Three years ago today, Phish turned the ship around. Amidst a fall tour that featured limited creativity, less a few jams here and there, the band unveiled a 48-minute sequence that remains among the most adventurous of this era. Where they often reeled in their excursions, the band pushed on, shocking everyone in The Knick on that fateful November night. Many cite Albany’s “Seven Below > Ghost” as a legitimate turning point of 2009, and considering the course the band took for the rest of fall tour through Miami, that assertion would be hard to argue against.
Phish had played an impressive second leg of summer, specifically out west where stands at Red Rocks and the Gorge illustrated a much enhanced improvisational confidence. When the band returned to the east coast to conclude summer, however, the their risk taking diminished, managing about one serious jam per show. With the start of Fall Tour started, Phish stepped inside for the first time after their comeback shows in Hampton. Throughout history, fall tour, traditionally, saw the band’s experiments darken and the intensity of their jamming elevate, but over the first half of Fall ’09, their musical progression plateaued.
Despite a few gems, specifically Cobo Arena’s “46 Days,” Philly’s “Disease” (which built upon a highlight version from Detroit) and a rock solid second set on the first night of Cincinnati, the band’s extended jams followed a cookie-cutter pattern of shredding rock > percussive grooves > ambient washout. The night before Thanksgiving, Phish dropped their weakest show of tour in Philadelphia, capping an sterile night of music with “Time Turns Elastic.” Needless to say, this wasn’t the anticipated path for the first fall circuit since 2000. But then we got to Albany.
The first night in New York’s capitol showed hints of inspiration in the debut of “Golden Age” and a scorching version of “Piper.” But after the second night in Albany, nobody would be talking about the first. To kick off their fourth and final set of the two night stand, Phish took “Seven Below” off the shelf for the third time of the year, and this one would be unlike the previous two. Pushing far beyond convention and outshining any musical plane they had visited during the year, the guys played off each other with stunning fluidity, progressing through several melodic themes en route to a soul-tickling escapade. Infusing the magic of lore into their set-opening jam, Phish wove original music of the likes they had only hinted at during the peaks of summer. And as they wrapped up 25 minutes of pure catharsis, they segued smoothly into “Ghost!”
Playing with an abandon unseen in ages, the guys keenly navigated a melody driven turned sweltering psych rock rendition of their groove vehicle that quickly stood out as the version of the year. A multi-tiered jam that slithered through several distinct feels, Albany’s “Ghost” contained as many daring twists and turns as “Seven Below,” and this entire sequence of egoless interplay set the community ablaze. Harnessing the adventurous spirit and whole-band unity that once defined the quartet, Phish cranked through improv so original it made the most of the year’s previous music sound contrived.
There aren’t many jams from 2009, that didn’t take place in The Gorge or Miami that still lavish the praise of Albany’s revelation. With new momentum in tow, Phish jams grew bigger and bolder over the final week of Fall Tour, a palpable shift that graced the band’s return to Madison Square Garden and their tour-closer in Charlottesville. Throughout their comeback year, Phish experienced re-growing pains as they worked their way back to prominence. And though they didn’t turn that corner in earnest until a month later in Miami, it was this night three years ago that set the band on course for their Holiday Run transformation.
Jam of the Day: