A Spectacular Set

7.3.11 - Watkins Glen (Graham Lucas)

On the last day of Super Ball, Phish not only threw down one of the most impressive second sets of the summer, they also played quite the first. With shrewd song selection, engaging interplay, and extra zest added to every piece, Phish unveiled—without question—the strongest opening set of the year, and many fan’s pick for their favorite set of the entire festival. Having already reviewed the wildly creative second set of July 3rd, let’s look back at this monster that kicked off Super Ball’s finale.

Of the six times Phish has played Bob Marley’s “Soul Shakedown Party,” three have been openers and a sure sign that a big-time night is ahead. Debuted as the first song at their legendary show on 2.17.97 at Amsterdam’s Paradiso, other opening versions came on 4.17.04 (sure—not exactly an instant classic) and 12.30.09. And when the opening notes of Marley’s original rang out over the concert field at Watkins Glen on the evening of July 3rd, we knew that were in for a treat.

"Mound" - 7.3.11 G.Lucas)

Busting into the old-school combination of “AC/DC Bag” and “The Curtain,” Phish set a retro tone for their opening stanza—a thread they would weave throughout the entire set. As the band wound down the final hits of their composition, everyone expected to hear “With,” but they threw us a left hook in the form of “Colonel Forbin’s!” For the first time since returning to the stage, the band used “The Curtain” as a composed “launch pad” into another song—a use popularized throughout their career. With the special vibe that defined Super Ball all weekend long, as Phish precisely played their Gamehendge classic, one could feel the oncoming narration. And just as they hit the crossroads, Trey let go of his guitar before “Mockingbird” for the first time since Vegas 2000, and he began to spin a yarn.

7.3.11 (G.Lucas)

Trey told a tale from ancient band history; a self-avowed true occurrence when they inadvertently locked themselves in their storage shed. With a lack of anything else to do—and no immediate way out—the band proceeded to break out their instruments and jam. Twisting the story like only he can, Trey jokingly explained that the entire festival was a projected reality of the band’s consciousness from their storage shed back in the day. And when the festival ended—and the band got released from their captivity—no one would have any recollection of the weekend. A quintessential tale that blended fact, fiction, lore, and humor with our actual experiences of the weekend, Trey continued the old-school feel of the set without even playing a note. But when Phish got back to music, they were all business.

Tearing off uncharacteristically supercharged versions of “Destiny Unbound” (with a ferocious funk jam), “Wilson” (with a strong, whole-band “Mind-Left Body” tease), and “Mound” (with a spectacular final solo by Big Red), everything the band touched was turned to gold. Even throwing a “Big Black Furry Creatures” into the mix to enhance the retro vibe, Phish was playing this set to all everyone from jaded vets to drooling noobs. And as Trey punctuated “Mound” with a blistering showcase, he set the table for the final—and most impressive—sequence of the set: “A Song I Heard the Ocean Sing,” “Time Loves a Hero,” Reba > Bowie.”

7.3.11 G.Lucas)

A day after resurrecting their post-hiatus opus “Scents and Subtle Sounds,” Phish threw down their other epic 2.0 jam—“A Song I Heard the Ocean Sing.” Riding the song’s menacing wave, when the snarling section ended one of the more profound segments the set emerged. Nodding to the ambient harmonies and abstract playing that graced the Storage Jam (and much of June,) Phish oozed into a gorgeous piece of patient psychedelia as day started to transform into night. Following the far-out realms that they reached in this experiment, Phish got the audience back on the same page with a juxtaposition of styles in Little Feat’s groove-based “Time Loves a Hero.”

But the climax of this torrid set came in the unlikely and (once again) old-school one-two punch of “Reba” and “David Bowie.” Daytime “Rebas” have provided vivid festival memories since The Clifford Ball’s immaculate Sunday version. Followed three years later by Oswego’s dusk performance and in 2003, by IT’s phenomenal afternoon rendition, it had been a while since a daytime festival set and “Reba” collided. But when this happened at Super Ball, one of the defining versions of the modern era resulted.

7.3.11 (G.Lucas)

Splashing into a laid-back groove, Mike and Trey took their time building their lines together, echoing and weaving melodies around each others’ ideas. The interplay of the two guitarists would be the defining facet of this version as they leaped into another dimension of sonic convergence. Finally exiting their one-minded symbiosis with a series of uncharacteristic rhythms licks, Trey moved into a final solo that floated atop the band’s majestic groove and Lead 35,000 people to the moutaintop. And as Fishman’s drum roll slammed the door on this dramatic excursion, the band broke out the song’s now-rare whistling ending. But as they entered the final verses, the band dropped the ball, butchering their attempt at the first complete rendition in ages. But playing off their own mistake and humorously embracing their flub, they guys never stopped playing when the lyrics ended, and—with stage antics—built an ambient bridge from the end of “Reba” into a set-closing “David Bowie.”

Super Ball Print (Masthay)

Tearing off an adrenalized and intricate version of yet another ancient opus, Phish underlined the vintage quality of this stanza. The outstanding communication and creativity that was on display throughout this frame flooded the final jam and the guys shredded a fierce take of their classic, moving from feel-good textures into far more harrowing territory before delivering the demonic tale to its final shrills. A thrilling exclamation point on a near-perfect set, “Bowie’s” airtight excursion dropped the hammer on a stunning first half of what would soon become one Phish’s best two-set shows since their return.

Soul Shakedown Party, AC/DC Bag, The Curtain > Colonel Forbin’s Ascent > Fly Famous Mockingbird, Destiny Unbound, Big Black Furry Creature from Mars, Wilson, Mound, A Song I Heard the Ocean Sing, Time Loves a Hero, Reba -> David Bowie

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443 Responses to “A Spectacular Set”

  1. chefbradford Says:

    @Ramblin, haven’t seen it, don’t know what you’re talking about. I would assume this person is directly related to Bob?

  2. chefbradford Says:

    I’ll check it our soon, Ramblin, sorry to call you on it 😉

  3. RamblinMind Says:

    Gah! Now I want to watch it again too

  4. RamblinMind Says:

    better in the context of the show, truthfully. it’s one of the best shows that has been on tv, so i highly recommend it….only 18 episodes or so but pretty amazing, great cast

  5. brother Says:

    @earlier sneak in shows……i got tossed from 12/7/97 as soon as ac/dc bag started up. puffin right in front of security and didn’t even see him. he escorted me out, i ran to the first entrance 30′ away and begged my way back in within ten seconds of being tossed out. told lady i had serious emergency and had to exit. she didn’t even blink an eye and let me right in! the cop that threw me out was still standing next to where he threw me out but didn’t see me. I was back in the same row, but different seat by the start of psycho killer. didn’t know a soul around me as me and my bud were at the end of the row but everyone saw me get tossed and were lookin out for me. puffed right up. some dude even gave me his cap to wear and a hoodie so that the same security guy wouldn’t recognize me. unreal. oh, and the show turned out to be a pretty good one.

  6. RamblinMind Says:

    you went back to the same row?!

    I only snuck into one concert, and it was Bill Hornsby with guest Steve Kimock, and with Leftover Salmon opening. Hampton Beach, New Hampshire. Just parked next to the building and walked right up the first stairs we saw, past security people and others. We didn’t know what we were doing, so I guess we looked natural.

  7. Lycanthropist Says:

    no Ramblin

    you are right on

    Ripple is hugely influential to the last episode.

    Great great show.

    Fantastic Final episode.

  8. chefbradford Says:

    Lycan, I may have been bottom paged, but a couple of co-workers were impressed by CF, moreso by your playing in particular

  9. Lycanthropist Says:

    word @chef

    thats great

    be sure to play them some paradox charlie then!

  10. chefbradford Says:

    For sure, bud

  11. chefbradford Says:

    Oh yeah, is This Side Up still going as well?

  12. BrandonKayda Says:

    Freaks and Geeks was an awesome show. Watched the whole thing in like 3 days

  13. butter Says:

    really sorry to hear about your dog, Mitch. i’m a dog lover/owner and that just blows, hang in there buddy

    tried to read back and find out what happened to dude, but couldn’t find it, anyway sorry @dude, too

  14. butter Says:

    give this Camden Swept Away>Steep my post morning meditation spin

  15. Baxter Says:

    That Sunday Superball show was the best Phish I have seen since my first one in 1988.

  16. angryjoggerz Says:

    spiritual plinko funkers?

  17. sneven Says:

    stupid drive by:


    and this one too:


    I’m having fun with my Dad…


  18. Frank Says:

    Such an awesome set. Maybe the best of the year.. Best Mound ever.. hands down.. At least the ones I’ve heard and seen..

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