The Phish and The Whale

6.24.10 - Camden (Graham Lucas)

As Phish rebuilt their foundation throughout 2009, their playing retained a sound rooted in the past, without truly pushing  into original territory. By the end of the year, a compact style of jamming emerged in which the band assaulted their audiences with a plethora of musical themes in a short amount of time – in short, musical density. But as we waited through the first six months of 2010, the question lingered of how this style would be applied, or rather, “When would Phish discover a new sound?” Never known for resting on their laurels, Summer 2010’s opening leg seemed ripe for the band to put one foot forward, and sure enough, that’s exactly what they did.

6.24.10 (G.Lucas)

Trey has historically been the leader of Phish, directing the band’s improv and defining their sound with his guitar tone. Whether firing out machine gun licks in the mid-90s, rhythmically narrating groove epics in the late-’90s, or seething dissonant, uncompressed leads in the post-hiatus years, Phish’s sound has flowed from their front man’s style of play. This summer, Trey honed the use of his whammy pedal, introducing a tone that the community has affectionately embraced as “The Whale” for its likeness to the underwater calls of Earth’s largest mammals. Using pitch bending to reach multiple notes instead of hammering each one with separation, Trey featured this subtler, laid back style from night one of summer tour, and his use of the whale has only grown more tasteful since then. Fusing his “whales” into lighter, upbeat jams like “Reba” or “Hood” as well as darker pieces “Ghost,” “Tweezer,” “Light” or “Bowie,” Trey illustrated the versatility of the tone, and its ability to make psychedelic contributions to all sorts of sonic palettes.

6.24.10 (G.Lucas)

In a symbiotic relationship, Trey’s minimalist whaling allowed Mike to step up and carve out the direction of jams, often providing the lead melody and rhythm simultaneously. Creating more democratic jamming, all band members could present their ideas more readily, while Trey listened and complemented them masterfully. Swooping out of the background, Red often switched gears amidst jams, transforming into the six-string juggernaut we know and love. And when he did, the rest of the band already had vested ideas in the jam, creating a more dynamic interplay, specifically in structured jams. By bending his leads rather than crushing them, Trey’s whaling lent a subtle, impressionistic style, and less in-your-face guitar – a humbler style of play that coaxed his band mates fully into the mix.

This combination of musical factors converged throughout summer’s opening leg, beginning to mold the band’s sound of 2010. In Chicago’s tour opener, the two most significant jams, “Light” and “Ghost,” showcased this stylistic shift that would continue through the month. Many resistant fans soon embraced the whale as Trey employed it more tastefully, and before tour reached its halfway point, inflatable orca whales were being tossed around the front of pavilions in comedic homage to Trey’s new tone. With Mike firmly at the center of the band’s new improvisational fabric, his eclectic and virtuosic chops have never been so apparent. Playing better than ever, Mike has emerged as the silent assassin of Phish, providing ridiculously original leads to virtually every jam. Collectively, Mike and Trey have led the band’s experiments in their emerging sound of 2010.

7.3.10 (W.Rogell)

At the same time, Fishman has stepped up his game, enhancing the band’s ever-changing rhythmic pocket, improving upon what many saw as a drawback in 2009. His drumming has been super crisp, and his unique melodic sensibility – with which he often mimics and responds to Trey’s licks – has returned, bringing another level of nuance back to Phish’s music. Page has been notably down in this summer’s mix, but his playing has been spot on, often comping Mike and Trey, while at others times, joining them in a triple-helix of melodic harmony. Hopping to his piano amidst many jams, Page often contributed a retro feel to the music, while at other times, his sonic textures launched Phish jams into space.

During June and early July, Phish made strides of creativity, chipping away at a new sound that will no doubt evolve as the year progresses. As expected, the band has begun to change again, and in the world of Phish, change has been the one constant throughout the years. While setlists didn’t contain the expected influx of new originals, the sound of 2010 developed within the context of older vehicles. When Leg II picks up in less than a month, it will be interesting to trace Phish’s musical progression along these lines and beyond, as the band continues to forge their path of the modern era.


Jam of the Day:

Rock and Roll > Free” 6.26.10 II

This sublime piece of improv presents one ofthe defining jam of tour.




6.26.2010 Merriweather Post Pavilion. Columbia, MD < Torrent

6.26.2010 Merriweather Post Pavilion. Columbia, MD < Megaupload

Official Merriweather Poster

On Saturday night of tour’s peak weekend, the band dropped one of their strongest performances of the summer with a second set to rival any. “Rock and Roll” and “Tweezer” provided two of the month’s most memorable highlights, while you just can’t mess with “Wolfman’s,” “Slave,” “Reprise” combo that closes the frame.

I: Crowd Control, Kill Devil Falls, AC/DC Bag, Sugar Shack, Tube, In The Aeroplane Over The Sea*, Stash, Backwards Down the Number Line, NICU, 46 Days, Suzy Greenberg

II: Rock and Roll > Free, Fast Enough for You, Sparkle, Tweezer > The Horse > Silent in the Morning, Wolfman’s Brother,  Slave to the Traffic Light, Tweezer Reprise

E: Show of Life, Good Times Bad Times

*Debut, Neutral Milk Hotel

Source: Schoeps mk4v> KC5 > M222 > NT222 > Aeta PSP-3 > SD 722 (@24bit/96kHz) (Taper: taylorc)

Tags: ,

990 Responses to “The Phish and The Whale”

  1. sanchothehutt Says:


    I guess I’ll wait until tomorrow to ask them, then.

    It’s nice to know that I’m not alone. When I say, “I’m not really into reggae,” I get the strangest looks. And to have the famous Mr. C in my corner, well…;-)

    Anyway, glad I’m not the only BB’er with this predicament. I have an open mind though and will listen to their suggestions.

  2. halcyon Says:

    BK….if you are on here check out The Axis of Awesome 4 chords in 36 songs….speaks along your chords you were praciticing

  3. Mr. Completely Says:

    I have the smallest internet fame in the entire internets.

  4. sanchothehutt Says:

    Don’t sell yourself short, C. You’ve got pull among the BB crew, and we are powerful 🙂

  5. Selector J Says:

    Check my mediafire in the Black Ark folder. If you can’t dig that stuff, I can’t help you 🙂
    Actually, a good place to start might be that wedding folder, too. I threw a ton of different styles in there. If you find something in there that you like I might be able to point you towards more stuff in the same vein.

  6. sanchothehutt Says:

    Of course, you’re no Timer.

  7. sanchothehutt Says:

    Hey, Thanks, J!!!!

    I will let you know! Appreciate the different music you provide for us. Tomorrow’s Friday, so give me a few days to hash it over.

  8. sanchothehutt Says:

    Damn, gotta retire for the night. I picked video games back up in 04 to bridge the gap, and now it’s reached critical mass.

  9. Selector J Says:

    Was gonna start in on a “why I love reggae” essay but I’m exhausted and it ain’t getting any earlier. Wasted too much time following the LeBron thing when I should have been doing work. Stupid LeBron.
    Next time. Good night everyone.

  10. Mr. Completely Says:

    oh snap the Cavs owner just went off

  11. Selector J Says:

    “He quit,” Gilbert said. ”Not just in Game 5, but in Games 2, 4 and 6. Watch the tape. The Boston series was unlike anything in the history of sports for a superstar.”


    How many points does Lebron avg on the Cavs next season?

    Sounds like Gilbert’s heart is feeling like an Ehlo ankle, right about now.


  12. Mr.Miner Says:

    ^ Gilbert is 100% correct…….

  13. Lycanthropist Says:

    holy shit!! the car i am in just got nailed!

    we are all ok though.


    i would say that dsotm shows that Floyd knows their jazz but no it is not a jazz album at heart,

  14. dognamedwilson Says:


    Haven’t been able to DL yet.
    Some please remind me which song from 7/3 contained ‘the note’?

  15. Elizabeth Says:

    “democratic jamming”… love it! Great analysis of the summer tour.

Leave a Reply