began to throw down bass lines underneath the music that strongly influenced the direction of the jam as Trey, Page and Fish interacted up top. Then, slowing into a murky texture with Mike still at the helm, the band patiently—and seamlessly—bled into “No Quarter.” The set’s opening excursion had found gold.

7.3.11 D.Lavery)

The contour of Super Ball’s “Light” more closely resembled the multi-tiered versions of 2010 than the shortened outings we’ve seen this summer. Settling out of Trey’s guitar solo, the whole band band opened up the song’s jam for the first time, in earnest, since last fall and came up with an instant classic. Page initiated a melody that Trey latched onto immediately and sculpted into a delicate picking pattern that set the tone for the intricate experiment. All band members locked together in a forward-looking groove which, before too long, moved into calmer waters. Mike and Trey stepped forth to lead the band in through a totally original jam that moved—naturally—through a dreamy psychedelia and into a final section of new-age funk.

Pausing to exhale as they concluded “Light,” the band stepped right into “Waves.” A cathartic, festival-sized guitar solo graced the first half of the jam, while after the lyrical reprise, Phish dropped into the void. In a jam that featured soul-touching soundscapes, and harmonies you could feel as well as you could hear, the band showcased yet another brilliant improvisational style. At times evoking sounds of the Storage Jam from the previous night, Phish had the audience floating amidst a blissful, cosmic space, gradually increasing the intensity of the music and moving towards a perfectly-placed version of “What’s the Use?.”

7.3.11 (Dave Lavery)

In between these early and late set combos, the band dropped a blistering “Party Time” and combined unique renditions of both “Ghost” and “Jibboo.” As the guys reached a smooth yet driving canvas in “Ghost,” Trey and Mike’s interplay stood out again as each tore off infectious licks. Bringing the music into the uplifting realm, the band got into intricate interplay that didn’t focus on massive bass lines, but moved outwards quickly into abstract territory. And once the band reached an ambient plane, Trey came in with “Jibboo.” After using “Ghost” more unconventionally, in “Jibboo” the band came together in a monstrous, whole-band groove session that served as a mid-set peak.

Closing the frame with an anti-climactic choice of “Stealing Time” (“YEM” would have sealed the deal), the band had thrown down plenty of musical meat to satiate even the most jaded fan. And as the fireworks display started amidst the “First Tube” encore, continued through the post-show selection of Simon and Garfunkel’s “America” and into the post-show silence, we watched colors explode in mid-air —a physical manifestation of the musical pyrotechnics we had witnessed all weekend long. And with amidst this poignant silence, we had the chance to reflect on all that Super Ball was and forever will be—a historical weekend in Phish history.


Jam of the Day:

Light” 7.3.11 II

A top-notch rendition featuring a wide-open jam.



BOOK CONTEST #3: Don’t forget to get your second leg picks in to win a signed copy of “Mr.Miner’s Phish Thoughts: An Anthology By a Fan for the Fans.” Enter by clicking here! In book news, we are in the final layout and proofreading process and things look to be on schedule for a holiday season release! If you haven’t checked out the book site recently, you can now read about the anthology’s unique system of navigation through which you can read the book based on your own interests. (Think of the old-school “Choose Your Own Adventure” books we all read as kids.) Click over and check it out and reserve your copy today!

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563 Responses to “The Festival Finale”

  1. lumpyhead Says:

    1. Golden Age
    2. Simple
    3. ASIHTOS

  2. sumodie Says:

    Bombino in beantown tonite, bitches!

  3. voopa Says:

    Shit Luther, I was 6 years old and living just a few miles away at the time. How did I not know about that?

  4. Luther T. Justice Says:

    I used to have it on video @Voopa. It was total type 2 Bravo. Mind blowing really.

  5. mitch Says:

    turntable is the SHIT!

  6. Robear Says:

    @mitch, unless you use an iPad!

  7. BingosBrother Says:

    Get some Sumo! Been listenin to Bombino all day. Hope they come back here again. Love that dudes tone and runs. Hypnotizing.

  8. Robear Says:

    Trey calls it: “ocean sing”

  9. dorn76 Says:

    I know theyve been posted but anyone want to share some Bombino links. Loving what I’m hearing here on their player…

  10. BingosBrother Says:

    Thats the record I want dorn. Tried to get it at Borders, but sold out. Gonna have to order it. Mr. C posted a link that I dl’d from the 1st record. So sick. I’ll poke around.

  11. BingosBrother Says:

    Found em. BOMBINO

  12. MrCompletely Says:

    yeah those are older albums. the newer one that’s on bandcamp is better IMO but I like it all. give them your $$$ dammit 😮

  13. lumpyhead Says:

    I have Stands tickets for commerce city. 🙁

  14. dorn76 Says:

    i always purchase if I like what I hear C. Indeed this kid deserves my $$


  15. Mdawg Says:

    I found a semi-informative article on

  16. ThePigSong Says:

    just added a few folks to my BB circle – so that’s me creeping you if you’re wondering.


  17. mitch Says:

    sorry robear, turntable just might kill the BB as we know it.

  18. lastwaltzer Says:

    “sorry robear, turntable just might kill the BB as we know it.”mitch

    I said this yesterday……..Is that were ya’ll are? Is there a chat in there or some shit?

  19. MrCompletely Says:

    yea its chatty up in thar

  20. negev79 Says:

    it’s a complete time suck. totally addicting.

  21. lastwaltzer Says:

    fug……….. Looks like you guys are all moving on 🙁 its the end of an era.

  22. poop goblin Says:

    I aint going anywhere LW

    I don’t need these fuckers choosing the music I’m spinning

    shit I can’t spin records at work anyway

  23. Lycanthropist Says:

    im still here too LW

  24. MrCompletely Says:

    lol no that’s not happening. just a sideline

  25. MrCompletely Says:

    but pooper

    you get to click a button that says “lame” when something sucks

    if enough people agree it boots the track

    pretty funny

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