MR. MINER'S PHISH THOUGHTS

The Greek Theatre – 8.5.10 (W. Rogell)

We are back in the long-offseason, which will certainly mean more installments of Ten Tunes For Friday. This week, since we have been looking back on 2010, I decided to highlight jams from the past year. By no means was I trying to pinpoint the ten best jams, but simply ten outstanding pieces of improvisation from the past calendar year. Enjoy reminiscing over the last day of the week.

***

Rock and Roll > Carini ” 10.22 II Providence

This sequence kicked off an underrated second set with one of the defining jam sequences of fall tour; some avant-garde psychedelia to start kick off Friday.

***

12.31.10 (G.Estreich)

Ghost > Theme” 8.15 II Alpine

Shredding versions of each song came together to open Alpine’s final set with fireworks.

***

Simple” 8.6.10 I Greek

One of the most creative jams of 2010.

***

6.25.10 (G.Lucas)

Piper > Mist ” 8.19 II Telluride

After botching the Rocky Mountain “Tweezer” everyone had dreamed about since the shows were announced, Phish salvaged the set with one of the “Pipers” of the year.

***

Stash” 10.31 I Atlantic City

The much-heralded Halloween “Stash” has definite staying power.

8.10.10 (G.Lucas)

***

Harry Hood” 8.12 II Deer Creek

A dark horse version overshadowed by The Greek and Jones Beach’s centerpieces, this Deer Creek outing is right up there with the “Hoods” of summer.

***

Split Open and Melt” 10.11.10 Broomfield

The Broomfield shows seemed to get buried in the rubble of an east coast avalanche last fall, but several the pieces from the run, including this “Split,” deserve to be remembered.

***

2001 > Bowie” 10.30 II Atlantic City

Possibly the most fluid musical sequence of fall tour; a true pimp ride through the universe.

****

Jones Beach -8/2010 (M. Ladd)

We are back in the long-offseason, which will certainly mean more installments of Ten Tunes For Friday. This week, since we have been looking back on 2010, I decided to highlight jams from the past year. By no means was I trying to pinpoint the ten best jams, but simply ten outstanding pieces of improvisation …

Ten Tunes For Friday: 2010 Style Read More »

Picking up right where we left off yesterday, here are my top five shows of the year.

****

5. 10.31.2010 Boardwalk Hall, Atlantic City, New Jersey

10.31.2010 (Graham Lucas)

Phish’s second Halloween cover set since they’ve comeback turned into one of their best. Transforming Atlantic City’s historic Boardwalk Hall into a retro-’70s dance party, Phish nailed Little Feat’s Waiting For Columbus, in a selection that few saw coming. For the first time ever, Phish interpreted a live album, a choice that provided a more upbeat and engaging feel to the Halloween set than some of the former studio albums. With a guest horn section and virtuoso percussionist, Giovanni Hidalgo, Phish recreated the music of a Little Feat, one of the band’s primary influences with blues-based funk grooves and quick-witted musical exchanges. One of the experiential highlights of 2010 for almost all who were there, this set could land this show on this list by itself, but there was more! The most impressive “Stash” of 2010 and a holiday-themed combo of “Ghost > Spooky” highlighted the first set, while a celebratory third frame centered on a smoking “Jibboo” that segued into “Camel Walk,” and included several Phish anthems. All in all, this three-set fall finale delivered in full.

I: Frankenstein, Big Black Furry Creature from Mars, Ghost > Spooky, The Divided Sky, Roses Are Free, Funky Bitch, Boogie On Reggae Woman, Stash, Character Zero

II: Fat Man in the Bathtub, All That You Dream, Oh Atlanta, Old Folks Boogie, Time Loves a Hero > Day or Night, Mercenary Territory, Spanish Moon, Dixie Chicken > Tripe Face Boogie, Rocket in My Pocket, Willin’, Don’t Bogart That Joint, A Apolitical Blues, Sailin’ Shoes, Feats Don’t Fail Me Now

III: Down with Disease > Back on the Train, Gotta Jibboo > Camel Walk, Suzy Greenberg, Wilson > Harry Hood, The Horse > Silent in the Morning, You Enjoy Myself

E: Julius

****

4. 8.14.2010 Alpine Valley, East Troy, Wisconsin

Alpine 2010 (J.Longstreet)

This flowing two-setter featured sharp whole band jamming, blistering work by Trey, and one of the jams of the year in “Disease > What’s The Use?” In this show that never stopped, Phish brought huge doses of fire-laced playing, particularly in the second set, while also including a swank mid-“Mike’s Groove” stop in “Sneakin’ Sally.” The entire band clicked from the get go on this night, and never stumbled en route a classic Alpine show that brought summer tour to a final peak. “Tube” opened up and strong versions of “Reba”‘ and “Antelope” popped within a first frame with no real lulls. Transformed to DVD in record time, Phish, themselves, have already given a nod to this night as one of their favorites.

I: Tube, The Oh Kee Pa Ceremony > Suzy Greenberg, Funky Bitch, Reba >Fuck Your Face, Alaska, Back on the Train, Taste, When the Circus Comes, Lawn Boy, Sparkle, Gumbo, Run Like an Antelope

II: The Sloth, Down with Disease > What’s the Use?,  Scent of a Mule, Mike’s Song > Dirt, Sneakin’ Sally through the Alley, Weekapaug Groove, Bug

E: Quinn the Eskimo

****

3. 8.7.2010 The Greek Theatre, Berkeley, California

8.7.10 (Wendy Rogell)

If the Alpine’s summer showcase represented a top-shelf Phish rock concert, The Greek’s third night was akin to a symphony. Peaking their three-show stand with delicate and inspired creativity, Phish capped the run with, in my opinion, the best set of summer. Kicking off with “Wilson” and fusing into my pick for jam of the summer–an exploratory “Light” that found pure gold—the band then came back from the stratosphere via “Twenty Years Later.” Phish showcased an impeccable mid-set “Harry Hood” and closed the show with the combination of “2001,” a rendition of “Suzy” that actually packed a punch with a smoking reprise jam, and a patiently sculpted “Slave” that fit congruently with its surroundings. Playing more fluidly than they had all summer, this show was underlined by the band’s ego-less interplay. Daytime high-points came in soaring versions of “Jibboo” and “Reba,” and a “46 Days > Tube” combo that lit up the end of the first set.

I: AC/DC Bag, Foam, Gotta Jibboo, Reba > Sleep Again, Army of One, Poor Heart, 46 Days > Tube, Character Zero

II: Wilson > Light > Twenty Years Later, Harry Hood, Theme From the Bottom, Also Sprach Zarathustra > Suzy Greenberg*,  Slave to the Traffic Light

E: The Lizards, First Tube     (*w/ reprise jam)

****

2. 10.26.2010 Verizon Wireless, Manchester, New Hampshire

Manchester Poster (K.Taylor)

Right before Phish’s three-night Halloween weekend in Atlantic City, they dropped a mid-week bomb in New Hampshire that trumped any one of them. Comprising the first set entirely of songs unplayed on fall tour (other than “Curtain (With)” and “It’s Ice”), Phish brought out “After Midnight” for the first time since Big Cypress, “Alumni Blues,” “A Song I Heard the Ocean Sing,” and “Walls of the Cave,” among others. And after setbreak, the band played one of their most impressive top-to-bottom stanzas of the year. After a bizarrely-placed “Possum” opened up, Phish dove into one of the elite “Lights” of fall. Illustrating the late-year, groove-based direction of the song, this tightly-woven excursion found its way back through “Alumni’s” funk patterns en route to one of fall’s brightest highlights. And as soon as “Light’s” psychedelic roller coaster ended, perhaps, the “Mike’s Groove” of the year began. With the reggae stylings of “Makisupa > Night Nurse > Makisupa” sliding out of “Simple,” and the best “Ghost” of fall dripping artistically into “Mango Song,” this musical sequence had a little bit of everything. Bringing the set to a head in a wild “Weekapaug” that included a staple jam on The Rolling Stones’ “Can’t You Hear Me Knockin,” Trey lyrically reprised several of the set’s songs over the break-neck music. Almost bursting at the seams, Phish flew from “Weekapaug” into a “Llama Reprise” to end the set in shredding and energetic fashion.

I: After Midnight, The Sloth, Alumni Blues > Letter to Jimmy Page > Alumni Blues, Mellow Mood, Access Me, Llama, All of These Dreams, The Curtain (With), Scent of a Mule, A Song I Heard the Ocean Sing, It’s Ice, Walls of the Cave

II: Possum, Light, Mike’s Song > Simple > Makisupa Policeman > Night Nurse* > Makisupa Policeman, The Wedge, Ghost > The Mango Song, Weekapaug Groove > Llama Reprise

E: Show of Life    (*debut, Gregory Isaacs)

****

1. 10.20.2010 Memorial Auditorium, Utica, New York

10.20.10 (Casey Boire)

On October 20, in Utica, New York, Phish played their best two set show of this era—plain and simple. In recent times, a show with one outstanding set can be a tour highlight, and Phish’s mid-week stop in Utica featured two jaw-dropping halves of music. Fusing their improvisational playfulness of old with their musicianship of now, Phish twisted and turned through two frames of musical adventure. After taking part in a rite firmly planted in the moment, while looking towards both the past and the future, when the lights came on after this one, everyone stood wide-eyed and disoriented as if waking from a dream. You could tell from the looks on people’s faces that Phish had just played the show of the year.

As soon as the band tore apart a third-song “Vultures,” the dial was set for eleven and was never turned down. “Wolfman’s > Cities,” “David Bowie,” “McGrupp,” “Saw It Again,” and the best “Anetlope” in eons—all laced with the theme of “Guyute”—quickly turned into a face-melting first set. The energy in the building was abuzz, and everyone seemed to be aware that we sat amidst a retro-throw down like none other. Everything the band touched turned to gold on this night, and the second set peaked with one of the most sublime sequences of 2010—”Split > Have Mercy > Piper > Split—with a “Birds” reprise in “Piper.” Flowing organically and with top-shelf communication, Phish darted and dashed their way around a show laced with their signature wizardry. Throw in one of the most blissful open jams of the year out of “Have Mercy” and you’ve got the recipe for the best Phish show of 2010.

I: My Soul, Stealing Time From the Faulty Plan, Vultures, Wolfman’s Brother > Cities, Guyute, David Bowie, Wilson, McGrupp and the Watchful Hosemasters > Saw It Again > Run Like an Antelope

II: Drowned > Sand > Theme From the Bottom, Axilla, Birds of a Feather, Tela, Split Open and Melt > Have Mercy > Piper > Split Open and Melt, Slave to the Traffic Light

E: Good Times Bad Times

****

Honorable Mention (in no particular order):

10.19, Augusta, ME: Though boasting two of fall tour’s top-tier jams in “Light” and an off-the-charts “Reba” for the ages, the entire show didn’t have enough consistency or flow to make the top ten.

8.6, The Greek: Though each set featured two outstanding in jams (“Bathtub Gin” / “Cities” and “Rock and Roll” / “Simple”) the band had yet to put it all together like the did the following night.

10.22, Providence, RI: A strong second set kicked off with one of fall’s best jam sequences in “Rock and Roll > Carini,” but there wasn’t much to speak of in the first.

6.25, Camden, NJ: A legitimate June contender for the number ten position, the second set alone brings the heat with “Chalkdust > Caspian” and the Michael Jackson-inspired “2001 > Light.”

10.30 Atlantic City, NJ: I’m only putting this here because I’ll get too much flak if I don’t. “Tweezer > Led Zeppelin > Whatever.” But “2001 > Bowie” contains some of the most scintillating playing of the season. Tack on a strong first set and a fun-filled rock show emerges.

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Jam of the Day:

“Jibboo” 7.4.10 II

A taste of the just-released Kevorkian remasters courtesy of Live Phish.

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DOWNLOAD OF THE DAY: Will be back tomorrow!

Picking up right where we left off yesterday, here are my top five shows of the year. **** 5. 10.31.2010 Boardwalk Hall, Atlantic City, New Jersey Phish’s second Halloween cover set since they’ve comeback turned into one of their best. Transforming Atlantic City’s historic Boardwalk Hall into a retro-’70s dance party, Phish nailed Little Feat’s …

The Top Ten of 2010: Part II Read More »

Everyone has their own favorites, but here are my Top Ten shows of 2010 in a two-part series. To craft the list, I looked at shows as two-set entities, favoring full nights with quality playing throughout, rather than ones with only one great set or one to-die-for jam. A list of the best single sets of 2010 might look quite different, but for this exercise, I looked at shows holistically. Today, I unveil at the top half of the bracket.

****

10. 6.11.2010 Toyota Park, Bridgeview, Illinois

6.11.10 (S.LaBrasca)

Fresh off of their practice sessions at UIC pavilion, Phish came out well-oiled and demolished their opening show of 2010. Blazing through two sets packed with improvisation, Phish brought the heat in ungodly temperatures back in June in Chicago. “Light > Maze, Ghost > Limb” provided the opening sequence of the second set and the meat of the show. Each piece featured a unique jam, and “Ghost” would hold up as a tour highlight. The band never lost momentum throughout the night, crafting an entire show of high powered music to kick off the year. Capping a fluid second set with “Antelope” and the debut of “Show of Life,” things were blissful in Phishville after the first show of the summer.

I: Down with Disease, Wolfman’s Brother, Possum, Boogie On Reggae Woman,Reba, Jesus Just Left Chicago, The Divided Sky, Golgi Apparatus, David Bowie

II: Light > Maze, Ghost > Limb By Limb > Prince Caspian > The Horse > Silent in the Morning, Run Like an Antelope, Show of Life*

E: Cavern, Julius   *debut

****

9. 6.27.2010 Merriweather Post Pavilion, Columbia, Maryland

6.27.10 (G.Lucas)

Merriweather’s second show represented the peak of Phish’s most impressive weekend of Leg I. Completing a four-night stand that started in Camden, the band punctuated their Mid-Atlantic run with a thematic second set. Responding to a sign for “Saw It Again,” Trey chopped into the song amidst the liquid funk of “Meatstick,” and initiated a wild second set in which the band wove lyrical teases of “Saw It Again” in each subsequent song, capping the night with the the unforgettable—”Boy. Man. I Saw It Again!” And smack dab in the middle of this musical trickery was a centerpiece of “Piper,” one of the outstanding excursions of June. Throw in a rocking jaunt of “Ghost > Jumping Jack Flash” and solid first set, and you’ve got yourself a nice little Phish show.

I: Walfredo, Mellow Mood, Stealing Time From the Faulty Plan, The Divided Sky, Tela, My Soul, Ginseng Sullivan, Sample in a Jar, Bathtub Gin, Brian and Robert, Run Like an Antelope

II: Wilson, Meatstick > Saw It Again > Piper > Ghost > Jumpin’ Jack Flash > Saw It Again, Contact, You Enjoy Myself

E: Fire

****

8. 8.17.2010 Jones Beach, Wantagh, New York

This show is a dark-horse of 2010. It’s never talked about much but it musically delivered. Coming off Alpine Valley’s summer showcase, the first night in Jones Beach carried the same energy, precision, and exploratory jamming as the previous two in the Midwest. Following a hit—and improv-filled—opening frame, Phish came out and blew down the house with a combination of musical theatrics in the second. Oozing into things with the retro combination of “Lengthwise > Maze,” the band set the table for a non-stop run through the rest of the set. Launching from “Halley’s” into “Mike’s,” this typical summer ’10 “Groove” was packed with action. Following a quasi-ambient outro of “Simple,” the band sculpted the one of the jams of the season in a pioneering “Backwards Down the Number Line.” Impressive versions of “Caspian” and “Rock and Roll” came wrapped in the monster-sandwich before a smoking “Weekapaug” topped things off. You may not recall this show as one of the best of the year, but go back, check it out, and think again.

I: Fluffhead, Kill Devil Falls, Cities, Funky Bitch, Wilson, Reba, Walk Away,Wolfman’s Brother, Possum

II: Lengthwise > Maze, Halley’s Comet > Mike’s Song > Simple > Backwards Down the Number Line > Prince Caspian > Rock and Roll > Weekapaug Groove,Loving Cup

E: Show of Life, Golgi Apparatus

****

7. 12.31.2010 Madison Square Garden, New York City

12.31 – (R.Gilberte)

The second set of New Year’s Eve is the musical treasure of this three-set show, and the central reason that it broke the top ten. Nobody can’t deny one of the year’s most scintillating frames of music on the biggest night of the year. And the entire stanza was centered around a sublime “Ghost” that quickly transformed into one of the defining jams of this era. Considering Phish shows as full experiences, the third-set Meatstick Extravaganza was as grand as any. With over fifty choreographed dancers on stage representing countries from around the world, Phish sailed through Madison Square Garden on their Hot Dog of lore, bringing back several New Year’s traditions at once, while ringing in the new year. A ripping “After Midnight” and a gorgeous “Slave” provided celebratory bookends to the succinct third set.

I: Punch You In the Eye, AC/DC Bag, The Moma Dance, Scent of a Mule, Burn That Bridge*, Weigh, Ocelot, Beauty of My Dreams, Gone, Rock and Roll

II: Wilson, 46 Days, Sand, NICU, Down with Disease > Ghost, You Enjoy Myself > Manteca > You Enjoy Myself

III: Meatstick, Auld Lang Syne, After Midnight, Backwards Down the Number Line, Piper > Free, Waste, Slave to the Traffic Light, Grind

E: First Tube

****

6. 10.16.2010 North Charleston Coliseum, South Carolina

Charleston Poster

This show kicked Phish into overdrive for fall tour and they never looked back. Featuring an entire night of top-notch playing, one can point to the  first set “Sand” as the turning point of the tour. The band stacked the opening frame with the first “Curtain (With)” of the year, “Sneakin’ Sally,” “Pebbles and Marbles” and “David Bowie,” building a considerable head of steam by setbreak. Taking this momentum into a flawless and flowing second set that began with a multi-dimensional “Crosseyed and Painless,” and ended with the eye-popping sequence of “2001 > Tweezer > Show of Life > YEM,” Phish scripted a seamless tale of wizardry in South Carolina.

I: Kill Devil Falls, Guelah Papyrus, The Curtain (With), The Mango Song, Sand,Limb By Limb, Sneakin’ Sally through the Alley, Uncle Pen, Pebbles and Marbles, Cavern, David Bowie

II: Crosseyed and Painless, Dirt, Fluffhead, Also Sprach Zarathustra > Tweezer > Show of Life, You Enjoy Myself

E: I Been Around, Quinn the Eskimo, Tweezer Reprise

Stay tuned tomorrow for my top five shows of 2010…

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Jam of the Day:

Crosseyed and Painless” 10.16.2010 II

A selection from the number six show on the list.

[audio:https://phishthoughts.com/wp-content/uploads/2010/11/ph2010-10-16t14.mp3]

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DOWNLOAD OF THE DAY:

9.9.2000 “The Knick,” Albany, New York

FLAC Torrent (via etree), Mp3 Torrent, Megaupload < Links

This reader request goes out to “Big” Nate who “witnessed the best version of Maze [he] ever saw in Albany” that night. Also recognizing that “this show is probably best known for Michael Ray’s guest appearing in the second set, but the whole show is quite solid.” I’m with you on that assessment Nate, so here you go.

I: Possum, My Friend, My Friend > Jam > Gumbo, Maze, Boogie On Reggae Woman, Roggae, Guyute, Run Like an Antelope

II: Gotta Jibboo, The Curtain > Sand*, Makisupa Policeman*, Cars Trucks Buses*, Funky Bitch*, Cavern

E: Harry Hood*

* w/ Michael Ray on trumpet

Source: B&K 4011 > Lunatec v2 > Apogee AD-500 > DA-P1

Everyone has their own favorites, but here are my Top Ten shows of 2010 in a two-part series. To craft the list, I looked at shows as two-set entities, favoring full nights with quality playing throughout, rather than ones with only one great set or one to-die-for jam. A list of the best single sets …

The Top Ten of 2010: Part I Read More »

*****

“Harry Hood” 12.28.2010 II

*****

“Seven Below > What’s the Use?” 12.27 2010 II

*****

“Stash” 12.28.2010 I

All Videos by mkdevo

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Jams of the Weekend:

Pigtail” 12.28 I

Without many noticing, Phish debuted the newest Anastasio/Marshall effort, and their most impressive new song of the year.

[audio:https://phishthoughts.com/wp-content/uploads/2011/01/ph2010-12-28t06.mp3]

***

Wolfman’s Brother” 12.28.I

2010’s final version was a keeper.

[audio:https://phishthoughts.com/wp-content/uploads/2011/01/ph2010-12-28t05.mp3]

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12.28.2010 (James Reed)

***** “Harry Hood” 12.28.2010 II ***** “Seven Below > What’s the Use?” 12.27 2010 II ***** “Stash” 12.28.2010 I All Videos by mkdevo ===== Jams of the Weekend: “Pigtail” 12.28 I Without many noticing, Phish debuted the newest Anastasio/Marshall effort, and their most impressive new song of the year. [audio:https://phishthoughts.com/wp-content/uploads/2011/01/ph2010-12-28t06.mp3] *** “Wolfman’s Brother” 12.28.I 2010’s …

Weekend Nuggets: Worcester Memories Read More »

12.31.2010 (Ryan Gilbertie)

Phish delivered the most explosive set of the Holiday Run right in the wheelhouse of Madison Square Garden’s three-night stand. While January 1st may have boasted a more complete overall show, no frame matched the big city setting better than the monstrous music of New Year’s Eve centerpiece. On, arguably, the nations biggest stage on the most celebrated night of the year, Phish used their middle frame to throw down an iconic holiday set of music that featured some of the band’s most exemplary playing of their five-night run.

12.31.10 (G.Estreich)

Reigning in the entire audience with the Gamehendge, call-and-response anthem, “Wilson,” and then lighting The Garden aflame with the over-sized arena rock of “46 Days,” the pot was already boiling when Trey strummed the opening chords to “Sand.” A song that transformed from a platform for guitar bravado into an earnest whole-band conversation this fall, “Sand’s” final version of the year flooded the room with adrenaline. As Phish completed the brief lyrical section, they took a swan dive into some of their most dynamic improv of the night. The entire band played off Trey’s staccato licks —  echoing, altering, and responding to his signature patterns. And within no time at all, the band engaged in a rhythmic boxing match, bobbing and weaving like Ali and Frazier in the same building 39 years earlier. With melodies dancing around each other like prize-fighters, Trey, Mike, and Page threw down several rounds of scorching interplay within a ten minute journey, all contained by Fishman’s squared-circle. Drawing raucous mid-jam roars from the juiced onlookers, Phish took this jam to the top in the, difficult-to-dispute, version of the year.

After a mid-set interlude of “NICU,” Phish got right back to business with the defining sequence of the set, and the night. The adventure began with the opening bass rumbling of “Down With Disease,” and continued right through the song’s high-speed rock and roll into a slowed down, menacing segment of music. As Phish slid smoothly into “Ghost,” one could feel The Garden inflate with excitement and energy. And following the path of an inspiring and uplifting jam, “Ghost” drove these initial emotions into the heavens. Playing the defining rendition of the song for the modern era, Phish sculpted a start-to-finish masterpiece that peaked with seething catharsis. Mike handed the lead to Trey amidst an uber-slick groove that never hiccuped for a second while bringing the show to its undeniable peak. After passing through minutes of smooth dance music, the band hit a collective harmony and ran for the sunset, rejoicing in a final segment of guitar-led, soul-tugging victory. Taking the jam to mountaintop and bringing 20,000 participants along, Phish molded the communal energy like Play-Doh in a frozen moment that will live forever in the MSG history.

12.31.2010 (Ryan Gilbertie)

And at the highest point of the evening, the band dropped into the opening arpeggios of their seminal piece, “You Enjoy Myself.” Precisely nailing the opening half of a piece that always shines at The Garden, when Phish dropped into the funk, the room became an aquarium of liquid grooves. Tickling the initial jam with what seemed like another “Manteca” tease — a playful theme of the fall, if not the entire year — the band, instead, broke into the full-on Dizzy Guillespe groove, with lyrics, for the first time of 2010. Segueing back into “YEM,” they continuously toyed with “Manteca,” singing “Crab in My Shoemouth,” within musical breaks for the duration of the jam, further amping the crowd with a display of musical Phishiness. Punctuating the set with series of sharp and styling grooves while drenching the building with unparalleled spirit, Phish had just dropped a masterpiece, and midnight was yet to come.

Though other sets brought different qualities to the table, New Year’s Eve’s second set blew up in a white-hot showcase of arena Phish that was dotted with some of Trey’s most impressive playing of the run. With Madison Square Garden in the palm of their hand once again, the band delivered another chapter of New Year’s lore than will find its rightful place in our eternal picture book of holiday memories.

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Jam of the Day:

Simple” 1.1.11 II

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DOWNLOAD OF THE DAY:

1.1.2011 Madison Square Garden

FLAC Torrent (via etree), Mp3 Torrent, Megaupload < Links

1.1.11 (AJ Masthay)

I: My Soul, Tube, Runaway Jim, Foam, Guelah Papyrus, The Divided Sky, Round Room, Walk Away, Gotta Jibboo, Reba > Walls of the Cave

II: Crosseyed and Painless, Twist, Simple, Sneakin’ Sally through the Alley, Makisupa Policeman > David Bowie

E: Fee, Frankenstein

Source: Schoeps mk41> KC5> M222> NT222> Aeta PSP-3> SD 744t (@24bit/96kHz)



Phish delivered the most explosive set of the Holiday Run right in the wheelhouse of Madison Square Garden’s three-night stand. While January 1st may have boasted a more complete overall show, no frame matched the big city setting better than the monstrous music of New Year’s Eve centerpiece. On, arguably, the nations biggest stage on …

Manteca, Sand, and The Holy Ghost Read More »

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