Bridging the Gap

Phishbill 10.31.96

Phishbill 10.31.96

When Phish concluded 1995 with a peak performance at Madison Square Garden on New Year’s Eve, nobody in their fanbase could have predicted that the band would return to the same room, two years to the day, and sound diametrically different. In fact, the same could be said for the their two-night MSG stand that nearly bisected these year-end holiday shows in late-October of 1996. There was still no hint as to the band’s oncoming metamorphosis, despite the fact that it would start in just over a week. In just the opposite vain, the band, for the first time in their career, had downshifted into a stylistic neutral following the end of their crowing year of ’95. That’s not to say didn’t play great shows. Virtually the entirety of their short US Summer Tour were standout shows. The Red Rocks, Deer Creek and Clifford Ball runs were stuff the of legend (and still are), while Hershey has come to light over the years as a show on the level with any of them. The only standard performances that aren’t still discussed today were their stateside return at Wolf Mountain, and Alpine Valley. But despite these standout Summer shows, Phish was treading stylistic water. They were riding out the wave of fast-paced psych rock that had delivered them to The World’s Most Famous Arena on the biggest night of the year, but they didn’t quite possess the same full-throttle nature as the previous Fall. Having only played a handful of headlining gigs in Europe while opening for Carlos Santana earlier in July, and with a resultingly truncated US Summer, they hadn’t had much on-stage time to develop a new direction before the start of Fall.

Billy Breathes

Billy Breathes

Phish released their sixth album, Billy Breathes, the day before kicking off Fall Tour ’96 in Lake Placid. And as they set out in support of this album (whose songs were virtually all live staples already), their shows—in retrospect—were pretty uninspired. This may seem hard to believe, but in the 11 shows that pre-date Halloween on Fall Tour, there are but three jams with all-time musical value eighteen years later—Pittsburgh’s “Maze,” Charlotte’s “Simple,” and Tallahassee’s “Mike’s Song” (whose treasure lies in its sub rosa rehearsal of Talking Heads’ “Houses in Motion”). That’s slim pickings for twenty-two sets of Phish, regardless of what year it is! Only two months removed from a stellar Summer run, Phish’s sense of purpose had faded and their shows were suffering.

But then came Halloween. A proverbial shot in the arm if there ever was one, Phish’s musical costume of the Talking Heads on October 31 in Atlanta, forever changed the course of their career. To learn “Remain in Light” for their third Halloween set, the band had to embrace a percussive style of groove-based playing with which they had only flirted. Composed with a far more democratic style Phish was used to up through 1995, “Remain in Light” gave the band a new way of looking at improvisation. This seminal performance was the first brick in the road to the band’s funk-based paradigm shift of 1997.  But five weeks of Fall Tour still remained!

Markthalle—Hamburg, GR

Markthalle—Hamburg, GR

And in these last five weeks, Phish’s new direction began emerge. The tempo of many jams slowed down. Trey became more and more enamored with his wah pedal, playing sparse and chunky chords structures for his band mates retort. Highlights began to bubble up at a far quicker rate—inspiration was clearly afoot—and they sounded far different than the music before Halloween. The thick grooves that we would come to know so well started to seep into Phish’s repertoire slowly but surely over the rest of Fall. This time period represents the beginning of a process that culminate on that fateful night in Hamburg, Germany, March 1, 1997—commemorated on “Slip, Stitch and Pass”—when everything “clicked” for the band, and they had fully realized their new direction.

During a 1998 interview with David Byrne, himself, for Sessions at West 54th St., Page looked back on Halloween ’96 and noted:

It may have had the biggest effect on us because we really learned the grooves and we really tried to get inside the grooves on the album…I took so much away from that. And the groove-oriented playing that we’ve done in the last few years – repetition, pulling things out, putting them back – all that sort of thing, a lot of it was from learning [Remain In Light].

The point of today’s playlist is to bridge the gap between Halloween and the the Hamburg’s March 1st arrival. I have selected tracks with which you can track the band’s stylistic progression over this time. Enjoy the selections. (And forgive the repetition of songs, there were only so many jams they were taking in this direction.)

Crosseyed > Antelope” 11.2.96 II, West Palm Beach, FL

The band was so amped about their Halloween set that they brought “Crosseyed”—and the whole Talking Heads style of jamming—directly to their next show. The results were legendary.


Tweezer” 11.3.96 II, Gainesville, FL

Still with Karl Perazzo, acting as training wheels for their first excursions into full-blown groove, Phish continued their percussive style of play with this “Tweezer.”



Mike’s Song” 11.6.96 II, Knoxville, TN

After a more conventional and high quality “Mike’s” jam (some with Trey on  mini-kit), the band breaks into an extended section of collaborative funk grooves, bobbing and weaving through some straight James Brown steez! This jam illustrates just how gargantuan of a pivot point that Halloween truly was, as only a week later, the band’s jamming sounds completely different.



Tweezer” 11.11.96 II, Grand Rapids, MI

Here’s a “Tweezer” I’ve featured a lot before that sounds like it could be plucked from some point in ’97. Only 11 days after Halloween and the band was already turning the party out with dance music funkier than they had ever played before.



Suzy Greenberg” 11.13.96 II, Minneapolis, MN

In between more torrid musical bookends to this long-form jam, Phish slows down into some serious wah-funk.



Tweezer” 11.18.96 II, Memphis, TN

Gary Gazaway sits in on trumpet for this slowed down and swanky “Tweezer” jam. A cool diversion from the norm, but underneath Gazaway’s soloing, the band is plugging away at thick, collaborative grooves.



Tweezer” 11.27.96 II, Seattle, WA

Within this standout “Tweezer” jam (and even within the composed song) you can feel the oncoming funk train slowly moving in. The pace has slowed and the music is thick. Toto, “Are we still in ’96?”



Mike’s Song” 12.4.96 II, San Diego, CA

In this “Mike’s,” Trey starts in with the wah feel early in the first jam, and then again about ten minutes into this monster “Mike’s” jam, the band shifts into a very forward-looking musical feel without losing the harder edge of “Mike’s.”



2001” 12.6.96 I, Las Vegas, NV

From the first set of Fall Tour’s finale, this is one of the very first jammed out “2001s,” and none had reached this length or absolute smoothness.



Down With Disease” 2.17.97 II, Amsterdam, NL

I can still remember hearing this tape for the first time in college and thinking, “Who is this band?!” with beaming excitement. In this gooey “Disease,” the band is honing in on Cowfunk.



2001” 2.18.97 II, Paris, FR

While this version may sound relatively common place after all these years, in the Winter of ’97, it was blazing a funkwards path.



Down With Disease” 2.21.97 I, Florence, IT

Phish had begun to shift jam vehicles already, shying from “Mike’s” a tad more and leaning towards “Disease.” This version from Florence is brniging the band closer and closer to the goal of their collaborative quest. This one is an under the radar, first set gem.



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335 Responses to “Bridging the Gap”

  1. Jerome Garcia Says:

    I like learning about Phish. Thank you Mr Miner!

  2. IrieWalton Says:

    Looks like the Gorge is trying to drown out the other news story that broke this weekend about its lack of waste water treatment practices.

  3. vapebraham Says:

    in the midst of 10.8.99 MLT — $$$. original, melodic, ambient waves. transcendent.

  4. Kaveh Says:

    a Whole Foods at Red Rocks?

    ^ They could put two of them in…one in top parking lot and one at the bottom lots. I like this idea.

  5. George W. Kush Says:

    hahaha only if they had a dispensary in-store Kaveh

  6. phlorida phan Says:

    Ohhhhhhh to be a snowcone!
    Afloat opon the waves.

  7. phlorida phan Says:

    ^upon, geez need some schoolin.

  8. ren Says:

    Nice Miner!!! Keep up the good work.

    Couldn’t help but already try to apply this lesson/post to our upcoming Halloween. We know we’re getting a cover this year….how is Phish planning on changing their musical direction for the future (if at all) and what selection would make the most sense.

    I haven’t a clue

  9. MiA Says:

    But during the three-day Sasquatch festival? It’s more like 60 or 70 per day.

    “Every room will be full,” Dietsch says. “What you’re seeing here is absolutely nothing compared to Sasquatch. It’s surreal.”

    And Sasquatch is just the beginning. Dietsch has a printout of all the Gorge summer concerts. With each new event, he’ll go online and listen to the music so he can predict what kind of crowd will be there and what kind of drugs will they use. Coming up in late June is Paradiso, a two-day electronic music festival. Then there’s Watershed in August — three days of country music.

    For Paradiso, Dietsch says he’s expecting a lot of synthetic narcotics. For Watershed, he says, “Mostly alcohol. Alcohol and fights.”

    Goes to say tha tTim McGraw and Lindsey Ell bring out the “I wanna kick your ass” more than anything.

  10. phlorida phan Says:

    @Kaya, check out the one on the top of the page, Johnny Hash DIPA, citra hop hash aka “the hop kief”. $$$

    Also heard that HotHS is done, bummer.

  11. Stoney Case Says:

    Ren! Do you have intel that they will cover an album?

    My conclusion has been that Trey’s looking for a new sound. Why we get so much whale and indecision. He’s been on the 3.0 recover your chops train long enough. New album could be the ticket. My lawd please not another Americana blues album. Something that can bring the layering and tonality of the ‘Doc back. A new Indie Pop album! Fits this post perfectly.


  12. dorn76 Says:

    They should announce they’re going to play Fuego on Halloween, then come out and drop the Donald Byrd album.

  13. xpun Says:

    Funkwards. The direction we should all be heading in.

  14. the Baker Says:

    The 6/3/11 disease on ArchRelease LP app is FINE w/ me…

  15. ren Says:

    No inside tip yet Stoney…but we’re a resourceful bunch. Based on the controversy surrounding this past Halloween I’d be very surprised if they played another Halloween without a cover. If our inklings are right I bet good ‘ole Troy starts to give up some clues by summers end….maybe even show more of his hand during some TAB outings.

    I agree thought that its got to be something more contemporary, democratic etc.

  16. MiA Says:

    It takes a while to get going to damn, this was great last night.

  17. George W. Kush Says:

    Phish covers Warpaint. Band’s daughters on vocals

  18. the Baker Says:

    *shwillin’ my 1st SunShinePils’ from TROËGS in the MDT/HGB/Capitol city of the Least FLUID legislative-governing body “in the history of time”…yummy!*

  19. dorn76 Says:

    X-eyed>Lope is an EPIC segment. Sheesh.

    I may fly out West to see Phish. Doesn’t count really because only happening if I can swing a biz trip.

    If so, I get some StoneyPoints for pluckiness and deviousness right?

  20. Luther T. Justice Says:

    I love that show MiA. Poor Mitch McConnell.

  21. ren Says:

    I still think that Phish wants to create an album…and a SOUND on par with their biggest inspirations in their career. I think that’s where they’re at now. Not for the recognition but because its the only logical progression.

    FUEGO will be the reminder that it won’t be a studio album that gets them there. I don’t see any reason why their greatest album can’t end up being a live recording or something a’la “Without a Net” or “Waiting for Columbus”

    Maybe they just get really dialed in this summer and fall and try to drop their greatest phishy Phish show on 10/31. Perfect setlist with perfect execution.

    …but I’m just riffin here as Gdad would say

  22. Joe Says:

    Pretty sure they are moving towards a Kenny logins or Christopher cross cover album/sound

  23. little umbrellas Says:

    ‘I put the wheels in motion, a time for big decisions.
    And on the second daaayy…’

  24. little umbrellas Says:

    Pulled Up:

  25. jtran Says:

    morning comrades

    worst part about CA: if you don’t plan a camping trip in the summer months in advance you can’t get a spot (trying to hit big sur for july 4th)

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