A Southern Scorcher

6.20.12 (Michael Stein)

In stark contrast to their first show in Portsmouth, Virginia, on Wednesday night Phish threw down a heavy hitting, two-set affair with jams aplenty, several bustouts and a pair of well crafted sets. The ominous tone of the music provided balance to lighter feel of the first night, providing the yang to the latter’s yin. And where night one was light on improv, night two provided a coherent musical journey. Boasting flow from the beginning of the show the through the end, last night sits among the most robust overall performances of this young tour. Let’s take it from the top!

Unofficial Portsmouth Print (Masthay)

When the band stepped on stage to start the show, they immediately rolled out six 2012 debuts, including sought after bustouts, “Ha Ha Ha” and a sign-induced “Dog Log.” The fresh setlist gave the show an energetic jump-start without needing a lick of jamming. Also included in this sequence was a mid-set rendition of “Divided Sky,” a song that provided far more of a treat with its diminished role in the rotation. But when the summer debuts ended, the band kicked into high gear with “Mike’s Groove.” A slowed pace and thunderous groove of “Mike’s” rattled the undersized environs and the show was off and running. “Weekapaug” provided the the first glimpse of the outstanding, full-band communication we’d see from all night as Trey tore off continuous melodies over a popping groove that was anchored by Fishman’s smooth work on the skins. The first set wound to a close with a four song run that included another two 2012 premieres in “Ya Mar” and “Bold As Love.” Trey wove the “Ya Mar” lick quite smoothly, albeit a bit early, into the liquid textures of “Cities” and the band switched into the summer favorite. When “Bold As Love” seemed like it would close an extended first set, the band punctuated the frame with a nuanced “Juluis,” a jam that Fish and Mike framed to perfection with a shuffle beat pocket. With such a pronounced first set, the second was sure to bring huge things. And it did.

6.20.12 (M.Stein)

Taking both “Rock and Roll” and “Tweezer” off the shelf for the first time since Bonnaroo, Phish combined the two crowd favorites in a fantasy sequence to spark the second half. Forging through “Rock and Roll’s” composed jam with notable rigor, the band was clearly locked and loaded for a big set. The progressed out of song structure with a slick, Trey-led, slowdown and passed quickly into an ethereal spacescape. Trey favored loops and effects amidst this elegant sonic mystery. Hinting at a Digital Delay Loop Jam, this segment painted a portrait of the universe’s outer realms before Trey slinked into the “Tweezer” for which so many on tour had been jonesing. Playing through the actual song with all sorts of bells and whistles, Phish revved their collective motor and prepared to enter freezer.

From the onset of the jam, Page assumed leadership, pacing the quartet with his piano chords and assuming the melodic lead as Trey remained in the background. Coiled like a viper behind the groove, Trey alternately raised his head and struck with accented licks, effected layers of sound, rhythm chops, and outright leads. All the while, Mike and Fish remained locked in urgent and powerful dance rhythms. Page hopped to his clavinet and brought the “Tweezer” into Crunchville with a filthy tangent, and the crowd responded to the change of texture with roars of delight. Snapping into “Tweezer’s” traditional build, Red brought the house down with a soaring final peak before the guys slid through an outro groove and smoothly into “Free.”

6.20.12 (M.Stein)

Used as a landing pad for the past three years, it seemed that is exactly what was happening last night. But, momentarily, things got very interesting. As the band seeped out of Mike’s bass solo, Trey began to slice and dice the jam like he hasn’t in years, including a short plinko line that seemed to be pushing the band into the first “Free” jam of 3.0! But he forgot to tell his bandmates. Having been programmed since 2009 to go right to the song’s final chord changes out of the bass solo, that is exactly what the rest of the band did. Trey’s attempt was in vain, but perhaps this illustrates a willingness to stretch out one of the band’s long lost jams of the modern era.

The unquestionable highlight of the night, however, had still yet to be played. The stylistically opposing “Guyute” and “Birds of a Feather” provided a mid-set buffer before the guys jumped of the deep end into a profound “Harry Hood.” Once again, Trey laid way back as the band joined forces, allowing Page and Mike to set an ambient tone to things from the jump. Trey merged with this idea, offering minimalist “Hood” licks to the collective, and then layering his own psychedelic offerings into to a thickening dreamscape. Utterly awing in every sense, the band built an abstract take on an old tale, captivating the crowd with their originality. This excursion reached planes that “Hood” rarely, if ever, touches, and provided a welcome improvisational diversion. And when things reached their most abstract, Trey coyly laid in the melody of “What’s the Use?!” The band all took heed and adjusted within measures, sculpting another staggering summer segue.

6.20.12 (M.Stein)

The Siket Disc instrumental blanketed the pavilion with its post-apocalyptic sound, though the band—not rushed at all—moved through the piece with a bit more tempo that usual. As “What’s the Use?” came to an end, Fishman made the obvious decision and moved directly back into “Hood’s” cadence—it seemed that the band would complete their early classic. But as Page took over with a piano solo leading away from the song, the band missed a golden opportunity for another magnificent transition. Page’s hijack took the set into “Velvet Sea,” which, given the larger musical circumstances, wasn’t altogether inappropriate. The stage seemed set for a monster “YEM,” but—for whatever reason—the band is holding back their seminal piece this summer and, instead, turned to “Possum” to close the second set.

The Final "Tuck" (M. Stein)

The encore provided thematic closure on nTelos Pavilion’s two-night stand as Trey came out and quietly played the Star Wars theme before the band launched into a final tucking” episode in “Sleeping Monkey.” During the song, Trey put his guitar down and serenaded Fishman, finally asking him to come out for one last “tuck.” And as you might guess, Fishman was more than happy to oblige. Torching the venue aflame with “Tweezer Reprise,” Trey stomped like a madman around the stage, pushing the 6,500 person crowd into a frenzy. And when the guys took their final bow of the night, everything seemed back on track in Phishland as they prepare to invade the Midwest.

I: Sparkle, Ha Ha Ha, AC/DC Bag, Divided Sky, Dog Log, Undermind, Mike’s Song > I Am Hydrogen >Weekapaug Groove, Cities -> Ya Mar, Bold As Love, Julius

II: Rock and Roll > Tweezer > Free, Guyute, Birds of a Feather, Harry Hood -> What’s the Use? > Wading in the Velvet Sea, Possum

E: Sleeping Monkey > Tweezer Reprise

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754 Responses to “A Southern Scorcher”

  1. MiA Says:

    My anger at missing that Hood>WTU was palpable last night.

  2. sumodie Says:

    Guyute, rage it hard with Maiden! I expect a siiickness report tmrw

    awesome to chill again w/ u & M in ac

  3. robear Says:

    Someone ring GP. See if he can give a fine sister a ride to Cincy from Indy.

  4. Guyute711 Says:

    Hell yes pb, so psyched. Alice Cooper is on now and im drinking in the parking lot.

  5. Guyute711 Says:

    Awesome to see you again too sumo. Mike and i just ate some leftover boomers.

  6. bob dylan Says:

    Its kinda funny to me all the women you see reading 50 shades of stuff all over. It’s like “you’re reading porn in the open” hmm…

  7. bob dylan Says:

    I’ll text gp but are we talking your woman or one he can try to have give him road head.

    Incentives

  8. PigSong Says:

    Damn, just figured out I’m 1 hour 28 minutes from Riverbend. If I would have thought it out I could have been in Cinci tomorrow too. My planning has sucked terribly this summer.

  9. PigSong Says:

    Also think I am going to chose my old mans fish camp in Ontario over Alpine. At least I have Atlanta..

  10. butter Says:

    Sweet review Miner, sounds like you won last night 😉

    Haven’t spun any of Portsmouth, but Woosta and AC 1 + 2 getting some serious spins out here in the south seas. @AW – I bought one of those jamboxes by jawbone and it’s the goods down here…

    I will say the improv and funk drenched sets of woost1 and ac1 set 2’s are just so much more style than lets say the LighTeca. for instance I’ll take AC 1’s Tube over the Lighteca. Sometimes live, there’s nothing better and more fun than teases and note heavy mash ups. So I try to keep it all in perspective of how I’m digesting my Phish. But for me with these lossless boards I prefer space between my notes, and to hear all four musicians equally, therefore valuing the funk and improv. For me at the show, there’s such an infinite number of parameters that decide “how the show was”

    Also it appears the boys are def focusing on performing stylistically different shows, a trait that is bound to keep their interest level up, and is sure to help with longevity

    I’ve always said Miner picks the keepers in real time – that being one of his strengths

    That damn Billy Breathes solo Red takes, with Page comping him on the piano is why I go. The boys are really up to something with this newfound urgency to create space between the notes, and I really hope they keep it up.

    It’s really easy to sit on the couch with that stream thingy wanna be replica of a Phish concert and be critical, that I know. But at the same time honest thoughtful critique of the band’s performances- and all not liking the exact same shows is part of the beauty of this trip

    Those r my randomish Phishthoughts , I’m going to get back to paradise now 😉

  11. sumodie Says:

    Guyute, get yer ass inside, alice is still using the guillotine in his show!

  12. butter Says:

    Carini > Taste > Ghost > Boogie > If I Could
    to my ears is the most patient flowing relaxed not a wrong note piece of phish you can get in 3.0.
    I really love this chunk of music.

    ^@poop – I agree, not taking anything away from AC 1 set 2, after multiple spins – I just come back to the Heavy Things as an edge reducer, and the My Soul as slightly less interesting moments in that ever elusive 1 hour of straight heat from our 4nerds

  13. butter Says:

    Besides I was in attendance for Woost and my jam obviously smokes yours 😉

  14. bob dylan Says:

    The city is swarming with beautiful women who aren’t wearing much.

    Heat wave ’12. If you’re single, it’s not a terrible place to be.

  15. bob dylan Says:

    Had a gdad style train ride on the way home. Not best of the day but a solid 8-9

  16. guitarpicker420! Says:

    Robear – I have room in my car for a lift from Cincy to Indy. We are taking off after the show

  17. guitarpicker420! Says:

    Oh, Robear, and to, we are leaving at noon or so tomorrow. Hit me up at guitarpicker420 at yahoo dot com

  18. butter Says:

    wow, just spent the price of a 2.0 ticket for enough MB to DL last night in lossless #Phishproblems

    going to be loving it on Maupiti, the next island we go to tomorrow that i doubt has internet. there are no restaurants or hotels, but i will have 6.20.12 in lossless, to pump thru my dank little jam box, yo.

  19. Cable Hogue Says:

    AC 2 Set 2 is a smoking frame of Phish, maybe just a hair below the bar set by DCU 1 Set 2 and AC 1 Set 2. IMHO. I guess the mid-set Golgi ruins it for some folks?

    Light>Manteca>Light is fully connected, swingin-ass Phish.

  20. Dr Pronoia Says:

    @bob – love how the hipster chicks are trending hippie lately, ie no bras

    There’s some youngin causing quite the stir in the village the past few weeks by going topless on the street (it’s not against the law anymore apparently)

    #drprosboobiethoughts

  21. Mr. Palmer Says:

    Just finishing up Set I of that Show, Cable. best set I of the tour, IMO.

  22. Mr. Palmer Says:

    Doc- Tickets came today, yours is going out in the am..be on the look out

  23. SillyWilly Says:

    Hi kids

    I wrote emails to everyone who needs to know I think

    but if I missed anyone:

    I can’t make the run this weekend.

    Apparently, I have work left to do to make sure I am licensed to practice so I can start work on July 2.

    Looks like I won’t have it done by then, but I need to stay here to find out if it’s going to affect the fact that I have a job, or not.

    I also need to be here in case I can do anything to speed up the process.

    I’m really bummed out because I know I won’t get to see some of you this summer. I think it’s the right decision, though.

    sorry. and have fun tomorrow.

  24. ae Says:

    Great words from silly on page 4. Really great.

  25. SillyWilly Says:

    thanks, ae

    it was great meeting you in AC

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