Phish’s visit to Asheville, NC turned into something far more than a concert. The small liberal-minded mountain town fully embraced the band’s stop in their community, creating a festival vibe throughout the town all day long. With multiple streets closed down for us to hangout, Asheville was certainly one of coolest scene Phish scenes in memory. And then there was the Phish show.  Kicking off their Southern run with the first indoor show of the summer, the Asheville Civic Center- capacity 7,400- was as laid-back, uncrowded, and energetic of an atmosphere as one could ask for in a Phish venue.

The band responded by playing an excellent show that featured one of- if not the best- jam they have played since coming back in March.  After a second set opening “Backwards Down the Number Line” which included a portion of improv far greater than either previous version, the band entered “Ghost.”  What developed out of this version of “Ghost” is arguably the greatest piece of improvisation we have seen from the band thus far.  Move over Camden “Sand” and “Tweezer” and make room for “The Asheville Ghost.”  Exploring a divergent groove and moving way out there into deep psychedelia, Phish was flowing at full-force during this epic adventure.  Beginning with a different feel to begin with, the jam moved into some of the most exploratory grooves and spiritually triumphant places ever reached by the song.  Building to a ridiculous peak that continued rolling for minutes, Trey’s work was simply magnificent.  This is one that will live eternally in memories of who experienced it, and deserves its own place in the annals of new-school Phish history.

As the band allowed the jam to come down to earth, they slid into a perfectly juxtaposed “Fast Enough For You.” Played flawlessly and with dripping emotion, this version was the perfect compliment to the psychedelic odyssey that had preceded.  Taking their time to decide what was to come next, the decision was unveiled with Mike’s a capella opening of “Halley’s Comet.”  Upping the energy in the building with the old-school favorite, the band chose the rock-rather-than-funk route, using the brief jam to lead into the first “Maze” of the summer.  Placed squarely in the middle of the second set, Phish attacked the jam with a viscious ferocity, blowing up the second big highlight of the set.  Moving beyond the routine rock changes and builds of the song, Phish dug into some dirty exploration at a breakneck pace.  It has been a while since we have seen the band focus on “Maze” with such a magnitude; defining the meaning of blistering.

A set that had absolutely smoked up to this point, began to lose steam for the final third of the set. Debuting “Alaska,” one of the band’s lesser interesting new songs, Phish slowed things down with the comical blues number.  Ending the set with “Theme,” “Golgi,” and the third “Possum” of the tour, the improvisational quality of the show took a nosedive for the final part of the night.  Waiting for something large in the encore- potentially the big “Bowie” that is long overdue- we were greeted with a token “Loving Cup.”  Usually reserved for following up a big jam, “Loving Cup” nonetheless concluded the night on a high-energy, feel-good vibe.

In the first frame, the band opened with “Kill Devil Falls” whose jam- closely resembling a “Birds” jam- got the show started with a raging rock jam right away.  The centerpiece of the first set was the “Fishman Trilogy.”  Trey confided to the audience that he once sneaked a peak at Fish’s college journal, discovering verses that he would develop into “Dog-Faced Boy,” “Gumbo,” and “Tube.”  And after the story, the band proceeded to play each- including the second “Tube” in two shows!  Loosening up the funk a bit more from the Camden version, Phish brought the house down with the funk.  To conclude the Fishman-focused part of the show, he performed “Lengthwise” solo a capella, busting out an old-school rarity.  To close the first set Phish unshelved Jimi’s “Bold As Love” for the first time since Shoreline ’00.

All in all, Asheville was another step forward for the band, busting out more songs, and delving deeper into the type of improvisation that we all live to hear.  The south is underway, and there is only one more stop before the band’s two highly-anticipated appearances at Bonnaroo.  Enjoy the scenic drive to Knoxville tomorrow, I’ll see you there.

I: Kill Devil Falls, The Moma Dance, Sample In A Jar, Stash, Dog Faced Boy, Gumbo, Tube, Lengthwise, The Divided Sky, When The Cactus Is In Bloom*, Bold As Love

II: Backwards Down the Number Line, Ghost > Fast Enough For You, Halley’s Comet > Maze, Alaska**, Theme From The Bottom, Golgi Apparatus, Possum

Encore: Loving Cup

* debut, by Bill Monroe  ** debut

Still reeling from Camden’s throwdown as we make our way down to Asheville, the excitement for the rest of this Summer is now bubbling more vigorously than ever.  With six summer shows under their belt, Phish looks to dial up the intensity and improvisation as we enter one of the most anticipated weeks of tour.  From the mountains of Asheville, to the sleeper in Knoxville (tickets are now going for $12 on TicketsNow!), and from the monstrosity of Bonnaroo to the intimacy of The Fabulous Fox Theatre- this week holds countless promising moments.  The venues will be diverse, including both the grandest and smallest stages of the summer, and it’s all kicking off with an indoor GA show tonight in Asheville.  Having re-acclimated to the live setting, the band looks to springboard off their colossal night in Camden and continue their fireworks down south.

The band members are having a blast on stage night after night; flashing huge smiles, joking with each other and the crowd, and clearly sharing our enthusiasm for what is unfolding this summer. Trey, Page and Fish look like kids in a candy store up there, and while Mike is always more reserved, his bass has been expressing his thoughts in between subtle smiles.  This positive energy and enthusiasm has permeated their music into the audience where the crowds have been spectacular.  Everyone at the shows is having a blast and it seems that most people are coming for the right reasons- in celebration of Phish.  Once again, we are living IT, and it feels so good to be home again.

One of the most encouraging trends on this leg has been the copious amount of new songs, virtually all with improvisational potential.  Not to mention that when these pieces are compiled onto Phish’s forthcoming album, they may just comprise the most impressive studio effort of the band’s career.  Each piece focusing on a different piece of Phish’s sonic repertoire, the new material spans the Phish spectrum from ballads to psychedelia to straight-ahead rock and roll.  It will be interesting to watch the development of these new songs and see when they are placed as centerpiece jam vehicles in the show.  Personally, I look forward to the time when Phish builds big second set versions of “Stealing Time From the Faulty Plan,” the playful “Ocelot,” and “Twenty Years Later,” just to name a few.  And that time could be sooner rather than later.  Phish’s songwriting hasn’t been this strong since 1997 when they debuted a slew of new material that summer.  And with the way things are going, I think we will continue to hear further debuts as we shift into the southern run.

With the band improving by the night, it has been like watching time-lapse photography of Phish’s re-development.  Harnessing the precision and energy that put them on the map, and channeling it into a renewed improvisational spirit, the odysseys that made Phish famous are again knocking on our door again; and we’ve never had a more welcome visitor.

Phish has finally arrived. If you were to form a setlist of the highlights of summer thus far and put them into one show, they wouldn’t surpass what happened last night at Camden.  Creating the massive show of dance grooves that we have all been waiting for, Phish played a show that was an assertive announcement of their return to prominence on the last night of their east coast run. In one of Trey’s favorite venues, and quasi-“hometown” show, Phish slaughtered two sets like they haven’t done in ages. The band is once again firing on all cylinders for the first time in over a decade, as every single person in the venue left wide-eyed and in awe of what they had just witnessed.  Everyone was tapped in last night, band and audience alike, and we all floated out of the venue after the show.  Phish has IT again; this is when things will start to get serious.

As soon as they took the post-“Fee” jam out into a tightly-woven, blissful excursion right off the bat, everyone knew things were on.  Phish went on to crush the whole set as the entire band continues to connect more and more each night, with each member just as active as every other. With a nasty “Wolfman’s” jam, Phish commenced the groove-based theme of the show that would finish as the antithesis of the night before. Playing the first “Guyute” since last time around, Phish ran through the composition with aggressive confidence and coherency; an incredible performance of the loved anthem.

Phish continued to bust out songs we haven’t heard this tour throughout the first set, including the subsequent triumvirate of “My Sweet One,” a dirty but tight “46 Days,” and the welcome 3.0 debut of “Lizards.”  While listening to “Lizards,” it felt like we were walking through a corridor, back into a world we once knew, but with five years behind us, that world wasn’t quite the same- it couldn’t be.  But it just might be better.  Everything about last night’s show points to the possibility that the future may yet hold Phish’s brightest days.

After a blistering version of “The Wedge,” one of the band’s ultimate summer favorites, Phish slowed it down the first “Strange Design” of this latter era.  The ballad felt more poignant during this third chapter of our Phish lives. Closing the set with the ridiculously adrenalizing- and witty- combination of “Tube” and “First Tube,” as Trey commented after “Tube,” “Well, we might as well play this one now.”  The crowd responded in a huge way to the bombastic one-two punch, with the set closer being a real set highlight as the band obliterated the rejuvenated and extended ending.  From the pit to the lawn, the crowd was buzzing at setbreak following one of the most exciting first stanzas of summer. The five hour bus drive down I-95 seemed to rev up the band’s engines as Camden slowly morphed into Phish’s first 3.0 wonderland- with the band swimming and surrounded in IT for the entire show. As the newly shortened set break passed, everyone clearly knew that it was on like Donkey Kong for set two.

We knew that it would be huge and we knew that it would be funky- but what would it be? When the band threw down “Sand” for only the second time since coming back in 2002, it sounded crisp and we knew we were in for a treat, but we didn’t know the half of it.  Over twenty minutes later, after some of the most sublime Phish dance music you’ll ever hear, we were left in awe of the peak Phish experience we had just had. I’m pretty sure- on instinct- that everyone in the venue felt the same way.  We had just lived the hugest dance jam of 3.0- “The Camden “Sand”- a dynamic of exploration of rhythm, and his time melody was part of the mix!  It wasn’t only Trey chopping funk and creating wildly distorted effects- he was also playing incredibly engaging lead lines for much of the jam, adding another element to the already fiery work of Mike, Fish and Page.   With melodic themes lacing the energetic grooves and the band’s creative energy fully back in effect, this jam really turned into something special.

Following the blistering set opener, Phish tore apart another dance jam with the upbeat funk of “Suzy” and then absolutely slaughtered “Limb By Limb” with a stunning “type I” rendition of the jam. A night where everything was a highlight, one of the most interesting was the debut of Mike’s “Sugar Shack.”  Featuring quirky changes and some very smooth grooves, the exciting new installation to Phish’s catalog also sees Trey sprouting composed carnival-esque melodies.  It’s good to see a new Mike song in the mix, and this one is a great one.

The next part of the evening was the most intriguing.  A disgustingly raging “Character Zero” was putting a cap on the best show since the comeback when upon the ending of the song, Trey ripped into the beginning of “Tweezer?!” “What?!” In the most startling moment of tour thus far, Phish ripped into their improvisational epic deep into set two, weaving one of the night’s huge highlights and placing the song as the second set closer for one of two times in history!  As the band dug into the improv, Trey picked up a lead that he took through the duration of the jam that was infectious as hell as the band created a sublime jam with a rendonkulous peak to put an exclamation point on the northeast leg, and the best show-of this summer by a mile.

Mix-and-matching their setlists, continuing an emerging pattern, Phish is keeping everyone on their toes these days, something exemplified by Camden’s four song encore.  When it felt like a classic “Bouncin,” “Reprise” was coming, the encore blossomed into something much greater.  Including the debut of “Joy,” another great new song, and a surprise “Antelope” into “Reprise,” the band ended the show with the ultimate bang.  While the northeast run had its amazing moments leading up to Camden, last night IT all came together in grand fashion.  Heading south, the warm weather awaits while Phish is, simultaneously, starting to bring some heat of their own.  As we step inside Asheville Civic Center, the sense of anticipation will be heightened, waiting to see what our musical acrobats will do next.  I can’t wait to find out!

I: Chalk Dust Torture, Fee, Wolfman’s Brother, Guyute, My Sweet One, 46 Days, The Lizards, The Wedge, Strange Design, Tube, First Tube

II: Sand, Suzy Greenberg, Limb By Limb, The Horse > Silent in the Morning, Sugar Shack*, Character Zero, Tweezer

E: Joy*, Bouncing Around the Room, Run Like An Antelope > Tweezer Reprise

* debut