Carolina Completely

8.26.2012 Charlotte, NC (Ryan MacNeill)

It is rare that Phish unveils a complete performance that flows flawlessly from the very first note through the last; two full sets constructed in such fashion that the band never, for even a moment, loses the full attention of their audience. On Sunday night, however, Phish had the Charlotte’s crowd enraptured and in the palm of their hand for the entirety of the show in which there was—literally—not a dull moment.

Official Charlotte Print (M.Huynh)

First sets are so contingent upon song selection these days, and last night the band sculpted an opening stanza that worked as well as any this tour. The conventional opening pairing of “Bag” and “Moma” gave way to a series of songs that all possessed a little something extra. For the second straight version, Trey allowed Page to take the lead on piano during “Heavy Things” before taking his own solo, providing the song an added punch. “Ocelot” featured  incredibly smooth playing from Trey, who had his chops flowing all night long. Even “Funky Bitch” brought the house down with more fiery interplay that usual. But when the guys kicked into “Bathtub Gin,” the set moved onto another level for the duration.

Trey’s showcased staggering runs of notes and quick-fire licks during a scalding tub of “Gin.” This high-speed jam brought a rush of energy to the set, a cathartic cascade that continued with a precise and passionate mid-set “Fluffhead.” Pulling “Alumni Blues” off the shelf for the first time this leg, Trey followed the quasi-bustout with hilarious banter about their college days. Trey shared the well-known story of how Page received $50 a head for “recruiting” he and Fish to Goddard College—a tiny and excessively liberal institution in Plainfield,Vermont. A short “Tube,” also dating back to their college days, was followed by more comical banter that led into“My Sweet One.” A delicate and driving “Bowie” capped the set with a palpable intensity, and upon the song’s final hits, the guys received an ovation as if it was the end of the show. But with the band locked in, things were only heating up.

8.26.12 (R.MacNeill)

Though centered around a melody-driven and blissful “Tweezer,” this set was as much about craftsmanship, flow and shredtastic playing as anything. With no lulls or run of late-set singles, Charlotte’s main event was comprised of Phish anthems back to back to back. When “Crosseyed” started, memories immediately turned to last Sunday’s night of instant fame at Bill Graham, but the band wouldn’t take this version for nearly the ride it took out west. Jamming around the theme of “Crosseyed,” Trey ventured into infectious soloing that seemed to be bringing the band into something deeper. But instead of pushing the boundaries of the piece, the guys, turned to another rarity, the Gamehendge tale of “McGrupp.” Page and Trey locked into each other during the “jam,” giving the piece added gusto.

When “Mike’s Song” was followed by “Bouncin” and “Axilla,” the energy of the show remained high, but the improv factor felt quite lite. And then “Tweezer” dropped. Just as the classic jam was growing stale over Leg One, the band came out this tour and fully reinvigorated the crowd favorite. Last night they dropped their third, consecutive version drenched in creative playing. And for the second time in a row, the band took the jam on a silken journey through skies of gold. Placing a magnifying glass on mellifluous interplay, Phish sculpted a piece that spoke to the soul. Trey and Mike’s minimalist and Siamese-minded conversation gave room for Page to bring the Rhodes into the mix, enhancing the buttery feel of the feel-good groove. But when Page moved back to piano, Trey’s playing took off into the register of the divine. As he emoted waterfall-like melodies of majesty, the band maintained a bulbous groove around him, allowing him to slowly back into a space-laced, effect-laden paradise. Taking the arena by the heartstrings, Red swooped in for a final peak before the jam subsided and Fishman started “Harry Hood.”

8.26.12 (R.MacNeill)

There are not two songs more sacred to the band’s catalog than “Tweezer” and “Harry Hood.” On opposite sides of the musical spectrum, together, they form the yin and yang of Phish. Combined in this fashion—”Tweezer > Hood”—only once before, on May 15, 1990 in Hamilton, New York, the merger of these two epics was nothing short of revelatory. Swimming from the jam of the night into a meticulous rendition of their early opus, the journey of “Tweezer > Hood” provided the most dramatic sequence of the night. Like many 2012 “Hoods,” Trey’s solo picked up right from the drop of the jam and twisted and turned with meaning for the duration. Though ending somewhat quickly without a monstrous peak, the entire”Hood” jam was used as an arrival for “Tweezer,” and it worked magically.

8.26.12 (R.MacNeill)

The upbeat combo of “Weekapaug” and “Suzy” concluded a set that never relented. Trey showcased his razor sharp thematic playing in the former, while providing extra juice to the latter with “Crosseyed” teases, as it sounded like the band might break back into the cover. And the action kept right on moving through the encore with the bustout of “Big Black Furry Creatures From Mars”—complete with antics—and “Tweezer Reprise.” Not often does Phish play a show without daring risk taking yet succeed so resoundingly as they did last night. Although Alabama possessed the gem of the weekend in “Rock and Roll,” and, arguably, even the set of the south, Charlotte provided the strongest start to finish experience of the three-pack. If you have time today, don’t worry about that “skip” button on your iPod, just hit play at the top of set one and let this one roll. You won’t be disappointed.

I: AC/DC Bag > The Moma Dance > Heavy Things, Ocelot, Funky Bitch, Bathtub Gin, Fluffhead, Alumni Blues > Letter to Jimmy Page > Alumni Blues, Tube, My Sweet One, David Bowie

II: Crosseyed and Painless > McGrupp and the Watchful Hosemasters,  Mike’s Song> Bouncing Around the Room, Axilla > Tweezer > Harry Hood,  The Horse > Silent in the Morning, Weekapaug Groove, Suzy Greenberg

E: Big Black Furry Creature from Mars, Tweezer Reprise

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1,173 Responses to “Carolina Completely”

  1. MiA Says:

    Like they read my “they haven’t played this in leg in yet” post.

    Ticking them off.

  2. Andrew Says:

    Glide!

  3. Luther T. Justice Says:

    The sloth from the zoo is pissed he’s not getting his tune.

  4. kayatosh Says:

    camel walk. freshness

  5. dusty Says:

    @MiA…they read minds, no need to post.

  6. Luther T. Justice Says:

    The camel at the zoo is mad he’s not getting his tune.

  7. MiA Says:

    I was doing that for y’all. Not Phish Dusty.

  8. MiA Says:

    Ha ha Luther. Llama coming tonight too.

  9. RoosterPizza Says:

    Plord

    “Monkey ate all my god damn Oreos.”

  10. kayatosh Says:

    mia: just checked your list on p. 31. nice calls. however, one mistake. cool it down was played at LBC, and expertly so.

  11. ThePigSong Says:

    Is that how Camel Walk always starts? Seemed like Troy just persisted.

  12. Phishm0610 Says:

    anyone else feeling a llama next? or is it just me.

  13. kayatosh Says:

    animal songs set at the zoo was never gonna happen. too contrived. too obvious.

  14. Phishm0610 Says:

    or a possum

  15. Luther T. Justice Says:

    The llama at the zoo is nervous about not getting his tune.

  16. kayatosh Says:

    look behind the curtain at these lovely peaches and mound.

  17. plord Says:

    Rooster, ain’t it great? for a terrible film, I mean.

    It’s no Road House, but both the Eastwood-and-Orangutan flicks crack me up.

  18. MiA Says:

    Noticed that earlier Kaya. But figured already had beaten it into the ground.

    Tough to come up with that list. Mistakes happen. 😉

  19. PigSong Says:

    Agreed on the contrived/obvious Zoo songs. Wasn’t a chance.

  20. Luther T. Justice Says:

    I saw Phish at a zoo in ’94 & they played Cocaine. Not an animal but available in the neighborhood outside the zoo. That’s how slick these cats are.

  21. Guyute711 Says:

    Getting pretty sick of this one

  22. xpun Says:

    “look behind the curtain at these lovely peaches and mound”

    hahaha dirty old man

  23. RoosterPizza Says:

    Plord, I hadn’t thought about that movie in so long. Awesome drop…

  24. MiA Says:

    It’s Ice
    Ha ha ha
    Saw It Again
    Buried Alive
    Torn and Frayed)
    If I could
    Makisupa
    Oh Kee Pa Ceremony
    Shafty
    The Sloth
    I am H2
    Punch You In The Eye
    Manteca
    Golgi Apparatus
    Brother
    Dogs Stole Things
    Foam
    Walls of a Cave
    Drowned
    Caspian
    Water in the Sky
    Horn
    Babylon Baby
    Stealing Time)
    Mango Song
    Lengthwise
    Fire
    Sleeping Monkey
    Undermind
    Divided Sky
    Bold as Love
    Light Up or Leave Me Alone
    Peaches
    Buffalo Bill
    Llama
    Seven Below
    Scent of a Mule
    Tela
    The Curtain With
    Old Home Place
    Pebbles and Marbles
    Weigh
    Life on Mars
    Dinner and a Movie
    Sanity
    Daniel Saw the Stone
    Soul Shakedown Party
    Lonesome Cowboy Bill
    Vultures
    A Song I heard the Ocean Sing
    Access Me
    Squirming Coil
    Jesus Just Left Chicago
    TMWSIY, Avenu Malkenu
    Susskind Hotel
    Sabotage
    Camel Walk
    Driver
    La Grange
    Swept Away
    Steep
    Mexican Cousin
     

  25. bobby weird Says:

    is mighty quinn the only phish and dead song in common? (not counting mid-80’s dead covers)

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