MR. MINER'S PHISH THOUGHTS

Hampton 2004 (Unknown)

As promised on Monday, here’s another playlist to help prove that 2004 Phish featured far more than opiates and sloppy compositions.

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Birds of a Feather” 8.10 I, Great Woods

This “Birds” is another monster jam that often gets lost in the shuffle of the dark, ending period of August ’04. This version closed the first set of the first show at Great Woods in scintillating and exploratory fashion— a stellar excursion through and through.

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Halley’s > Tweezer” 4.17 I, Las Vegas, NV

Though April’s Vegas run was the low point of ’04 (less Coventry), Phish still cranked out a keeper version of “Tweezer” in this first set combo that directly followed a “Soul Shakedown” opener on the third and final night.

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Piper -> Jibboo” 6.19 II, SPAC

The world-famous SPAC “Piper” and a slinky segue into “Jibboo.”

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Chalk Dust Torture” 6.18 II, Brooklyn, NY

After Jay-Z left the stage, Phish dug into things for real with this perspective altering “Chalk Dust.”

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Nothing” 6.23 II, Noblesville, IN

Phish expanded on their Undermind single only one time, at this Deer Creek stop in June ’04. I’ve always liked this song (which I’m sure most will scoff at) and I think it could make for some interesting modern day jams. Not included in this clip is the “Forcety-Six Days” that follows a particularly ugly transition.

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Seven Below -> Ghost” 6.20 II, SPAC

This is the first half of Phish’s last four-song set on the second night of SPAC. While the opening show focused more on groove, this pairing favored twisted psychedlia. “Ghost” was followed by “Twist” and “YEM.”

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Walls -> Bowie” 6.19 I, SPAC

One of few versions of”Walls” in which Phish has crafted an interesting jam, this time with a quasi-then-fully ambient extension that blossoms beautifully before bleeding into a set-closing “Bowie.”

As promised on Monday, here’s another playlist to help prove that 2004 Phish featured far more than opiates and sloppy compositions. *** “Birds of a Feather” 8.10 I, Great Woods This “Birds” is another monster jam that often gets lost in the shuffle of the dark, ending period of August ’04. This version closed the …

TTFF: More Jams of 2004 Read More »

8.5.10—The Greek Theatre (Wendy Rogell)

The title says it all. With no further ado, here we go.

12.1.96 II, Los Angelas, CA

A piece that quintessentially represents its place in time—the tail end of Fall 1996— this “Tweezer” from UCLA’s Pauly Pavilion often flies under the radar; but it shouldn’t. Phish had begun to shed its arena rock skin for a far smoother style that would begin to takeover their music, and this metamorphosis is fully on display in this “Tweezer.” A version that came on the last run of tour illustrates how far the band had come since their transformative performance of “Remain in Light” on Halloween. And though the initial jam sequence is swanky and groove-based to the core, this extended jaunt eventually builds into a dark and cacaphonous symphony before floating back to earth via futurisic and percussive interplay and a final, old-school “wind down” ending. A true monster in every sense.

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12.16.99 II, Raleigh, NC

This hallowed gem illustrates the drone and dissonant style of the late-’99 era quite well. Creeping out of a post-“Velvet Sea” ambient jam late in the second set, this beast emerged. Mike bushwacked the band’s intitial path with bass grenades as Trey set up layered a pillow of psychedleic sounds. Coming with laid-back leads amidst this murky excusrion, Trey began to command the jam with minimalist authority. Settling into a second segment, the band crawls amidst gorgeous ambient-melodica before ascending slowly into a “Slave-esque” that is as cathartic as music gets. This one touches my heart every time I hear it.

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8.11.04 II, Mansfield, MA

Forgotten amidst turbulent times of August ’04 was the last “Tweezer” of the post-hiatus era. Though not super long, this jam certainly packs a hell of punch before segueing smoothly into the real version of “Hold Your Head Up.” An oversized, dark and mechanical groove dominates this excursion which certainly possesses an apocalyptic feel that paralleled the band’s “final run” to Coventry.

The title says it all. With no further ado, here we go. 12.1.96 II, Los Angelas, CA A piece that quintessentially represents its place in time—the tail end of Fall 1996— this “Tweezer” from UCLA’s Pauly Pavilion often flies under the radar; but it shouldn’t. Phish had begun to shed its arena rock skin for …

Three Tweezers On Thursday Read More »

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