MR. MINER'S PHISH THOUGHTS

The Gorge ’09 (G. Lucas)

In a more straightforward rocker, Phish closed out their mini-west coast run at The Gorge with a show that couldn’t quite hold up to night one’s triumph.  Thinking The Gorge would be exempt from the “Saturday Night Special”- the more anthemic rock and roll show catering to the weekend crowd- Phish nonetheless came with an upbeat rock episode that had many highlights, but left some majesty to be desired in a venue that defines the word.  Noteworthy jams came in both sets, while the band noticeably left the “2001” that had been looming all weekend long hanging for another day.  While not exactly my style of show, it was nonetheless presented quite well by the now-consistently-firing Phish.

Set I (G. Lucas)

The smoking eleven-song first set spanned the spectrum- from the return of “Mango Song” and the debut of a new Mike song, to an interesting “Tweezer,” a smoking “Wolfmans,” and a wide-open “Antelope.”  As the sun dipped below the gorge, Phish got the show started on a energetic note, opening with the 3.0 bust-out of “Mango Song”- a fitting summertime introduction to the evening.  The Gorge seemed like the ideal place to bust out the elusive favorite, and the song was greeted with open arms.  The band soon unveiled what is presumably called “Middle of the Road,” a new Mike song that brought his usual quirky songwriting into the mix with his second contribution to the new-school catalog.  When the band dropped the “Tweezer” lick for the first time since Red Rocks aural crack-out session, we thought we were stepping into a segment of deep northwest Yeti funk.  But instead of dropping into any heavy rhythm grooves, Trey continued building the jam with direct staccato picking, seemingly leading to a crescendo that would splash into some thicker territory.  His pattern of playing didn’t vary much, however, until he merged with the song’s natural build.  An interesting version- no doubt- but after Red Rocks, it just didn’t compare.  But if it wasn’t a musical masterpiece, it certainly was an experiential keeper.  Taking a “Tweezer” to the dome at dusk with a most psychedelic landscape engulfing your field of vision- well, there’s nothing I’d rather do in the world.

8.7.09 (G.Lucas)

Phish brought back their lyrical tale of “Twenty Years Later” for the first time since it’s Jones Beach debut. An autobiographic tale about the experience of life over time, this song will close their new album of a similar theme.  After a bust-out of “It’s Ice” for the first time since Hampton, Phish played possibly the jam of the set in “Wolfman’s Brother.”  Getting into the dirty dance funk that “Tweezer” had sidestepped, this excursion brought a welcomed dose of thickness that was scarce throughout the show.  The other candidate for jam of the set came in the surprise post-“Zero” “Antelope.”  Taking the jam on a laid back, Gorge-esque path, the band infused some unique melodic work into the dark canvas, riding “Antelope” to its second unique jam in a row.  The band has certainly shot some revitalized energy into their old-school favorite that had long grown stagnant.  Punctuating a high-quality first set with a bang, the band left much for the imagination at setbreak.  With seemingly infinite songs to pull from, what they would bring on night two at The Gorge was anyone’s guess.

The Gorge (G.Lucas)

Opening a second-set with “Rock and Roll” for the second time this tour, this one went places the Red Rocks’ version could go only dream of.  Phish transformed the cover into a high-speed chase through the musical universe, taking crazy twists and turns while creating the no-brainer highlight of the show.  In what had to be close to twenty minutes of searing improv, the band moved from straight ahead rock and into several different sections of slower creativity, leaving many jaws firmly resting on the earth below.  When the dust settled on this jam, everyone was bright eyed and bushy tailed as the band drifted into “Makisupa,” which got the full second-set treatment.  Taking their time with the Vermont-style reggae rhythms, the band shaped a nice cool down session that included a Phishy twist at the end.  As the band settled into a basic pattern, Trey and Mike switched guitars for the end of the song and Mike played some great leads while Trey held down the bottom end.  This was but a small detail of the show, but it definitely bears a larger significance to the band’s state of mind and sheer enthusiasm for Phish right now, and with that shared enthusiasm, it was very fun to see.

Epic (G.Lucas)

The bluesy interlude of “Alaska” led to a high-spirited “Wedge” that was tended to with meticulous care.  At this point in the show, we knew the band was going big, and they decided to showcase a massive Gorge “YEM.”  Laying way back on this jam, the band played some fantastic lounge-like grooves in what was the second sharp and standout version in a row.  Bringing down the house with their quintessential opus, Phish had the crowd in the palm of their hand, manipulating energy like craftsmen.  If they were dropping the much-anticipated Gorge “2001” it was going to be now, but Phish started up “Number Line” instead, seeming to choose the less improvisational path.  Yet little did we know that the band was about to blow-up the song like never before.  Breaking its noodly pattern, the band got psychedelic on this piece for the first time ever, creating some hairy textures out of the usually vanilla jam.  As the band got further and further away from the song, we began wondering where this trip was taking us and that question was answered with a well-executed transition into “Piper” and the full-on, shred-session that followed.  Capping the show with a new combination of songs and two engaging jams, Phish ended their final set at The Gorge in dynamic fashion before stepping to the mic with the comedic a cappella conclusion of “Grind.”

The Gorge ’09 (G.Lucas)

A high-energy encore of “Good Times, Bad Times,” “Reprise” seemed to fit the vibe of the show quite well, topping off Saturday’s sundae with a bombastic cherry to complement the rocking affair.  If there is any better place to see a Phish than The Gorge, let me know.  Combining intense surroundings with intense explorations all weekend long, the band left their stamp on the Pacific Northwest mecca this year, reminding us what Phish at The Gorge is all about.  After a life-affirming west coast jaunt, we now have two days off before hitting The Windy City.  If you’re driving it, god bless and be safe, otherwise, enjoy your flights and we’ll meet down on a soccer field for a 30,000 person throwdown on Tuesday night.  Enjoy the much needed rest.

I. The Mango Song, Chalk Dust Torture, Middle of the Road*, Tweezer > Driver, Twenty Years Later, Yamar, It’s Ice, Wolfman’s Brother, Character Zero, Run Like An Antelope

II. Rock and Roll > Makisupa Policeman, Alaska, The Wedge, You Enjoy Myself, Backwards Down the Number Line > Piper, Grind

E: Good Times, Bad Times

*debut

In a more straightforward rocker, Phish closed out their mini-west coast run at The Gorge with a show that couldn’t quite hold up to night one’s triumph.  Thinking The Gorge would be exempt from the “Saturday Night Special”- the more anthemic rock and roll show catering to the weekend crowd- Phish nonetheless came with an …

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