MR. MINER'S PHISH THOUGHTS

10.31.10 (Graham Lucas)

While Phish’s take on Little Feat’s “Waiting For Columbus” was the clear centerpiece of an amazing evening, Phish played two other sets as well. The first frame, filled with Halloween-themed selections featured one of the jams of the tour in “Stash,” and a dancy early sequence of “Ghost > Spooky.” During the third set – practically an afterthought following such a masterful Halloween cover – Phish marched out a sequence of high-energy anthems to close the show, weekend, and tour. Without getting into any serious jams other than a smoking “Jibboo,” Phish used a fun finale to celebrate the achievements of the season. And after a transformative few weeks, that felt just fine.

10.31.10 (Graham Lucas)

Phish crafted a Halloween-laced opening set with the heavier rock of “Frankenstein” and “Big Black Furry Creatures From Mars,” before catching everyone off guard with an early “Ghost.” Playing with a collective direction and relaxing feel, the entire band toyed within the song structure while building closely off each others’ offerings. Trey stepped out front with an enthusiastic solo while Fishman kept a cymbal heavy beat. Continuing the holiday theme, Page seamlessly came in with piano chords that smoothly transformed the jam into the late-’60s cover, “Spooky.” One couldn’t tell where “Ghost” ended and “Spooky” began in a particularly seamless segue. Though Trey has often teased the guitar lick from this piece (a la 12/31/95’s “Weekapaug”), the song hadn’t been performed since April ’93, making it the largest bust-out in Atlantic City.

Phish passionately nailed “Divided Sky” as a mid-set interlude and continued the holiday cheer with “Roses Are Free,” but the improvisational peak of the Phish-only section of the show came in a staggering “Stash.” The band dove headfirst into this top-notch highlight; a jam that illustrates the band’s current no-nonsense style as well as any. Within a minute of exiting the lyrics, Phish fully locked into a synched pattern that began to build away from the song. As Mike and Page joined Trey in a major key, the band transformed the usually evil opus into a blissful magic-carpet ride into the sunset of Fall Tour. Fishman remained loosely-anchored in “Stash’s” rhythms, while the other three band members took off into an alternate reality. Forging a pristine path through this musical wormhole, the band subconsciously slid right back into the key of “Stash,” picking up the snarling journey at the end of the sonic rainbow. A crunchy “Character Zero” punctuated a highly-engaging opening frame, bringing the evening to into its first setbreak.

After playing, arguably, their most impressive Halloween set to date, Phish came out for a third set with all sorts of possibilities. Some darker selections that seemed like a given – “Mike’s Groove” and “Light”- never showed up, and the band favored an upbeat, high-energy affair to close out their tour. A scalding “Disease” ripped the frame wide open, roaring out of the composed rock into a snapping section of percussive grooves. Locked and loaded, the band seemed to be on the brink of something significant as Trey wove guitar effects into the increasingly abstract piece. Slowing into a series of collective hits, the band landed in a murky psychedelia; Phish was set for liftoff. But in an inexplicable move, Trey called for an abrupt change into “Back On the Train” as “Disease” reached its deepest point. This move signified the type of set that would roll out – a fun, song-based third frame rather than a Vegas ’98er.

10/31 Official Poster (Duval)

The centerpiece of this high-octane conclusion came in a fiercely-active “Jibboo.” Trey’s non-stop solo formed the scintillating icing on a musical cake which showcased more full-band interplay than usual. Trey even drew the band into his melodic template towards the end of the excursion. But when the dust settles, “Jibboo” is a vehicle for mind-numbing guitar work, and that is exactly what underlined is what this third-set standout. Building to a white-hot peak, Phish settled the audience with the slowed-funk of “Camel Walk,” a clear nod to Little Feat’s musical influence.

The set got a bit choppy in the middle, as “Suzy” and “Wilson” seemed completely out of place; but the band decided to jam out of “Wilson” for one few times in their career. Beginning with a guitar lick that sounded like the precursor to another Led Zeppelin tease, the band stayed on their own turf this time, crafting a thrashing heavy metal-turned-ambient passage that showcased far more creativity than they have infused into the song in eons. As Phish drew out the cosmic sludge into a drone landscape, Trey subtly teased the original lick that got this shindig started before he dropped out for the opening drum roll of “Harry Hood.” A delicate and mellow version of the usually high-spirited jam reached the ending chorus with no real build up to it, leaving the last “Hood” of fall a bit short of spectacular. But this entire set was gravy after such a stunning and satisfying Halloween performance.

“YEM” – 10.31.10 (B.Lovelace)

As soon as Trey started “The Horse,” everyone in the venue knew where we were headed – “Horse > Silent,” YEM.” And so it was. A largely guitar-based “YEM” jam put the final stamp on an unforgettable evening of music on the Boardwalk in Atlantic City. Finalizing things with a set of joyful Phish songs, everyone drifted into November 1st with the energy and inspiration that only Phish can provide. Bringing all their guests back for a “Julius” encore, the show ended with the band of the hour – Little Phish – on stage for one last time. Closing tour with a special encore, the band took a bow to a notably enthusiastic ovation. Putting down their instruments for the last time of tour, Phish had arrived. Sometime during the magical fall of 2010, their comeback came to a close, and Phish took the first bold step into in the next golden era of their career.

I: Frankenstein, Big Black Furry Creature from Mars, Ghost > Spooky, The Divided Sky, Roses Are Free, Funky Bitch, Boogie On Reggae Woman, Stash, Character Zero

II: Little Feat – Waiting For Columbus

III. Down with Disease > Back on the Train, Gotta Jibboo, Camel Walk, Suzy Greenberg, Wilson > Harry Hood, The Horse > Silent in the Morning, You Enjoy Myself

E: Julius*

* with Giovanni Hidalgo and horn section

While Phish’s take on Little Feat’s “Waiting For Columbus” was the clear centerpiece of an amazing evening, Phish played two other sets as well. The first frame, filled with Halloween-themed selections featured one of the jams of the tour in “Stash,” and a dancy early sequence of “Ghost > Spooky.” During the third set – …

The Rest of Halloween Read More »

10.30.10 – Atlantic City, NJ (Dave Lavery)

Phish primed their Halloween audience on Saturday night with a fun and raucous rock show laced with Led Zeppelin history, crossing the strongest rumor off the never-ending list musical costume possibilities. Filling two sets with ballistic playing, Phish granted the Atlantic City audience an explosive and special show that will go down in the band’s rich Halloween lore.

On the eve of their three-set exclamation holiday show, the band crushed from beginning to end, with much of their impressive improvisation coming before setbreak. Popping through a set-opening trio of “Kill Devil Falls,” “Cavern” and “Foam,” the band clearly carried an extra something with them from the get go on Saturday night. But when the band ripped into what seemed like another innocuous first set “Chalk Dust,” the evening was just getting started. Phish transformed a furiously creative jam into a full-blown stop in Led Zeppelin’s “Whole Lotta Love” before dive-bombing for the ending of “Chalkdust.” At this point, the Zeppelin reference could have been a Halloween preview, or a tease altogether. But when Phish followed up the smoking segment with “Ha Ha Ha,” the joke was clearly on us, and we didn’t even know the half of it.

10/30 Official Poster

“Chalk Dust” began a scintillating first set run that continued with a sticky and percussive “Wolfman’s Brother” that continued to push the envelope of fall versions. Moving out of the composition into a vocal scat over a pulsing groove, the bands musical exploits never stopped while they simultaneously added a fifth vocal layer. Passing into a sparse rhythmic plane, Trey darted through the intricate beats with staccato melodies that Gordon answered with strong counter-leads of his own. Soon enough the band was neck-deep in a pit of percussive quicksand that continued to draw the band down the rabbit hole. Hinting at “Manteca” (as most funk jams this tour have at one point or another) all four members kicked in equitable antes in this rhythmic canvas. A strained, but well intended, transition brought the band from “Wolfman’s” into Fall’s first “Undermind.”

Continuing their rhythm-based jamming, Phish flowed into a standout version of “Undermind” that was delivered with enhanced precision and tightness that has characterized this tour. Trey and Mike entered a dynamic conversation while Fishman held the court for such a discussion to take place. Page comped this scene with organ swells that provided a backdrop for the three-piece summit. Look for some furious work from Red throughout this, potentially, best-ever version.

10.29.10 (J.Weber)

Following the post-hiatus song with two oldies, Phish closed the set with a massive “Bathtub Gin” and “Squirming Coil.” Highlighted by guitar acrobatics – an emerging theme of the show – Phish led “Bathtub Gin” down decidedly dancy road. Oozing right into the thick of things, it took Phish no time to lock into an initial groove that spiraled into a tornado of nasty guitar licks, ballooning bass lines, and collective melodic sensibility. This “Gin” built into a cathartic first set standout that brought one of the legitimate high points of the entire show. Flowing and connected with unparalleled urgency, Phish carried a Mack truck’s worth of momentum through this mind-numbing first half gem.

But after setbreak, Phish built a retro-adventure centered on a “Tweezer” that wove in and out of four Led Zeppelin songs, climaxing with the iconic final verse of “Stairway to Heaven.” As soon as the “Tweezer” jam dropped, Phish went right into tease of “Heartbreaker” before changing back into to “Tweezer” for a stellar couple of minutes that too quickly found their way “Ramble On.” Passing through mere portions of each Zeppelin song, Phish built a classic rock jigsaw puzzle that likened a joyride down high school’s memory lane. After passing through the gorgeous “Thank You,” Phish briefly returned to “Tweezer’s” theme before merging into “Stairway to Heaven.” Turning “Tweezer” into a straight up medley, Phish musically chuckled at any fans that had believed the hype, while creating a wildly entertaining sequence of music along the way.

10.30.10 (Dave Lavery)

Although a smashing and significant “Tube” opened the set followed by a “Possum” that stuck out like a sore thumb, what this show now needed was some pure Phish fire. All teases and jams aside, there was little meat in the second set until the final third. But any concerns were put to rest with an ornate sequence of “2001 > Bowie” that doused the end of the show with some serious improvisation.

Building on the revitalized versions of Fall, Phish absolutely went to town on “2001,” tearing apart the space-funk with a flying passion. Turning Boardwalk Hall upside down and spinning it around, the band really gave this version the full treatment, extending its second half into a clinic of groove. One of those versions where the mind shuts off and the body just moves, this one had the venue bumping as one in the middle of the second set. Flying off the chain with furious runs of notes, it had been ages since Trey had been so active and out front in the space-aged realm – and it was straight up glorious.

10.29.10 (J.Weber)

Dropping into “Bowie’s” intro at “2001’s” peak, the band unveiled another resuscitated piece of their catalog that has shined throughout Fall. A dialed-in rendition littered with nuances and intricacies, Mike, Trey and Page played a game of musical tag, chasing each other through a labyrinth of psychedelia. A perfect example of the new and improved Phish, the amount of ideas conveyed within this compact musical cannonball was stunning, as the band never let up from the moment the jam began. Unquestionably the musical highlight of the show, you can take “2001> Bowie” to the bank – top-notch stuff.

“Show of Life” set up a set closer from which the band could have selected a number of successful songs, but “Number Line” wasn’t one of them. Using this enigma of a song as a contained set closer contains very little power, and honestly, leaves the show wanting more. And luckily, last night, Phish had a little more in them, capping the set with a filthy and fitting encore of “Good Times, Bad Times.” Finalizing the evening with a last tease of “Whole Lotta Love” after “Reprise,” suffice it to say that Phish got their Led out on Saturday night, treating the South Jersey audience to a full-on experience. But now that Zeppelin is out, what will the costume be? Nobody knows a thing and the witching hour is quickly approaching! Your guess is as good as mine, but if one thing is for sure, the last night of Fall tour will be one for the books.

I: Kill Devil Falls, Cavern, Foam, Guelah Papyrus, Chalk Dust Torture > Whole Lotta Love > Chalk Dust Torture, Ha Ha Ha, Walk Away, Wolfman’s Brother > Undermind, Bathtub Gin*, The Squirming Coil

II: Tube, Possum*, Tweezer* > Heartbreaker^ > Ramble On^> Thank You^ > Tweezer > Stairway to Heaven^, Halley’s Comet > Also Sprach Zarathustra > David Bowie, Show of Life, Backwards Down the Number Line, Good Times Bad Times

E: Sleeping Monkey, Tweezer Reprise*

* w/ “Whole Lotta Love” teases, ^ incomplete

Phish primed their Halloween audience on Saturday night with a fun and raucous rock show laced with Led Zeppelin history, crossing the strongest rumor off the never-ending list musical costume possibilities. Filling two sets with ballistic playing, Phish granted the Atlantic City audience an explosive and special show that will go down in the band’s …

Getting The Led Out Read More »

10.11.10 – Broomfield (Brooks Perry)

Frank Zappa, Genesis, Led Zeppelin, Jimi Hendrix, Queen, King Crimson, and The Police are just some of the many artists that have been ground through the Halloween rumor mill in past weeks. While last year, Phish included their fan base in the evolving mystery of what musical costume they would don for the holiday, this year we have been left in the dark. So many rumors have been tossed around with so many rationalizations that it is hard to believe any of them. We are two days away from Halloween and Phish has the entire community stumped – and kudos to them for keeping the secret all to themselves.

Both Mike and Trey have done interviews vaguely discussing the Halloween album, both giving it high praise. Gordon said:

I’m really excited about it, to the point where I’m calling some of my friends and I’m saying, ‘Well, I don’t even have any more room on my guest list, but you’ve got to come somehow, because this is going to be the one.’ It just really feels right to me.

10.23.10 (C. La Jaunie)

While Trey’s significant soundbite was as follows:

This year, this one’s for me. The one we picked, I’m going to get more out of this as a musician than I ever have before. Three songs into it, I called everybody and told them, ‘None of the other ones — I wouldn’t think, hopefully — will have nearly the effect on my playing this one’s going to.

Without dropping any clues, the band, themselves, are hyping up Boadwalk Hall’s blowout, clearly enjoying the fact that nobody knows what will happen.

Just yesterday, Atlantic City radio personality, Pinky Kravitz (father of part-time Phish photographer, Jeff Kravitz) speculated in print that Phish will play Led Zeppelin for Halloween, citing a “magic mockingbird” as his source. This published conjecture has made the British rockers’ double-album “Physical Graffiti” the newest lead horse in this guessing derby. But if Phish has kept everyone guessing for this long, I find it highly unlikely they would allow the answer to leak days before Halloween.

Other front-running possibilities include Queen’s “A Night at the Opera,” Genesis, “The Lamb Lies Down on Broadway” or “Selling England By the Pound,” Jimi Hendrix’s “Electric Ladyland,” King Crimson’s “Lark’s Tongue In Aspic,” and any number of Frank Zappa albums. Assuming Phish is trying to please the entire audience, the abstract prog-rock of King Crimson has to be crossed out, while “The Lamb Lies Down On Broadway’s” 90-minute, intricate rock opera seems unlikely for similar reasons. Though Trey is known to love both of these bands, these albums seem too inaccessible for a Halloween party.

10.12.10 (Bill Hartlage)

While many fans have expressed interest in Phish stepping outside the boundaries of classic rock, many of the current possibilities are going right down that road. British glam-rockers, “Queen” and the eclectic Frank Zappa round out the most talked about candidates. Might the band honor the 15-year old fan ballot from 1995, when the high-vote getter was allegedly Zappa’s “Joe’s Garage?” That year, Phish vetoed the democratic process by playing The Who’s “Quadrophenia” at Rosemont Horizon in Chicago.

10.12.10 (B.Perry)

To add another layer to this puzzle, an anonymous inside source recently claimed this year’s musical costume is more complex and was harder for the band to learn than any they’ve chosen before. This clue has pushed my thinking in the direction of Zappa’s catalog and away from the guitar-driven rock of Zeppelin and Hendrix. But at this point, nobody is sure of anything – and that is the best aspect of the mystery!

Another part of me feels that Phish might have a huge prank waiting in the wings and that all of these conjectures are way off base. I don’t know where that leaves us, but something might happen that nobody ever saw coming. All of the talked albums have been talked about in previous years, and it would be just like Phish to come out and play something in a completely opposite direction. Last year, clues were leaked by now and some people knew the deal, but nobody I’ve come in contact with on tour seems to have a clue.

With only five sets of Phish separating us from the answer, musical hints may lie within. So keep your ears peeled and keep on guessing, because something tells me we won’t know the answer until it happens. And that’s just the way the band wants it.

10.12.10 – Broomfield (Bill Hartlage)

Frank Zappa, Genesis, Led Zeppelin, Jimi Hendrix, Queen, King Crimson, and The Police are just some of the many artists that have been ground through the Halloween rumor mill in past weeks. While last year, Phish included their fan base in the evolving mystery of what musical costume they would don for the holiday, this …

Hallo-What? Read More »

“Loving Cup” 10.31.09 (G.Lucas)

With a haunted gallery of 99 possible cover albums and a wild-goose chase with the infamous “Save the Date” map, Phish put together elaborate guessing-games for their fans to hype up Halloween 2009. This year, we have heard nothing at all. The silence around Halloween – the band has made no official announcement as to their intent for the show – has caused some people to question whether Phish will be covering an album at all. With a similar ticket time as the other two Atlantic City shows and billed as a “very special Halloween show,” fans have been left to their own devices to figure out what Halloween will bring.

Halloween 1996

Conventional wisdom – and tradition – dictates that Phish will cover an album during the show’s second set. With nothing stated to the contrary, one would assume business as usual. In addition to fun and mystery, last year’s fanfare around Festival 8 was – in large part – a marketing campaign to get east coasters to Indio. But it was also an aberration. Aside from the fan balloting in 1994 and 1995, the band didn’t made a lot of noise about their Halloween plans in the past, and with a $3 price increase to pre-order the show on LivePhish, the band has all-but confirmed a three-setter. Thus far, fans have stuck with more classic rock hypotheses for Phish’s likely musical costume with Led Zeppelin’s “Physical Graffiti” leading the charge. Will Phish stick to their path of covering classics, or might they step to a more contemporary record as suggested by several of last year’s finalists? Might they take a stab at the long-time fan favorite, “Thriller,” test the rock and roll fantasy of “Ziggy Stardust,” or honor New Jersey’s native son with “Born to Run?” Would they really try to play Radiohead as rumored was the orginal plan for Indio? The questions abound, but there have been no clues leaked as to the answers.

Halloween 1995

As Fall Tour mail order tickets trickled in over the past couple days, fans began to wonder if the ornate ticket designs – each representing a different Phish song – could be a clue to an alternate Halloween plan. Of six venue-specific designs, four depict Gamehendge-based songs – “Llama,” “Mockingbird,” “Sloth,” and “Punch You In the Eye” – prompting some to theorize that Phish would play Trey’s hallowed musical fable on Halloween…until the last two tickets were discovered to be “Ocelot” and “Dog-Faced Boy.” Others saw an animal theme aside from “Punch” and followed that clue to Pink Floyd’s “Animals.” But having already covered Dark Side during Fall ’98, a repeat artist seems highly unlikely. Like sleuths looking for a needle in a haystack, fans tried to pull any clue from the ticket layout, but, in all likelihood, there are none there.

Per usual, Phish has their fans guessing what is coming next, and that is part of the fun of Halloween. The band has clearly kept their plan under wraps and things will likely remain that way until we walk into Boardwalk Hall on October 31st. And that’s how it should be. While last year’s album elimination brought a lot of fun and the introduction to droves of new music, the essence of Halloween is the unknown – trick or treat? Between now and then, fans will continue to guess what album will fill the second set of October 31st – but if things follow past patterns, Phish will likely surprise us all. “Houses of the Holy?” “Electric Ladyland?” “The Band?” “Lark’s Tongue In Aspic?” “Greetings From Asbury Park?” “Hot Rats?” Your guess is as good as mine…

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Jam of the Day:

Free” 12.15.99 II

A stellar ’99 “Free” from Washington, DC that featuring a segment of Trey on keyboard that works masterfully.

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DOWNLOAD OF THE DAY:

10.10.1994 Palace Theatre Louisville, KY < Torrent asap

10.10.1994 Palace Theatre Louisville, KY < Megaupload

The Palace – Louisville, KY

I: Sample in a Jar, The Divided Sky, The Horse > Silent in the Morning, Sparkle, Stash, Guyute, The Old Home Place*, Ginseng Sullivan*, Nellie Kane*, Chalk Dust Torture

II: Golgi Apparatus, Maze, Esther, Tweezer, Fee > Rift, Down with Disease, Hold Your Head Up > Love You > Hold Your Head Up, Slave to the Traffic Light

E: Foreplay/Long Time*, Tweezer Reprise

* w/ Steve Cooley on banjo

Source: AKG 460 (likely)

With a haunted gallery of 99 possible cover albums and a wild-goose chase with the infamous “Save the Date” map, Phish put together elaborate guessing-games for their fans to hype up Halloween 2009. This year, we have heard nothing at all. The silence around Halloween – the band has made no official announcement as to …

What’s Up With Halloween? Read More »

Atlantic City, NJ

With the fan community sitting on the precipice of Summer Tour – Part Deux, the rumor mill exploded over the weekend with multiple sources all but confirming Phish in Atlantic City, New Jersey for Halloween 2010. In a reversal of coasts from 2009’s Festival 8, Phish will wind up back east for this year’s three-set extravaganza. The band will supposedly play Boardwalk Hall, with a capacity of 13,800 (and rumored to be a GA show) making this a fairly intimate Halloween affair. While last year, anyone could have walked up and bought a ticket for Phish’s Halloween festival in Indio, this year things will be far more competitive to gain entry into the under-sized arena. Atlantic City will be the smallest Halloween show since 1994, when Phish donned their inaugural “musical costume”  in Glens Falls, New York, among 5,800 fans. Unless things have been sorely mis-represented, we’ll be meeting up on the Jersey Shore come October 31st.

Phishbill 2009

Many fans have gone ahead and booked rooms at the nearby casinos for the holiday weekend, while others have complained about the shows’ locale. While Atlantic City may not be Las Vegas, it will certainly provide ’round-the-clock entertainment unlike Albany or Providence, the other cities thrown through the  rumor mill. Whether one gambles or not, the beach, boardwalk and the many casinos in which to carouse will certainly provide an entertaining backdrop for a couple of celebratory shows.

With the “confirmation” of a Halloween show, the conversation immediately turns to the album Phish will cover during the second set.  By playing The Rolling Stones’ Exile On Main Street so masterfully last year, the band set a high bar for Halloween covers this era. The early and obvious call from many has been a Bruce Springsteen album, but even though in  New Jersey, and Born To Run was in the infamous gallery of 99 last year, this just seems too transparent for Phish. Let the guessing games begin as there are officially three months until the band unveils its sixth musical costume of their career.

10.31.09 (G.Lucas)

If nothing else, this rumor confirms a Halloween show, giving us a possible ending point for a tour that likely starts on the 8th at Austin City Limits. The only other strongly-rumored dates right now are three nights in Broomfield, Colorado after Austin. Does Atlantic City cancel out Las Vegas, or will Phish visit the casinos of both coasts in one tour? Many questions linger about Fall Tour 2010, including the eternal wondering of a west coasters if a run will come their way, something that may be less likely with an eastward-flowing tour. But with a possible three weeks to play with in between the two solid dates we have, any sort of routing is possible. It seems that we won’t be finding out any answers about Fall before the end of this coming tour, as any announcement this week is highly unlikely.

Inside Boardwalk Hall

So the mill will continue to spin, spitting out rumors throughout the upcoming weeks, but if one thing seems certain, Phish will keep their families close to home this October holiday, playing only hours from New York and Vermont. Keeping things in the Northeast for Halloween and New Years (at MSG), the high holy days of the Phish calendar will return to haunts of old after tropical vacations in California and Miami in 2009. While they may not provide the warm climate of last year, something tells me the shows could be a lot hotter, equalizing the meteorology of sure-to-be a stellar weekends of Phish.

Oh yeah. Three days ’til the Greek…

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Jam of the Day: Leg II Venue History Week

Drowned > Chalk Dust Reprise > Chalk Dust” 7.22.00 I

This portion of Deer Creek’s first set laid the groundwork for a zany Phish show. The entire evening is featured below.

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DOWNLOAD OF THE DAY:

7.11.2000 Deer Creek, Noblesville, IN < Torrent

7.11.2000 Deer Creek, Noblesville, IN < Megaupload

“Astron” (Pollock ’00)

Some call it epic, some call it corny, but here is “The Moby Dick Show” from Deer Creek 2000.

I: Ya Mar, The Moma Dance, Uncle Pen, Drowned > Chalk Dust Torture Reprise > Chalk Dust Torture, Theme From the Bottom,  Cavern

II: Also Sprach Zarathustra > Down with Disease > Moby Dick > Down with Disease,  Runaway Jim > Moby Dick, Back on the Train > Moby Dick > Back on the Train, Harry Hood > Moby Dick, Hold Your Head Up > Terrapin > Hold Your Head Up > Moby Dick* > Hold Your Head Up, Character Zero

E: First Tube > Moby Dick > Chalk Dust Torture Reprise

*Trey on drums, Fish on vacuum

Source: AKG ck61/480(DIN/OTS) > Audio Magic X-Streams > Graham Patten DMIC-20@48k > Sony D-8

With the fan community sitting on the precipice of Summer Tour – Part Deux, the rumor mill exploded over the weekend with multiple sources all but confirming Phish in Atlantic City, New Jersey for Halloween 2010. In a reversal of coasts from 2009’s Festival 8, Phish will wind up back east for this year’s three-set …

Trick or Treat or Double Down? Read More »

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