- Poseted in Uncategorized
- With the LOST
- On March 31, 2010
- By Mr.Miner
- Poseted in Uncategorized
- With the 2010, Tickets
- On March 31, 2010
- By Mr.Miner
Holds have been placed on credit cards across the country, and official emails should be following sometime soon. Hang tight folks, and best of luck to all!

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Jam of the Day:
The most memorable segment of Denver’s second set in the band’s follow-up to Utah’s Dark Side escapade.
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DOWNLOAD OF THE DAY:
2.21.03 The Crown, Cincinnati, OH < Megaupload

Today we look back on night one of the band’s two-night, post-hiatus stand at The Crown. The opening set features strong versions of “Disease” and “Antelope,” setting the stage for a throw-down second set. Coming off a standout show in Chicago, Phish really began to hit their first stride back during this Midwestern weekend.
I: Wilson, Frankenstein, Down with Disease, Lifeboy, Boogie On Reggae Woman, Run Like an Antelope, I Didn’t Know
II: Mike’s Song > Free, Waste > Also Sprach Zarathustra > Harry Hood, All of These Dreams, Possum, Cavern
E: Wading in the Velvet Sea
Source: Unknown
Holds have been placed on credit cards across the country, and official emails should be following sometime soon. Hang tight folks, and best of luck to all! ===== Jam of the Day: “Piper > 2001” 11.4.98 II The most memorable segment of Denver’s second set in the band’s follow-up to Utah’s Dark Side escapade. ====== …
- Poseted in Uncategorized
- With the Culture, Tickets
- On March 30, 2010
- By Mr.Miner

Never have I wanted my credit card to be charged as much as I do right now. The magic digits of $564 are the numbers that would bring me bliss, celebration, and relief. $564 (or $282 if you’re rolling solo) represents the cost of two tickets for The Greek and Telluride. (Or any 10 single tickets, but that’s mere trivia in this instance.) Anyone who gets the privilege to purchase these golden tickets via Phish’s lottery this week will be able to deeply exhale and put their feet up, while everyone else sweats it out. Lottery winners will be automatically freed-up to stab for east coast lower pavilions, or to help friends on the harder missions this weekend. But more than anything, one’s hassle will be over before it ever began.

Phish tickets are fickle bitches these days. At times costing upwards of $300 in the secondary market for the smallest shows, at many other times, one can’t give them away if they tried. The actual market value of a single Phish ticket fluctuates so greatly in relation to locale, as one can clearly observe this summer. Other than The Greek and Telluride, all other tickets will be easy scores, and the only issue will be lawn or pavilion. If one waits out the initial feeding frenzy, many of these tickets will be for sale on lot for far under the $60 face plus fees value. The same scene took place in 2009, where the only hard tickets (besides Hampton) became the tiny Fox Theatre in St. Louis and the band’s uber-climactic return to Red Rocks, holding only 10,000 people. (Asheville gets an honorable mention, but it wasn’t the same.) For most other shows, one could score a stub for $20 -40 easily, and it was a fair deal leaving both parties happy. It used to be that one could walk to the venue with an extra ticket with no doubt of selling it to someone along the way. But at this point, when trying to sell extras, one encounters far more people trying get rid of their own superfluous stubs than anyone looking to buy one. Except for these special shows when tickets are worth more than gold; it’s quite an interesting dichotomy.

Last year’s Fox show, one case study, turned out to be a very funny occasion. So many people flew across the country and paid top dollar to get into The Fox, and Phish responded with one of the tamest shows of the tour, centering “Time Turns Elastic” in the second set. A decent, yet linear, “Halley’s” jam held the only redeeming value on a night that everyone had circled for months as the “can’t-miss” show of summer. But unquestionably, The Fox represented an exception rather than the norm, as Phish rarely disappoints. And something tells me the band won’t be dropping duds in Berkeley and the Rockies come August.
With only a few days separating us from summer tour’s general on-sales, everyone and their mother (pun intended) will be getting their lottery emails before too long. Over these next two days fans will obsessively check their credit cards, praying for that magic $564 or $282 hold, and before long, we will all know one or two people who scored huge. But in the meantime, all we can do is wait and cross our fingers. With the amount of requests versus the amount of available tickets, the word “lottery” has never seemed so appropriate.
Good luck to all, and may the force be with you. We are gonna’ need it.
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Jam of the Day:
“Wolfman’s Brother” 7.26.99 II
The second set opener from Summer ’99′s US finale at Deer Creek.
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DOWNLOAD OF THE DAY:
6.20.04 SPAC, Saratoga Springs, NY < Megaupload

This show concluded Phish’s last gasp of full-blown creativity in 2004. As the band sculpted their unofficial post-hiatus finale over SPAC’s magical nights, they left us with two more shows to remember forever. The band’s first visit back since Summer ’95 proved to be high point of ’04. The second set – “Seven Below > Ghost > Twist, YEM” – contains top-notch jamming throughout.
I: Rift, Julius, Bill Bailey, Won’t You Please Come Home?, Waves, Gumbo, Water in the Sky, Horn, Poor Heart, Drowned
II: Seven Below > Ghost > Twist, You Enjoy Myself
E: Good Times Bad Times
Source: Unknown
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NOTE: I am out of town for a few days at an undisclosed location with very sketchy Internet connectivity. This will effect the site in a few ways this week. First off, there will be no torrents. I will do my best to get torrents of this week’s shows up when I get home. Also, I may not be able to connect for long enough to upload new shows for Downloads of the Day, therefore, I will likely feature shows that were posted a long time ago or went directly to the archive. Things will be back to normal by the weekend. Thanks for your understanding!
Never have I wanted my credit card to be charged as much as I do right now. The magic digits of $564 are the numbers that would bring me bliss, celebration, and relief. $564 (or $282 if you’re rolling solo) represents the cost of two tickets for The Greek and Telluride. (Or any 10 single …
- Poseted in Uncategorized
- With the Culture
- On March 29, 2010
- By Mr.Miner

With June methodically approaching, one can’t help but think of tours past under the welcoming warmth of the summer sun. Just like every tour has particular shows that standout as highlights, there are always a some performances that either get dogged on, or flat out forgotten. Sometimes these criticisms and cases of historical amnesia are well warranted, but other times, not so much. Below are three shows that either get a bad rap, or glossed over in Phishy historical dialogue, and each, I believe, has more to offer than their legacy suggests. (Click the orange show titles to download.)
*****
8.14.1996 Hershey Stadium, Hershey, PA

Perhaps the perfect example of this phenomenon, people have ripped on Hershey since the day it happened. Many fans skirted Chocloate City for Plattsburgh, in order to set up camp at The Clifford Ball a day early. But for those who braved the bare bones environs of Hershey Stadium, they were treated to a show with more than a few highlights. Right off the bat, the band jammed out “Wilson” uncharacteristically, building an elongated sonic bridge into a searing “Down with Disease. “Reba” and “Stash” provided musical adventures of the opposite nature, providing the improvisational yin and yang for the rest of the opening set.
Although front loaded, set two came out with more than its fair share of jamming. An old-school, multi-themed “Runaway Jim” kicked off the frame, and set the table for a second song “YEM.” But the jam of the show came in the mid-set “Tweezer,” a twisting rendition that got far more interesting than its bombastic Clifford Ball counterpart. While the end of the set trickled out a bit, there was more than enough meat in this show to hold up to its Summer ’96 brothers. While not the strongest show of the summer, Hershey deserves a earnest re-listen if it hasn’t been heard in years.
I: Wilson > Jam > Down with Disease, Fee > Poor Heart, Reba, The Mango Song, Gumbo, Stash, Hello My Baby
II: Runaway Jim, You Enjoy Myself, The Horse > Silent in the Morning, Cars Trucks Buses, Tweezer, Theme From the Bottom, Hold Your Head Up > Cracklin’ Rosie > Hold Your Head Up, Sample in a Jar, Tweezer Reprise
E: Julius
7.29.97 Desert Sky Pavilion, Phoenix, AZ

While this show doesn’t get the harsh treatment of Hershey, I find that it often gets overlooked all together. Following a climactic first week of Phish’s US tour, and before a memorable run up the west coast, the band dropped a bomb in the desert. On a Tuesday night, Phish continued their revolutionary summer with a standout session of bulbous grooves in the first set’s “Gumbo.” A piece that stood out to Trey, himself, as quoted in The Phish Book, the jam’s connected funk rhythms followed the band’s musical goal of the summer, setting the foundation for larger dance extravaganzas throughout the tour. A blowout, late-set “Ghost” kept the beat pulsating before the band took things into setbreak.
Phish turned in a wilder direction with the drop of an early-second set “Antelope.” Taking this piece much further out, and in different directions, than most late-90s “Antelopes,” this version became an instant classic. The second standout jam in the set, and perhaps one of the most dark-horse pieces of improv from Summer ’97, took place in “Twist.” A song that had been debuted only a month earlier in Europe, this early stateside version crawled slowly into unique places. Taking the jam into a darker, murky musical swamp, Phish was still experimenting with where “Twist” could take them, and on this night, they nailed one. Desert Sky ’97; don’t sleep.
I: Theme From the Bottom, Beauty of My Dreams, Gumbo, Dirt, Sparkle, Ghost, Swept Away > Steep, Loving Cup
II: Olivia’s Pool, Run Like an Antelope, Wading in the Velvet Sea, Twist > Taste, Sample in a Jar, Rocky Top, The Squirming Coil
E: Possum
*****
7.15.99 PNC Arts Center, Holmdel, NJ

This first night of PNC’s two-night stand followed the typical pattern of delving into deeper, more exploratory jamming than its second night counterpart. Phish filled the second set with this type of open risk-taking. Starting the set with the summer’s anthem, “Meatstick,” this version emerged as the one time the band actually jammed out of the song, crafting a sparse and playful plane of bass-led space-funk. Extending the into engaging exploration, the band finally landed in the intro of “2001″ – or was it “Split Open?” For a second it seemed that the band didn’t even know, but they steered the groove into the intro to “Split.” As the improv dropped, Phish got very heavy very quickly, alternating tempos in a menacing piece of music. Building the snarling textures into “Kung,” the band blasted out of their Gamehendge-based chant into a blistering, break-neck jam. Playing with fury, the band took off into intersteller communication. Interestingly, however, they eventually reached a chilled-out plane where the entire band was still clearly anchored in “Split;” some adveturous psychedelia to say the least.
“Punch > Ghost” opened the show with as much pop as possible, and the rest of the night flowed from there. A rare “Axilla” and “Sloth” popped into the first set before “You Enjoy Myself” set the crowd into the intermission. This show gets largely ignored, and the second set contains some impressive grooves and stellar abstract improv, while the second night went on to boast a setlist of greatest hits within a relatively safe performance.
I: Punch You In the Eye, Ghost, Farmhouse, Horn, Poor Heart, Axilla > Theme From the Bottom, I Didn’t Know, The Sloth, You Enjoy Myself
I: Meatstick > Split Open and Melt > Kung > Jam, Bouncing Around the Room, Chalk Dust Torture
E: Brian and Robert, Frankenstein
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Jam of the Day:
“Reba” 10.26.94 II
This mellow and meditative Monday morning “Reba” served as a precursor to the scintillating Halloween ’94 version. Plucked from the Download of the Day, this is another great example of the synergy between 1994 and “Reba” jams.
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DOWNLOAD OF THE DAY:
10.26.94 Appalachian State University, Boone, NC < Torrent
10.26.94 Appalachian State University, Boone, NC < Megaupload

An animal-themed first set and a classics-based second, combined for this pre-Halloween party in the mountains of North Carolina in October of 1994.
I: Simple, It’s Ice, NICU, Run Like an Antelope, Guyute, Dog Faced Boy, Scent of a Mule, The Oh Kee Pa Ceremony > Suzy Greenberg, Runaway Jim
II: Rift, Bouncing Around the Room, Reba, Axilla (Part II), You Enjoy Myself > The Vibration of Life > You Enjoy Myself, Hold Your Head Up > Cracklin’ Rosie > Hold Your Head Up, David Bowie
E: Nellie Kane*, Foreplay/Long Time*, Amazing Grace
*Acoustic
Source: AKG 460s
With June methodically approaching, one can’t help but think of tours past under the welcoming warmth of the summer sun. Just like every tour has particular shows that standout as highlights, there are always a some performances that either get dogged on, or flat out forgotten. Sometimes these criticisms and cases of historical amnesia are …
- Poseted in Uncategorized
- With the 1993, Weekend Nuggets
- On March 27, 2010
- By Mr.Miner
DOWNLOADS OF THE WEEKEND:

Carrying Friday’s focus into the weekend, here are two more complete shows from August ’93. Once I get the archive caught up (hopefully next week,) most of August, and much of July will be available for download in one place. Until then, enjoy a couple more from this phenomenal era.
*****
8.16.93 American Theatre, St.Louis, MO < Torrent
8.16.93 American Theatre, St.Louis, MO < Megaupload

I: Axilla, Possum, Horn, Reba, Sparkle, Foam, I Didn’t Know, Split Open and Melt, The Squirming Coil
II: Mike’s Song > Faht > Weekapaug Groove, Mound, It’s Ice, My Friend, My Friend, Poor Heart, Big Ball Jam, Take the ‘A’ Train, Good Times Bad Times
E: Amazing Grace, Rocky Top
Source: Nakamichi 300 Omnis
*****
8.17.93 Memorial Hall, Kansas City, KS < Torrent
8.17.93 Memorial Hall, Kansas City, KS < Megaupload

I: Wilson, Llama, Guelah Papyrus, The Divided Sky, Weigh > Maze, Fluffhead, Fast Enough for You, Daniel Saw the Stone
II: 2001 > David Bowie, The Horse > Silent in the Morning, Rift, Suzy Greenberg, You Enjoy Myself > Purple Rain > Hold Your Head Up, My Sweet One, Cavern
E: Memories, Fire
Source: Unknown
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Jam of the Weekend:
“YEM > Halley’s > Slave” 8.6.93 II
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VIDEOS OF THE WEEKEND:
“Glide” – 7.21.93, Middletown, NY (H.O.R.D.E.)
“Fast Enough For You” – 8.8.93, Cleveland, OH
DOWNLOADS OF THE WEEKEND: Carrying Friday’s focus into the weekend, here are two more complete shows from August ’93. Once I get the archive caught up (hopefully next week,) most of August, and much of July will be available for download in one place. Until then, enjoy a couple more from this phenomenal era. ***** …
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