A Set of Sorcery

10/31/14 II. Las Vegas, NV (Eric Battuello)

10/31/14 II, Las Vegas, NV (Eric Battuello)

Well, they did IT again. Using Halloween as a platform for one of their most profound on stage achievements yet, Phish reinvented their own holiday tradition while playing a set of music pulled from our wildest dreams. Choosing to “cover” a Walt Disney album comprised only of sound effects and narration, the band wrote ten instrumental jams to accompany the record’s eerie vignettes in a complete blowout of the imagination. Morphing fantasy and psychedelia on a night scripted for such a mash-up, Phish played an absolutely masterful Halloween set, while pleasing every fan in attendance for—quite possibly—the first time in their 31-year career.

PBcoverNobody knew what to expect when handed a Phishbill that read “Chilling, Thrilling Sounds of the Haunted House.” A quick Wiki search informed that the album was a collection of sound effects from the vaults of Walt Disney. It had narration on one side but it contained no music?! It quickly became apparent that Phish would follow their own lead of 2013, and use Old Hallow’s Eve to debut a set of original music! But what form this music would take was anyone’s guess. And few could have imagined what would soon transpire.

As the lights came after the Halloween set, the most common thought heard muttered was, “What just happened?” Phish had dropped ten top-notch instrumental jams on the that were used to musically describe scenes set up by the Disney narration, and everyone was desperately trying to wrap their head around the pinnacle Phish experience that just went down. Via live sampling, Page incorporated the album’s sound effects and much of its narration into the set’s increasingly dancy jams, creating a hour-long mindfuck for the audience. Though most fans were mesmerized in a state that fused disorientation and disbelief, there was one thing that everyone knew in real time—“This was most definitely the shit!” The dark instrumentals grew funkier throughout the set, concluding in the non-stop dance party of “Chinese Water Torture,” “The Birds” and “Martian Monster.” Complete with dancing zombies for the first and last track and set in a faux graveyard, this was the band’s quintessential Halloween performance. Though their cover albums showcased a different kind of mastery, this year, Phish distilled the mystic and macabre nature of Halloween into a set of music like never before.

10/31/II (Eric Battuello)

10/31 II (Eric Battuello)

And it didn’t take long after the show was over to realize what was possible with these composed jams. These “songs” were the polar opposite of Fuego’s largely jamless material—they were already jams—composed themes for the band to expound on in the live setting! Now, if the guys wanted to keep the music moving with no stops, instead of necessarily jamming towards another song they could now simply jam into another jam—and keep jamming! Phish proved on be on board with such thinking, for the next night they seamlessly moved from “Light” into “Dogs” from the Halloween set, and then improvised upon its theme for a stretch before dripping into “Lengthwise.” As illustrated by this immediate example, these Halloween jams represent motifs that the band can weave into their improvisational storytelling. They may have just changed the game—once again—right in front of our eyes.

Phish in Las Vegas has always brought something memorable, but “Chilling, Thrilling Sounds of the Haunted House” was on a whole ‘nother level. Combining their career-long penchant for spectacle with their unparalleled musicianship and sense of the moment, Phish executed one of their finest sets of music in a career loaded with staggering performances. Furthermore, this set typified the artistic ethos of the entire Phish project over the course of 31 years.  Never content with their laurels of yesteryear, the band has continuously infused innovative styles of music and performance into their live show throughout their career, leaving a legendary wake in the history of rock and roll.

10/31/14II (Eric Battuello)

10/31 II (Eric Battuello)


10/31 II (Eric Battuello)

10/31 II (Eric Battuello)


10/31/14 II (Eric Battuello)

10/31 II (Eric Battuello)

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2,187 Responses to “A Set of Sorcery”

  1. vapebraham Says:

    Good luck, bingo. Can dogs ride out out? Non toxic right?

    Put on 2.18.93 antelope to smooth the passage.

  2. vapebraham Says:

    ^^^ should be “ride it out”

  3. MiA Says:

    Allman Brothers Bingos.

    Seriously though. That sucks.

    H2O2 is the best bet if she hasn’t digested most of it. I’m sure she’ll get scared and wrapping her up in a blanket may help.

  4. dorn76 Says:

    One cookie? Dog should be fine. Will pass out, puke on her own probably.

  5. vapebraham Says:

    7.5.14 yem – clammed opening turns into a trey showcase and a danceable, version with a brief taste of the wicked, buzzing bee tone from mike during the d&b section. $$+

  6. MiA Says:

    Dammit. Gronk scored.

  7. MiA Says:

    Le’Veon Bell needs 4.75 points tomorrow. I think that’s a shoe in.

  8. dorn76 Says:

    They evolve! Via Reddit…


  9. dorn76 Says:

    Low clouds and no wind means I can smell the Sound tonight. We’re about 1.5 miles inland so it’s always nice when that happens.

    It’s Monday in New England. Shit.

  10. dorn76 Says:

    Is this what you wanted?

    Do whatcha wanna.

    Interesting to read this again in wake of tour.


  11. MrCompletely Says:

    Baby I got sick this morning
    A sea was storming inside of me
    Baby I think I’m capsizing
    The waves are rising and rising


  12. meltyphace Says:

    Really difficult to keep up with all the convo, but man seems like a ton of good people on here. @sumo killer orange with the blog on page 12. much thanks.

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