MR. MINER'S PHISH THOUGHTS

Coventry (Boston Globe)

Coventry. The mere mention of the word makes any Phish fan cringe. But here we are, ten years later, on the heels of Phish’s sixth summer tour since their return and on the brink of their fourth fall tour in six years. One can say we’ve come a long way from the mud ridden disaster that was Coventry in 2004. Sometimes the universe just provides the exact combination of elements to match a particular mood, and between the traffic debocle, the mud-soaked concert field, and fans being turned away from the site in cars while others hiked in, everything about this weekend was an absolute fucking trainwreck. And then we had the band. In what was supposed to be their swan song, the came out in arguably the worst form of their career—in every way. Despite a few highlights over two days, the music, overall, matched the vibe of the festival as well—an utter fucking mess. Calling Coventry a travesty would be the understatement of the century. It was really that bad. If you need any memory of just how bad it got, watch some footage of the final night. Viewer discretion is advised. There wasn’t much takeaway from that weekend in Vermont, other than Phish was gone, and this time it was for good.

And somehow, I was ok with it all. I was devastated when Trey announced that they were done, but at Coventry, everything was already a foregone conclusion for me and I wasn’t all that traumatized by the events. I just knew things couldn’t be right with the band, because they just played their farewell festival without dropping “Tweezer.” And that’s not a joke, but a funny truth. There was no stepping into anything that weekend except mud, and lots of it. I remember walking back to our RV after the final show and just seeing abandoned shoes stuck in the mud, and somehow it felt like an apt analogy for the entire weekend. You had to just let go to enjoy yourself at all, even if it meant leaving your shoes behind. Phish was done and this was one last hurrah. But the irony was that there was very little joy at Coventry, and it was hardly a hurrah.

Coventry (sensiblereason.com)

When they say the crowd went the way of the band in this era, its no joke. I didn’t have to look further than my own RV and my closest tour friends to see the effect that oxycontin and other hard drugs had taken on our scene. I was always someone who kept it lighthearted, I got spun and smoked weed all night, but I never saw the point in the “post-show” drugs. At some point, things shifted for some of my friends, as I’m sure they did for the band, and the entire tour experience became intertwined with hard drug use that went far beyond any recreational habit. Band members, my friends and way to many people in our community were in the grips of the same drug that had its grips on the nation, the semi-synthetic opiate named oxycontin that had become easily attainable in America during this time. It is a drug that chips away at one’s character and zest for life as quickly as it does their health, and in retrospect, it’s amazing Phish cranked out the music they did that summer. Leg one was solid the whole way through, and they had even played a fairly strong two-night stand at Great Woods just before Coventry. Through all the substances and internal issues, the band could still jam. Their composed playing had gone the way of the wind, but those guys could jam up until the end. Just about.

Many people say that they knew Phish would be back. I wasn’t one of those people. I took it at face value. Phish was done. I had to in order to put it all behind me and move on. After a little bit, it almost became easier to live a normal life without Phish, because I didn’t want to leave town every couple months for weeks on end. I didn’t have to make excuses to families, employers, schools and beyond in order to sneak off onto the astral plane with Phish. But throughout the band’s five year absence, I never found something that spoke to me as personally as Phish had, thus when I heard they were coming back, this entire blog began as a place to simply process my thoughts. I guess those people were right, because Phish came back, and they came back in a big way. Though it took a couple years to shake off the rust, Phish had climbed back to prominence, adding chapters upon chapters to their legacy that few dreamed possible. Thinking back to Coventry now is like remembering a bad dream from long ago. I can still relate to the emotions of the weekend, but they don’t sting any more because we are six years into a new era. Now we can all legitimately say, imagine what our lives would be if Phish hadn’t come back? And that, my friends, is pretty damn sweet.

Coventry (fredshead.org)

Coventry. The mere mention of the word makes any Phish fan cringe. But here we are, ten years later, on the heels of Phish’s sixth summer tour since their return and on the brink of their fourth fall tour in six years. One can say we’ve come a long way from the mud ridden disaster …

Thinking Back to Coventry Read More »

For the past two weeks, I’ve been playing a game that has totally diversified my Phish listening. If you have the Phish On Demand app, and can get a speaker for your phone in your bathroom, you can play too! Before every shower, I hit the random show selector. No matter what show comes up, I choose one jam to listen to from that show for the duration of that shower. Several of these jams have been featured in my last couple playlists, but last night I hit the jackpot!

The random show selected was 8-14-98, Limestone, Maine. Your thought is correct, there was no show on that date. The app had pulled up the Lemonwheel soundcheck. I almost just hit the button again to select a real show, but staying true to the rules of my game—you can’t pass on a show—I decided to let it ride. I’ve never been one to listen to soundchecks all that much beyond The Bunny or live at a festival, and I had never heard any of this multi-tracked Lemonwheel affair. I selected the 20-minute jam and hopped in, not sure what to expect.

Lmnwhl Postcard (Pollock)

The tape cut in on a laidback bluesy, groove—nothing all too special. But after a couple minutes, the band dissolved into an ambient jam that clearly foreshadowed the late-night “Ring of Fire” jam in which they—essentially—debuted their next improvisational palette that would take them through the fall and beyond. This was a spectacular, and totally unexpected end-of-the-day soundtrack! And, boy, Phish sounded like they were at complete ease, clicking immediately into a gorgeous, emotive passage. But they weren’t just testing levels here, it was much more than that. This was the first time the band had stepped on stage at Limestone since The Great Went. They were re-acclimating themselves to the magical surroundings and reacquainting themselves with the spirits of the north woods. You can hear the guys’ awe and sense of majesty in their playing. They had reached the end of a long and winding summer tour that started six weeks earlier in Copenhagen, came stateside in Portland, Oregon, and wound its way to the northeast corner of America. The near-psychic connection the band had developed over this time is evident in the utter relaxation and collaborative nature of their jamming. And you wanna talk collaborative? Wait to hear what comes next.

1998-08-16mo

After coming to a natural pause, the band’s dripped into a quintessential, Summer ’98 funk groove that absolutely slays. At this point I’m dancing to some never-before heard ’98 Phish in my shower at 1:30 am—and fuckin’ loving it! This music transported me back in time instantly. They say that smells can evoke specific memories of a place in time, well so can chunky Phish grooves, because I felt like I was back at Limestone, 16 years ago. Comfortable and confident, the band sounded in their element, neck-deep in groove and playing to a wide open field.

This 22-minute jam truly represents a sonic portrait of 1998 Phish—a year when they had built on their raw funk of ’97, smoothed things out considerably and began to travel outwards via melodic, ambient-amoeba jamming. Two of the band’s signature sounds of the year are captured in this single soundcheck jam. And don’t let the word “soundcheck” throw you, this is the straight dope! Listen below.

For the past two weeks, I’ve been playing a game that has totally diversified my Phish listening. If you have the Phish On Demand app, and can get a speaker for your phone in your bathroom, you can play too! Before every shower, I hit the random show selector. No matter what show comes up, …

A Portrait of an Era Read More »

4.26.96 – The Fairgrounds – New Orleans

Yesterday, out of nowhere, Phish announced their return to the greatest festival in the land—The New Orleans Jazz and Heritage Festival—exactly 18 years to the date that they played the Fairgrounds on April 26, 1996. Between then and now, however, Phish has been absent from the annual gathering due to the unruly element that their fans brought to the site. With nearly two decades since their visit, however, the band—and their fans—are being invited back! And with the announcement of a Spring date in the South, fans’ heads are already spinning with the possibilities of what might going on around that date.

Phish all but ignored the South last year, stopping only in Alpharetta for a mid-week two-night stand. Additionally, no 3.0 festival date has been a standalone affair, as Austin City Limits kicked off Fall 2010, Outside Lands was in the middle of Summer 2011, and both appearances at Bonnaroo took place in the amidst summer tour. Putting these factors together, along with the already swirling rumor of two-dates in Austin following Jazzfest, we just might be looking at our first Spring tour since 1994! The Mike Gordon Band tours until April 6th, giving the guys enough time to hit the Barn, brush up on things and fly south for Spring!

12.28.12 (J.Silco)

Regardless of what dates, if any, are booked before or after this weekend, there are limitless possibilities in New Orleans, alone. Anyone who’s been to Jazzfest knows that the day time Fairground shows comprise only a fraction of the story. Jazzfest goes on 24 hours a day, with musicians performing club shows and sit-ins until the wee hours of the morning. With all four members of Phish in the Bayou, one can bet that they will pop up with musicians all over town. Back in 1996, when the Allman Brothers were the bigger headliner of the festival, they also played an independent, arena gig at Lakefront Arena, a slot that seems perfect for Phish to slide right into. One way or the other, one can be sure that the main stage at the fairgrounds won’t be the only stage that the members of Phish grace throughout the weekend.

Few expected to wake up in the middle of January to news of the next Phish date, but lo and behold, the community has been abuzz all day long discussing plans, booking hotels and getting excited for New Orleans!  The glow of the holiday run had yet to wear off and here we are talking about Phish in the Bayou and beyond. The next thirty years are off to quite a start!

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TYPE II CAST: NYE Edition

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Check out the most recent Type II Cast as host Steve Olker, Brian Bavosa, and I break down and discuss each night of the MSG run, with audio clips and anecdotes along the way.

Yesterday, out of nowhere, Phish announced their return to the greatest festival in the land—The New Orleans Jazz and Heritage Festival—exactly 18 years to the date that they played the Fairgrounds on April 26, 1996. Between then and now, however, Phish has been absent from the annual gathering due to the unruly element that their …

We’re Going Back to Jazzfest! Read More »

6.10.2012 (Michael Stein)

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6.10.2012 (Michael Stein)

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6.10.2012 (Michael Stein)

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6.10.2012 (Michael Stein)

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6.12.2012 (Michael Stein)

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6.10.2012 (Michael Stein)

ALL PHOTOS BY MICHAEL STEIN

**** **** **** **** **** ALL PHOTOS BY MICHAEL STEIN

Official Bonnaroo Print (Kelly)

Yesterday was my first webcast. It was odd at first. It certainly didn’t seem real; more like watching an old DVD I had never discovered. Instead of dancing, I texted my friends and posted on Twitter for much of the first show—the entire experience felt different than a Phish show. But then I got into it. The soundboard feed and crystal clear video began to draw me in, and my first night of couch tour turned into fun time. It was certainly a novelty—bong hits on the couch while cranking the show in the early evening in California? Not a wook to be seen? No spilled beers? Not so bad, really. Was it a substitute for being there? Not at all. But watching live was certainly a great option to be as close to Manchester, Tennessee as I desired.

I don’t feel that one can give a review of a show without being there to experience—it’s just not a genuine take. But in the interest of consistency throughout the summer, I figured I’d share some thoughts on the three segments of the show that stood out the most.

“Tweezer” I

After a long string of standardized singles in the first set, the band really brought me off the couch late in the opening set with the first “Tweezer” of 2012. As soon as the band launched into the jam, they dropped into virtual silence for a few measures before creeping into a very minimalist groove. With almost no backbeat, Trey began to weave a signature staccatto—or  “plinko”—lick into the mix, pushing the delicate groove forward. Each of the the band members were laying so far back in was as if they each had their own Lazy Boy, and the result was quiet and collaborative sonic tapestry. Fishman gradually built up the jam’s rhythmic backbone, as Page stepped up for the second part of the jam. But aside from Trey’s final guiar solo, this version strayed from a conventional “Tweezer” territory, continuing the fresh trend of Worcester. After the peak, the band slid into a brief ambient outro in which Fishman seemed to be hinting at “My Left Toe.” But Trey ended any such ideas with the opening riff of “Free.”

“Carini -> Shafty” II

Bonnaroo 2012

For the second time in three shows, Phish used “Carini” as a second set launch pad into sinister waters. While Worcester’s version traveled into ambient dementia, Bonnaroo’s maintained a hard-edged psych rock vibe, as Mike anchored the jam with gargantuan bass grooves. Rather than soloing, Trey favored seething, uncompressed, Hendrix-like guitar growls while Mike and Page led the thick, psychedelic brew. As the band added layers of spacier effects over the groove, Trey took a high-register staccato solo over the increasingly abstract music. The final segment saw him carving out notes with long sustain as Mike soon decided to drop the “Shafy” bassline behind the jam. For the second time this tour, Mike was the apparent decision maker of musical direction, and this time, Trey quickly fell in line, coalescing in a smooth segue. This two-song sequence was the no-doubt highlight of the second set, while featuring the first “Shafty” since Miami ’03.

 “Harry Hood -> Light” I

(Unknown)

Towards the end of the second set, Phish dropped this unlikely song pairing. But before we get to the segue, let’s talk about the “Hood!” While Worcester’s version was nice, Bonnaroo’s was in another league. Playing with incredible passion, Trey lit up this rendition with original melodies that were distinctly different from his usual arsenal, and his finger dexterity and fluidity was on full display again. Mike responded throughout the jam with unique lines of his own, and “Hood” fully elevated with their ongoing, creative exchange. Once the band reached the top of the cathartic jam, instead of moving into “Hood’s” final section, Trey used the expected change to move into “Light” via a series of choppy rhythm chords.  This unexpected shift mimicked a similar transition from the band’s set at Austin City Limits set in 2010, but this time, they got into some experimental ambient textures in “Light.” While not fully developing a jam out after the composed section, the band did build a dark and abstract sound sculpture than extended well beyond the normal song structure.

Now Phish will take an uncharacteristic four-day break before playing again Friday in Atlantic City. Enjoy the week and see you there for the continuation what looks to be a very promising tour! See you on the road…

I: Down With Disease, Funky Bitch, The Moma Dance, Sample in a Jar, Axilla, The Gambler*, Possum, Wilson, Tweezer > Free, Backwards Down the Number Line, Cavern, 

II: Golden Age > Also Sprach Zarathustra > Chalk Dust Torture, Carini -> Shafty > Rock and Roll, Alaska, Harry Hood -> Light > Character Zero, Rocky Top 

E: Show of Life, Julius, Tweezer Reprise

* w/ Kenny Rogers

Yesterday was my first webcast. It was odd at first. It certainly didn’t seem real; more like watching an old DVD I had never discovered. Instead of dancing, I texted my friends and posted on Twitter for much of the first show—the entire experience felt different than a Phish show. But then I got into …

Viewing ‘Roo Through the Screen Read More »

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