A Southern Scorcher

6.20.12 (Michael Stein)

In stark contrast to their first show in Portsmouth, Virginia, on Wednesday night Phish threw down a heavy hitting, two-set affair with jams aplenty, several bustouts and a pair of well crafted sets. The ominous tone of the music provided balance to lighter feel of the first night, providing the yang to the latter’s yin. And where night one was light on improv, night two provided a coherent musical journey. Boasting flow from the beginning of the show the through the end, last night sits among the most robust overall performances of this young tour. Let’s take it from the top!

Unofficial Portsmouth Print (Masthay)

When the band stepped on stage to start the show, they immediately rolled out six 2012 debuts, including sought after bustouts, “Ha Ha Ha” and a sign-induced “Dog Log.” The fresh setlist gave the show an energetic jump-start without needing a lick of jamming. Also included in this sequence was a mid-set rendition of “Divided Sky,” a song that provided far more of a treat with its diminished role in the rotation. But when the summer debuts ended, the band kicked into high gear with “Mike’s Groove.” A slowed pace and thunderous groove of “Mike’s” rattled the undersized environs and the show was off and running. “Weekapaug” provided the the first glimpse of the outstanding, full-band communication we’d see from all night as Trey tore off continuous melodies over a popping groove that was anchored by Fishman’s smooth work on the skins. The first set wound to a close with a four song run that included another two 2012 premieres in “Ya Mar” and “Bold As Love.” Trey wove the “Ya Mar” lick quite smoothly, albeit a bit early, into the liquid textures of “Cities” and the band switched into the summer favorite. When “Bold As Love” seemed like it would close an extended first set, the band punctuated the frame with a nuanced “Juluis,” a jam that Fish and Mike framed to perfection with a shuffle beat pocket. With such a pronounced first set, the second was sure to bring huge things. And it did.

6.20.12 (M.Stein)

Taking both “Rock and Roll” and “Tweezer” off the shelf for the first time since Bonnaroo, Phish combined the two crowd favorites in a fantasy sequence to spark the second half. Forging through “Rock and Roll’s” composed jam with notable rigor, the band was clearly locked and loaded for a big set. The progressed out of song structure with a slick, Trey-led, slowdown and passed quickly into an ethereal spacescape. Trey favored loops and effects amidst this elegant sonic mystery. Hinting at a Digital Delay Loop Jam, this segment painted a portrait of the universe’s outer realms before Trey slinked into the “Tweezer” for which so many on tour had been jonesing. Playing through the actual song with all sorts of bells and whistles, Phish revved their collective motor and prepared to enter freezer.

From the onset of the jam, Page assumed leadership, pacing the quartet with his piano chords and assuming the melodic lead as Trey remained in the background. Coiled like a viper behind the groove, Trey alternately raised his head and struck with accented licks, effected layers of sound, rhythm chops, and outright leads. All the while, Mike and Fish remained locked in urgent and powerful dance rhythms. Page hopped to his clavinet and brought the “Tweezer” into Crunchville with a filthy tangent, and the crowd responded to the change of texture with roars of delight. Snapping into “Tweezer’s” traditional build, Red brought the house down with a soaring final peak before the guys slid through an outro groove and smoothly into “Free.”

6.20.12 (M.Stein)

Used as a landing pad for the past three years, it seemed that is exactly what was happening last night. But, momentarily, things got very interesting. As the band seeped out of Mike’s bass solo, Trey began to slice and dice the jam like he hasn’t in years, including a short plinko line that seemed to be pushing the band into the first “Free” jam of 3.0! But he forgot to tell his bandmates. Having been programmed since 2009 to go right to the song’s final chord changes out of the bass solo, that is exactly what the rest of the band did. Trey’s attempt was in vain, but perhaps this illustrates a willingness to stretch out one of the band’s long lost jams of the modern era.

The unquestionable highlight of the night, however, had still yet to be played. The stylistically opposing “Guyute” and “Birds of a Feather” provided a mid-set buffer before the guys jumped of the deep end into a profound “Harry Hood.” Once again, Trey laid way back as the band joined forces, allowing Page and Mike to set an ambient tone to things from the jump. Trey merged with this idea, offering minimalist “Hood” licks to the collective, and then layering his own psychedelic offerings into to a thickening dreamscape. Utterly awing in every sense, the band built an abstract take on an old tale, captivating the crowd with their originality. This excursion reached planes that “Hood” rarely, if ever, touches, and provided a welcome improvisational diversion. And when things reached their most abstract, Trey coyly laid in the melody of “What’s the Use?!” The band all took heed and adjusted within measures, sculpting another staggering summer segue.

6.20.12 (M.Stein)

The Siket Disc instrumental blanketed the pavilion with its post-apocalyptic sound, though the band—not rushed at all—moved through the piece with a bit more tempo that usual. As “What’s the Use?” came to an end, Fishman made the obvious decision and moved directly back into “Hood’s” cadence—it seemed that the band would complete their early classic. But as Page took over with a piano solo leading away from the song, the band missed a golden opportunity for another magnificent transition. Page’s hijack took the set into “Velvet Sea,” which, given the larger musical circumstances, wasn’t altogether inappropriate. The stage seemed set for a monster “YEM,” but—for whatever reason—the band is holding back their seminal piece this summer and, instead, turned to “Possum” to close the second set.

The Final "Tuck" (M. Stein)

The encore provided thematic closure on nTelos Pavilion’s two-night stand as Trey came out and quietly played the Star Wars theme before the band launched into a final tucking” episode in “Sleeping Monkey.” During the song, Trey put his guitar down and serenaded Fishman, finally asking him to come out for one last “tuck.” And as you might guess, Fishman was more than happy to oblige. Torching the venue aflame with “Tweezer Reprise,” Trey stomped like a madman around the stage, pushing the 6,500 person crowd into a frenzy. And when the guys took their final bow of the night, everything seemed back on track in Phishland as they prepare to invade the Midwest.

I: Sparkle, Ha Ha Ha, AC/DC Bag, Divided Sky, Dog Log, Undermind, Mike’s Song > I Am Hydrogen >Weekapaug Groove, Cities -> Ya Mar, Bold As Love, Julius

II: Rock and Roll > Tweezer > Free, Guyute, Birds of a Feather, Harry Hood -> What’s the Use? > Wading in the Velvet Sea, Possum

E: Sleeping Monkey > Tweezer Reprise

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754 Responses to “A Southern Scorcher”

  1. DaNcInG fOoL Says:

    I thought AC 1 was the best show I had ever seen after the show. Maybe not quite the case, but it’s up there.

  2. Type III Jamming Personality Disorder Says:


  3. Robear Says:

    poo g, miner has gone all Zen master on us. he’s not even comparing shows that just happened to shows from a week ago. i finally realized it. huge deal, really. he’s treating each night like a stand alone event. like the old days when you didn’t hear the shows before, and there weren’t enough kids on tour to make a big deal about a ‘blow out’.

    because there’s no comparing this AC show to Portsmouth.

    i’ve spun it a few times and it keeps getting better. really amazing set without any skip tunes. and the WW booth was on the field. i suck at phish

  4. lumpyhead Says:

    ^ I had the exact same thought process DF

  5. Phamily Berzerker Says:

    “I hate having to pretend I dig everyone on this site. all the dick riding gets old.”

    Adub rides dick?!? I guess you are open to the Mrs. about that? 🙂

    I am reading back through while on break… interesting morning it looks like.

    Love you guys with all of our challenges and such.

  6. Robear Says:

    Df, it probably is and was. i’ve been to at least 60 shows, and it’s everything i’m looking for.

    i also suck at tucking

  7. Lycanthropist Says:


    I def think the Piper is the jam of the AC run.


    To me ears the Cities > Yamar was not smooth at all. Cities just kinda fizzled and then Trey just forced in the Yamar intro.

    That did not feel organic in the slightest to me.

    In fact all of us watching were left scratching our heads.

    There was not transition… just cities fizzle and then bam yamar..

    Thats what I heard anyway.

    Tweezer was definitely Trey led, but a good version without a doubt.

    The Hood > WTU didnt really work for me.. I liked the jam that they had going in Hood, but the WTU seemed a bit forced and Hood just unresolved, top it off with Wading and Velvet and I was ready to turn off the stream. Glad I didnt cause the Sleeping Monkey thing was pretty funny.

    It just seemed like when it came to transitions and ending songs, the four of em couldn’t lock in last night.

    Now am I worried that the Phish Sky is falling? Hell no, DCU, Roo and AC all delivered in my book, and VA night one was pretty funny if not exploratory.

    I think all is good in Phishland.. but I do not think that last nights show was a solid outing.

    In my humble opinion of course.

  8. MrCompletely Says:

    “RnR> Tweezer def had me sitting and spinning straight through. other than that though my attention was all over the place.”

    that and the move into WTU, yeah. preceded by Third Stone quote

  9. GhostPhunk Says:

    Dig that sentiment Pham, really really do. Cheers buddy.

  10. poop goblin Says:

    ya you know me PB

    keeper of the BB love fest. that’s what I’m here for.

  11. MrCompletely Says:

    “hell the stream cut out, apparently just west of Texas”

    not for me, like buttah

  12. DaNcInG fOoL Says:

    “To me ears the Cities > Yamar was not smooth at all. Cities just kinda fizzled and then Trey just forced in the Yamar intro.”

    pfft, trey was playing the cities chords at least a whole minute before the segue. i knew right away they were going into ya mar, and thought they were on their way into a perfect segue. then fish fucked it up.

  13. Lycanthropist Says:

    yeh i must say i didnt have any stream problems in the south either

  14. voopa Says:

    Df- I’ve been frustrated with Fish’s beat stops during segues too. He’s a LOT better than in ’09 and ’10, but it can be very challenging, especially since he has unique patterns for each song.

    They can’t all be Sand>Nellie. And if you have no idea when Trey is going to switch, and to which song out of hundreds, you can’t possibly nail it every time.

  15. Lycanthropist Says:

    I actually blamed fishman as the culprit for a lot of the missed chances last night.

  16. lumpyhead Says:

    the bb is so fcking awesome

  17. Robear Says:

    seriously underfluffed this show. since i’m not the zen master:

    that billy breathes blows away anything i heard on the stream

  18. hans Says:

    Great review, agreed with just about everything you said. After a second listen id put last night a notch below both worcesters. i just don’t get all the teeth gnashing by those who “time every jam” and question seque choices….Ive said this elsewhere, but its live music and its supposed to be different every time out…obviously others disagree, but last night sounded killer to my ears.

  19. poop goblin Says:

    Fish has been more of the trouble this tour no doubt.

    even a few times in AC Trey started getting weird and staring out and FIsh just kept shuffling away.

    much like the BOTT from VA night 1

  20. MrCompletely Says:

    love that Piper jam. and Billy is super clean and tasty. good stuff

  21. Type III Jamming Personality Disorder Says:

    and what led into that uber awesome set you guys are rightfully fluffing right now?
    My Soul.
    damn straight.

  22. DaNcInG fOoL Says:

    woops meant trey was playing the ya mar chords at least a minute before the segue. in fact he was playing them i think right after the last verse.

  23. DaNcInG fOoL Says:

    yeah @voopa, he seems to do it >tweezer the most

  24. poop goblin Says:

    WCU #1 and #2 and AC #1 and #2 are top shelf fuckin 3.0 sets

    arguably AC #1 and WCU#1 are two of the top couple sets of 3.0

    so def nothing to be worried about here kids

    just try to catch those early tour runs

  25. Robear Says:

    Cities had a nice bridge.

    C, you cats deserve that at least in PDX.

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